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Beckford's Gothic novel Vathek, an Arabian tale, was originally written in French when the author was twenty-one. Published in English in 1786, it was one of the most successful of the oriental tales then in fashion. This edition makes available to a new generation of scholars and general readers, the originality of Beckford's ideas, and the excellence of his prose.
The Gothic novel, which flourished from about 1765 until 1825, revels in the horrible and the supernatural, in suspense and exotic settings. This volume, with its erudite introduction by Mario Praz, presents three of the most celebrated Gothic novels: The Castle of Otranto, published pseudonymously in 1765, is one of the first of the genre and the most truly Gothic of the three. Vathek (1786), an oriental tale by an eccentric millionaire, exotically combines Gothic romanticism with the vivacity of The Arabian Nights and is a narrative tour de force. The story of Frankenstein (1818) and the monster he created is as spine-chilling today as it ever was; as in all Gothic novels, horror is the keynote.
No words can describe the amazement of the courtiers when they beheld this rude merchant withstand the encounter unshocked. They all fell prostrate with their faces on the ground to avoid the risk of their lives, and continued in the same abject posture till the Caliph exclaimed in a furious tone, "Up, cowards! seize the miscreant! see that he be committed to prison and guarded by the best of my soldiers!
Macabre and melodramatic, set in haunted castles or fantastic landscapes, Gothic tales became fashionable in the late eighteenth century with the publication of Horace Walpole's The Castle of Otranto (1764). Crammed with catastrophe, terror, and ghostly interventions, the novel was an immediate success, and influenced numerous followers. These include William Beckford's Vathek (1786), which alternates grotesque comedy with scenes of exotic magnificence in the story of the ruthless Caliph Vathek's journey to damnation. The Monk (1796), by Matthew Lewis, is a violent tale of ambition, murder, and incest, set in the sinister monastery of the Capuchins in Madrid. Frankenstein (1818, 1831) is Mary Shelley's disturbing and perennially popular tale of young student who learns the secret of giving life to a creature made from human relics, with horrific consequences. This collection illustrates the range and the attraction of the Gothic novel. Extreme and sensational, each of the four printed here is also a powerful psychological story of isolation and monomania.
Gothic as a form of fiction-making has played a major role in Western culture since the late eighteenth century. In this volume, fourteen world-class experts on the Gothic provide thorough and revealing accounts of this haunting-to-horrifying type of fiction from the 1760s (the decade of The Castle of Otranto, the first so-called 'Gothic story') to the end of the twentieth century (an era haunted by filmed and computerized Gothic simulations). Along the way, these essays explore the connections of Gothic fictions to political and industrial revolutions, the realistic novel, the theatre, Romantic and post-Romantic poetry, nationalism and racism from Europe to America, colonized and post-colonial populations, the rise of film and other visual technologies, the struggles between 'high' and 'popular' culture, changing psychological attitudes towards human identity, gender and sexuality, and the obscure lines between life and death, sanity and madness. The volume also includes a chronology and guides to further reading.
Seminar paper from the year 2011 in the subject English Language and Literature Studies - Literature, grade: 1,0, University of Passau, language: English, abstract: Die vorliegende Arbeit behandelt den Gothic Novel "Vathek" von William Beckford und analysiert die ambivalenten Moralvorstellungen in dem Roman, die insbesondere durch den Erzähler geprägt werden. Dabei wird der Text auf seine moralphilosophische Positionierung untersucht und kommt zu dem Schluss, dass es sich bei Beckfords Erzählung um eine ausgeklügelte "Auto-Satire" handelt. Die Interpretation wird in umfassendere Kontexte (Zeitalter der Aufklärung und Gattungsgeschichte der Gothic Novel) eingebettet.
DigiCat Publishing presents to you this special edition of "Dreams, Waking Thoughts, and Incidents" by William Beckford. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
This volume contains five stories about plague – some short, some long. Each that builds upon the heritage of the other. This volume contains five stories – some short, some long. Each that builds upon the heritage of the other. It starts with The Castle of Ontarato (1764) by Horace Walpole which is considered the first, “Gothic Novel”; Vathek, An Arabian Tale (1782) by William Beckford, was influenced by Walpole and Arabian Nights; The Last Man (1826) by Mary Shelley carries on the theme of the previous works, but could be viewed as one of the first science fiction post-apocalyptic novels; The Masque of the Red Death (1842) by Edgar Allen Poe also focuses on apocalyptic forces and society’s efforts (or lack thereof) to deal with it. Finally, The Scarlet Plague (1912) by Jack London describes a world-wide pandemic that humanity cannot control. Even the cover illustration, The Sleep of Reason Produces Monsters, by Goya is influenced by the Gothic art and forms a sort of double-entendre of monsters made in our mind and by doing nothing.
"The Gothic Tradition is a new title in the Cambridge Contexts in Literature series. It is designed to support the needs of advanced level students of English literature. Each title in the series has the quality, content and level endorsed by the OCR examination board. However, the texts provide the background and focus suitable for any examination board at advanced level. The series explores the contextual study of texts by concentrating on key periods, topics and comparisons in literature. Each book adopts an interactive approach and provides the background for understanding the significance of literary, historical and social contexts. Students are encouraged to investigate different interpretations that may be applied to literary texts by different readers, through a variety of activities and questions, the use of study aids, such as chronologies and glossaries, and the inclusion of anthology sections to exemplify issues." http://www.loc.gov/catdir/description/cam022/2001278650.html.