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W.E.B Du Bois’ The Souls of Black Folk is a seminal work in the field of sociology, a classic of American literature – and a solid example of carefully-structured reasoning. One of the most important texts ever written on racism and black identity in America, the work contains powerful arguments that illustrate the problem of the position of black people in the US at the turn of the 20th-century. Du Bois identified three significant issues (‘the color line’; ‘double consciousness’; and ‘the veil’) that acted as roadblocks to true black emancipation, and showed how each of these in turn contributed to the problem of inequality. Du Bois carefully investigates all three problems, constructing clear explanations of their significance in shaping the consciousness of a community that has been systematically discriminated against, and dealing brilliantly with counter-arguments throughout. The Souls of Black Folk went on to profoundly influence the civil rights movement in the US, inspiring post-colonial thinking worldwide.
The Souls of Black Folk is a classic work of American literature by W. E. B. Du Bois. It is a seminal work in the history of sociology, and a cornerstone of African-American literary history. To develop this groundbreaking work, Du Bois drew from his own experiences as an African-American in the American society. Outside of its notable relevance in African-American history, The Souls of Black Folk also holds an important place in social science as one of the early works in the field of sociology.
To most people, princes, princesses, counts and dukes are found only in the pages of the most famous of fairytales. Crowns, priceless jewels and gilded thrones belong only in childhood dreams.But for some, these frivolous fancies are truth. For some, they are real life. On Manhattan's Upper East Side, people have always treated me as someone special. All because of my ancestral name and legacy. All because of a connection I share to our home country's most important family of all.I am Caresa Acardi, the Duchessa di Parma. A blue blood of Italy. I was born to marry well. And now the marriage date is set. I am to marry into House Savona. The family that would have been the royals had Italy not abolished the monarchy in 1946. But to the aristocrats of my home, the abolition means nothing at all.The Savonas still hold power where it counts most.In our tight-knit world of money, status and masked balls, they are everything and more. And I am soon to become one of them.I am soon to become Prince Zeno Savona's wife...... or at least I was, until I met Achille. And everything changed.
Being haunted by a ghost is bad. Being haunted by your boyfriend's ex is even worse. After making it through the summer, Bri begins senior year. Her nemesis from camp, Quinn, has become a ghost and conveniently attached herself to Bri. To make it worse, she used to date Bri
"Titled after a small gallery of the same name found in Rome, the poems are devoted to meditations on religious relics and works of art. They explore the narrative power these objects carry-the way we imbue totemic figures with both meaning and story, and the potential they have to define the world. From holy statues, to cherished words, to historical monuments, Thompson seeks to vitalize the inanimate"--
In 1920s Los Angeles, Letitia Hawking inhabits the veil between life and death. Using her scrying bowl to experience the final moments of the deceased, Letitia brings what little closure she can to her clients, allowing them to move on with their lives. Grief-stricken war widows and mourning families find peace when they visit Letitia. She knows no such peace. For Letitia, it's penance.For Alasdair Driscoll, Letitia's abilities offer the chance to save his beloved niece, Finola, from her nightmares and-as he fears-her growing insanity. But when Letitia sees a shadowy figure attached to the Driscoll family, old fears of her unspeakable past in England surface. She refuses to help him, despite his money and insistence. Instead, Letitia finds herself facing a father whose young daughter has been kidnapped-the third girl to have gone missing in as many months. Evading a determined Mr. Driscoll, a man used to getting his way, proves difficult. And as the darkness creeps in, Letitia makes the connection between the missing girls and Finola: the shadows haunting her visions. Letitia thought she could find refuge in a new, burgeoning city, far from her past. But she'll discover that unless she helps Mr. Driscoll rid his niece of her nightmares, the shadows will haunt Letitia-risking not only her newfound sanctuary but also her very sanity.
Du Bois chronicles the legacy of the Freedman's Bureau in his classic essay that is now a part of the Penguin Great Ideas series.
Hi, I'm Alexis Delaney. I'm your average 17-year-old girl. Except I can see the dead. And talk to the dead. And push them away and, well, help them move on. So..okay, I'm not your average 17-year-old girl. For years I've been struggling to survive the souls still roaming around. The shitheads always seem to find me. Moving from town to town every few months never helped either. More dead just always find me. But things are changing for me now. I'm moving in with my uncle Rory and cousin Tara. I'm finally going to be able to do normal teenage stuff I've been missing out on. Right? Well, if this one bitch of a ghost could leave me alone on campus that would be great. Especially since I haven't told my new friends about my abilities. Can you believe this? Five good looking guys practically adopt me on my first day of school, and I still think they're a bit nuts for it. Now if I can only just keep my life with the dead from mixing with my normal life, everything would be great. Yeah...I don't see that happening either. But I'm going to give it a shot. Who knows? It might work.
"Tika reaches her birthplace hoping to find a home, a family, and a safe haven, but Mortan has other plans for the girl with incredible healing powers. Tika is forced to leave Xanti and find a way to protect herself against Mortan and his deadly Sha̕andari--for even though she denies being Azetha, she can't deny the constant threat she's living under. Only the Veil of Death will give her a fighting chance to stay alive."--Back cover.