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With All Our Strength is the inside story of this women-led underground organization and their fight for the rights of Afghan women. Anne Brodsky, the first writer given in-depth access to visit and interview their members and operations in Afghanistan and Pakistan, shines light on the gruesome, often tragic, lives of Afghan women under some of the most brutal sexist oppression in the world.
A Seattle Times Best Book of the Year A Buzzfeed Best Nonfiction Book of the Year "Nimura paints history in cinematic strokes and brings a forgotten story to vivid, unforgettable life." —Arthur Golden, author of Memoirs of a Geisha In 1871, five young girls were sent by the Japanese government to the United States. Their mission: learn Western ways and return to help nurture a new generation of enlightened men to lead Japan. Raised in traditional samurai households during the turmoil of civil war, three of these unusual ambassadors—Sutematsu Yamakawa, Shige Nagai, and Ume Tsuda—grew up as typical American schoolgirls. Upon their arrival in San Francisco they became celebrities, their travels and traditional clothing exclaimed over by newspapers across the nation. As they learned English and Western customs, their American friends grew to love them for their high spirits and intellectual brilliance. The passionate relationships they formed reveal an intimate world of cross-cultural fascination and connection. Ten years later, they returned to Japan—a land grown foreign to them—determined to revolutionize women’s education. Based on in-depth archival research in Japan and in the United States, including decades of letters from between the three women and their American host families, Daughters of the Samurai is beautifully, cinematically written, a fascinating lens through which to view an extraordinary historical moment.
The newest titles in the Princeton Architectural Press Campus Guide series take readers on authoritative tours of two prestigious colleges, Vassar and Dartmouth. Beautifully photographed in full color, the guides present architectural walks of these American college campuses distinguished for landmark buildings-Vassar showcasing a developing expression of changes in women's education and Dartmouth revealing the provincial design roots and rural setting of the prominent Ivy League college.
The Perseids is a book of poems whose central concern is the way in which memory, perception, and imagination act as lenses to "magnify" experience, creating a state of heightened observation and attention to detail. The book contains two central points around which the other poems are clustered. First, the "Meditations in the Voice of Robert Hooke," a series of two poems, take on the persona of the seventeenth-century microscopist and inventor Robert Hooke, who was the first person to document verbally and graphically the micro world made newly visible by the invention of the microscope. In these poems, Hooke wonders at the fineness of creation, and is moved to expressions of religious awe by the perfection in the forms of nature compared to those made by man. In the second poem in this series, Hooke recalls a summer day spent with his mother in their garden, and meditates on the especial vividness of her presence with him in his memory and imagination, despite her death many years before. The other poem most critical to the collection is the title poem, "The Perseids." A late twentieth century attempt to create a version of Wordsworth's "Tintern Abbey," this poem proceeds from a perspective common to several other poems in the collection: that of an airplane. This particular airplane is flying over the Long Island Sound at night, bringing the speaker of the poem home. Through the speaker's imagination and memory, the perspective of the poem shifts from the airplane itself to a moment during a childhood camping trip when she first saw the Perseid star showers with her family. The modes of vision and creativity involved in exploration and science form the main subjects and themes of this book, whose settings include a biology fieldwork session, the father's science classroom, and Linnaeus's Lapland explorations. Even poems not concerned explicitly with science, such as "Art and Archeology" and "The Zero at the Bone" (which concerns an exhibitionist) place and portray experience "under a microscope," rendering the landscape with scrupulous detail
Nearly 5,000 black Americans were lynched between 1890 and 1960. Over forty years later, Sherrilyn Ifill's On the Courthouse Lawn examines the numerous ways that this racial trauma still resounds across the United States. While the lynchings and their immediate aftermath were devastating, the little-known contemporary consequences, such as the marginalization of political and economic development for black Americans, are equally pernicious. On the Courthouse Lawn investigates how the lynchings implicated average white citizens, some of whom actively participated in the violence while many others witnessed the lynchings but did nothing to stop them. Ifill observes that this history of complicity has become embedded in the social and cultural fabric of local communities, who either supported, condoned, or ignored the violence. She traces the lingering effects of two lynchings in Maryland to illustrate how ubiquitous this history is and issues a clarion call for American communities with histories of racial violence to be proactive in facing this legacy today. Inspired by South Africa's Truth and Reconciliation Commission, as well as by techniques of restorative justice, Ifill provides concrete ideas to help communities heal, including placing gravestones on the unmarked burial sites of lynching victims, issuing public apologies, establishing mandatory school programs on the local history of lynching, financially compensating those whose family homes or businesses were destroyed in the aftermath of lynching, and creating commemorative public spaces. Because the contemporary effects of racial violence are experienced most intensely in local communities, Ifill argues that reconciliation and reparation efforts must also be locally based in order to bring both black and white Americans together in an efficacious dialogue. A landmark book, On the Courthouse Lawn is a much-needed and urgent road map for communities finally confronting lynching's long shadow by embracing pragmatic reconciliation and reparation efforts.