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The official tie-in to the major motion picture starring Jonathan Rhys Meyers, Ewan McGregor, Christian Bale, and Toni Collete. At the center of the story is Brian Slade, a glam rocker of the '70s whose rise and fall becomes the subject of an expose by a British newspaper reporter thirteen years later.
From the trenches of independent American film of the 1990s, Todd Haynes has emerged in the 21st century as one of the world's most audacious filmmakers. In a series of smart, informative essays, this book traces his career from its roots in New Queer Cinema to the Oscar-nomainated 'Far From Heaven.
Science fiction, fantasy, comics, romance, genre movies, games all drain into the Cultural Gutter, a website dedicated to thoughtful articles about disreputable art-media and genres that are a little embarrassing. Irredeemable. Worthy of Note, but rolling like errant pennies back into the gutter. The Cultural Gutter is dangerous because we have a philosophy. We try to balance enthusiasm with clear-eyed, honest engagement with the material and with our readers. This book expands on our mission with 10 articles each from science fiction/fantasy editor James Schellenberg, comics editor and publisher Carol Borden, romance editor Chris Szego, screen editor Ian Driscoll and founding editor and former games editor Jim Munroe.
From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.
The central image of David Bowie's “Life on Mars?” could have been ripped from his own experience: a child sits “hooked to the silver screen,” reliving fantastical scenes played out on film. Throughout his life, Bowie was similarly transfixed by the power of film. From his first film role in The Image to his final music video before his death, “Lazarus,” Bowie's musical output has long been intrinsically linked to images. Analyzing Bowie's music videos, planned film projects, acting roles, and depictions in film, David Bowie and the Moving Image provides a comprehensive view of Bowie's work with film and informs our understanding of all areas of his work, from music to fashion to visual art. It enters the debate about Bowie's artistic legacy by addressing Bowie as musician, actor, and auteur.
Todd Haynes's films are intricate and purposeful, combining the intellectual impact of art cinema with the emotional accessibility of popular genres. They are also underpinned by a serious commitment to feminism and queer theory. From his 1985 student film about Arthur Rimbaud to his shapeshifting portrait of Bob Dylan in I'm Not There (2007) and the riveting HBO miniseries Mildred Pierce (2011), Haynes has made films whose complex weave of stories and characters reveals dark, painful intensities. His taste for narrative experimentation and pastiche is haunted by anguish. Rob White's highly readable book, which includes a major new interview with Haynes, is the first comprehensive study of the director's work. Special attention is paid to the fascination with music culture (from the Carpenters to glam rock) and to the rich pattern of allusions to, or affinity with, predecessor filmmakers (Fassbinder, Ophuls, Sirk, and many more). But White's chief concern is the persistence of a queer impulse to explore social coercion and the possibility that there may be some way of escaping its cruelty.
Out is a fashion, style, celebrity and opinion magazine for the modern gay man.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Music.
Bowie, Bolan, Bryan Ferry and Iggy Pop are the icons that defined the particular type of music that came to be known as glam rock in the early 1970s. It was a period characterized by visual excess and ambisexual confrontation, where performance came to be as important as the music. Glam gave pop back to disaffected teenagers who lapped it up and reinvented themselves as space-age androgynes. Tying in with the release of Todd Haynes' film, Velvet Goldmine, Barney Hoskyns' Glam! is a trenchant survey of a thrilling, thoroughly over-the-top time in pop's life. From Oscar Wilde to Ziggy Stardust, from Liberace to Lou Reed, Hoskyns explores the flamboyant decadence, the bisexuality, and the sheer unadulterated fun of the early seventies. 'It was a brilliant pop era, wasn't it? The last proper pop era, probably.' Mickie Most 'I think rock should be tarted up, made into a prostitute, a parody of itself. It should be the clown, the pierrot medium.' David Bowie 'Our function really is to relieve adolescents of their ills, of all the mental cruelty that's been bestowed on them.' David Johansen, New York Dolls