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In Veil and Vow, Aneeka Ayanna Henderson places familiar, often politicized questions about the crisis of African American marriage in conversation with a rich cultural archive that includes fiction by Terry McMillan and Sister Souljah, music by Anita Baker, and films such as The Best Man. Seeking to move beyond simple assessments of marriage as "good" or "bad" for African Americans, Henderson critically examines popular and influential late twentieth- and early twenty-first-century texts alongside legislation such as the 1996 Defense of Marriage Act and the Welfare Reform Act, which masked true sources of inequality with crisis-laden myths about African American family formation. Using an interdisciplinary approach to highlight the influence of law, politics, and culture on marriage representations and practices, Henderson reveals how their kinship veils and unveils the fiction in political policy as well as the complicated political stakes of fictional and cultural texts. Providing a new opportunity to grapple with old questions, including who can be a citizen, a "wife," and "marriageable," Veil and Vow makes clear just how deeply marriage still matters in African American culture.
Ingrid Bergman’s engaging screen performance as Sister Mary Benedict in The Bells of St. Mary’s made the film nun a star and her character a shining standard of comparison. She represented the religious life as the happy and rewarding choice of a modern woman who had a “complete understanding” of both erotic and spiritual desire. How did this vibrant and mature nun figure come to be viewed as girlish and naïve? Why have she and her cinematic sisters in postwar popular film so often been stereotyped or selectively analyzed, so seldom been seen as women and religious? In Veiled Desires—a unique full-length, in-depth look at nuns in film—Maureen Sabine explores these questions in a groundbreaking interdisciplinary study covering more than sixty years of cinema. She looks at an impressive breadth of films in which the nun features as an ardent lead character, including The Bells of St. Mary’s (1945), Black Narcissus (1947), Heaven Knows, Mr. Allison (1957), Sea Wife (1957), The Nun’s Story (1959), The Sound of Music (1965), Change of Habit (1969), In This House of Brede (1975), Agnes of God (1985), Dead Man Walking (1995), and Doubt (2008). Veiled Desires considers how the beautiful and charismatic stars who play chaste nuns, from Ingrid Bergman and Audrey Hepburn to Susan Sarandon and Meryl Streep, call attention to desires that the veil concealed and the habit was thought to stifle. In a theologically and psychoanalytically informed argument, Sabine responds to the critics who have pigeonholed the film nun as the obedient daughter and religious handmaiden of a patriarchal church, and the respectful audience who revered her as an icon of spiritual perfection. Sabine provides a framework for a more complex and holistic picture of nuns onscreen by showing how the films dramatize these women’s Christian call to serve, sacrifice, and dedicate themselves to God, and their erotic desire for intimacy, agency, achievement, and fulfillment.
Marriage—it's all about love and understanding and being with each other for the rest of your days. For Elise, it means something entirely different. Thrown into a marriage on her father's orders, Elise isn't prepared to be married to the man known as Luca Pasquino. Luca is the next capo in line to take over his father's empire with an iron fist. He's cruel, he's evil, and he's ready to destroy anything and anyone that gets in the way of his plans for complete control. Elise has no idea what is in store for her. All she knows is that she can try to survive her life for the rest of her days with Luca. Update from author: I'm listening! In my zeal to tell my story, I relied on the expertise of others to ensure it went from my head to the printed page, which didn't go exactly as planned. Deadly Vows has now been re-edited to ensure the grammar and punctuation are now as they should be. Enjoy!
A rich mystery just waiting to be unravelled by prayerful disciples of Christ, the Word of God, contained in the scriptures, comes alive in Inside the Veil. Author Jeff Linton introduces the idea that God, the author of scripture, has used the names of people and places to hide information that confirms the messages of the Bible. Focusing on the role of prayer in the life of believers, Mr. Linton describes the ingredients of prayer as “incense” coming before Almighty God. As we enter the very presence of God, behind the veil, our words become effective and powerful. With “spiritual eyes” we see the depths of God’s truth and His purpose for our lives. Written in an engaging and accessible voice, Inside the Veil will educate and challenge readers to move even deeper into their relationship with the Lord, coming before Him and His Word with greater understanding and faith. If you have been discouraged with your prayer life at any time in your walk with God, this book can help you! Be encouraged and discover a new vitality that will enhance your relationship with the Lord and your understanding of His Word. Ideal for individual and group study, Inside the Veil will be a valuable addition to church and personal libraries.
There is no published account of the history of religious women in England before the Norman Conquest. Yet, female saints and abbesses, such as Hild of Whitby or Edith of Wilton, are among the most celebrated women recorded in Anglo-Saxon sources and their stories are of popular interest. This book offers the first general and critical assessment of female religious communities in early medieval England. It transforms our understanding of the different modes of religious vocation and institutional provision and thereby gives early medieval women’s history a new foundation.
Vows, oaths, and curses are all quite separate enterprises in the Bible, and especially in the Old Testament. Unfortunately, the writings of many modern scholars fail to indicate these distinctions. This well-argued book elucidates the distinctive nature of vow-making in the Old Testament milieu, setting it in proper relief against the background of other declaratory statements. The first chapter provides a general introduction to the subject and clarifies the often confused practices of oath-taking and vow making as commonly found in the Hebrew Bible. The remainder of the study refines and defends these distinctions, exploring similar means of assertion in the ancient Near East, and suggesting such theological and literary implications as may result.
From New York Times best-selling author Lexi Ryan, Cruel Prince meets A Court of Thorns and Roses in this sexy, action-packed fantasy about a girl who is caught between two treacherous faerie courts and their dangerously seductive princes. Brie hates the Fae and refuses to have anything to do with them, even if that means starving on the street. But when her sister is sold to the sadistic king of the Unseelie court to pay a debt, she'll do whatever it takes to get her back--including making a deal with the king himself to steal three magical relics from the Seelie court. Gaining unfettered access to the Seelie court is easier said than done. Brie's only choice is to pose as a potential bride for Prince Ronan, and she soon finds herself falling for him. Unwilling to let her heart distract her, she accepts help from a band of Unseelie misfits with their own secret agenda. As Brie spends time with their mysterious leader, Finn, she struggles to resist his seductive charm. Caught between two dangerous courts, Brie must decide who to trust with her loyalty. And with her heart.
In this gripping follow-up to the Depression-era saga Mrs. Wiggins, the New York Times bestselling and award-winning author transports readers to the Deep South, as a proper church-going woman determined to snare Alabama’s most-sought after widower finds his secret desires and righteous lies come as a package deal… Forty-something widow Jessie Tucker is beloved throughout Lexington, Alabama, for her kind heart and endless generosity. But she feels it’s past time she rewarded herself—especially when upstanding Hubert Wiggins tragically loses his wife and son. Making herself indispensable, yet discouraged by Hubert’s lack of romantic interest, Jessie cooks up a deception she knows will make pious Hubert do right by her… Hoax or not, Hubert couldn’t be happier. The passionate self he’s long hidden from everyone has a new, much-riskier secret love. And the unsuspecting second Mrs. Wiggins will help him maintain his ever-so-devout image in the community… But when Hubert is not the ardent lover Jessie always dreamed he was, she turns her desires to handsome younger man Conway. Suddenly the “good church wife” can’t resist temptation at all. And someone is watching: Conway’s new girlfriend—and Jessie’s longtime rival—Blondeen. Now Blondeen has the perfect opportunity to harass Jessie, destroy her reputation, drive her out of town—then become the real wife Hubert should have had all along… In one shattering night, Jessie, Blondeen, and Hubert will each go too far. And when their web of deceit threatens to drag them under for good, they will have only one chance to erase the past and claim everything they’ve ever wanted. If their secrets don’t destroy them first…
I am not the first member of my family to leap over a wall. Nearly four hundred years ago, my ancestor, Thomas Baldwin of Diddlebury, leaped to freedom from behind the walls of the Tower of London, where he had been imprisoned for taking part in a plot for the escape of Mary Queen of Scots. His name, with an inscription and the date ‘July 1585’ can still be seen where he carved it on the wall of his cell in the Beauchamp Tower. Later, he added a motto to his coat-of-arms, Per Deum meum transilio murum— ‘By the help of my God I leap over the wall’. It has been the family motto of the Baldwins ever since; but the wall that I leapt over was a spiritual and not a material obstacle. In 1914, my cousin, William Sparrow, who disapproved of my entering the convent, wrote to me: “ Knowing you as I do, I can safely predict that it will be with you as with another fair and foolish female, whose unwisdom caused her to languish long behind prison walls. Your End will be your Beginning. I commend these words, with those of the family motto, to your meditations. Taken together, they may suggest a course of action in years to come.” In the following pages I have tried to describe what happened when my cousin’s rather ambiguous prophecy was fulfilled. It is a rash and foolhardy undertaking, in the circumstances, for I really know nothing about anything, except, perhaps, what goes on behind ‘high convent walls’. My only excuse is that so many, and such different kinds of people, have urged me to attempt it. Some of them said to me, ‘Because of your past environment, your angle is unusual. It should interest people. You ought to write about it.’ Others simply bombarded me with questions. It is chiefly on their account that I have embarked upon this book. Some of the remarks made to me revealed such fantastically wrong ideas about nuns and convents that I began to feel something ought to be done to put the monastic ideal in a truer perspective for those who know little’ or nothing about it. So I have tried to write accurately and fairly about life in a strictly enclosed convent, as I myself experienced it. To do this it was necessary to describe not only the wonderful and exalted spiritual ideal which inspires that life, but also certain aspects of it which, for various reasons, may perhaps leave something to be desired. I do not feel that I have done my subject justice. If, however, these pages help to straighten out even a few of the curiously crooked notions which so many people still appear to retain about convents, I shall be well satisfied.