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Ten major ethnic groups are featured - including the San, Zulu, Ndebele, Basotho, and Venda - as well as several smaller sub-groups. This book describes the individual personality and history of each, their education, laws, languages, medicine and magic, and their religion. Over 200 photographs capture the vibrant color of ceremonial and everyday dress and ornamentation, musical instruments, dances and rites of passage, art, homes, and work. The remarkable metal neck rings and the geometrically beaded wire hoops worn by Ndebele and Ntwana women, the sacrificial ceremonies of the Zulu, the long pipes smoked by the Xhosa, and the traditional hunter-gatherer weapons of the San, deep in the Kalahari Desert - the details of today's way of life are recorded here in evocative pictures, while former traditions, now lost, fill the text with the intriguing, vital history of each group.
For more than 30 years, renowned anthropologist Wade Davis has traveled the globe, studying the mysteries of sacred plants and celebrating the world’s traditional cultures. His passion as an ethnobotanist has brought him to the very center of indigenous life in places as remote and diverse as the Canadian Arctic, the deserts of North Africa, the rain forests of Borneo, the mountains of Tibet, and the surreal cultural landscape of Haiti. In Light at the Edge of the World, Davis explores the idea that these distinct cultures represent unique visions of life itself and have much to teach the rest of the world about different ways of living and thinking. As he investigates the dark undercurrents tearing people from their past and propelling them into an uncertain future, Davis reiterates that the threats faced by indigenous cultures endanger and diminish all cultures.
A newly designed, affordable one-volume edition of this definitive work on the traditional rituals of Africa, containing more than half the photos that were in the original edition plus new images that will focus fresh attention on specific ceremonies. The book is accompanied by a CD of African ceremonies. 473 photos.
In this series of seven books, photojournalist Jan Reynolds documents the distinctive cultures and climates of indigenous peoples.
"Missionaries played a fundamental role in introducing cinema into the developing world in the early twentieth century. These representatives of the Christian community diligently produced films about far-flung cultures to bolster fundraising for mission efforts around the globe. By the interwar period, a few husband-and-wife teams in Africa were making an array of films about vanishing cultures and the struggle to bring Christianity to indigenous populations. Images Out of Africa brings to light the remarkable expedition of one such team of filmmakers. In 1938, Virginia and Ray Garner, working for the Africa Motion Picture Project, ambitiously began making films in the Belgian Congo and French Cameroons, introducing film into villages for the first time. This book features Virginia Garner's recently rediscovered diaries, which highlight the challenges of making films in Africa in the 1930s and include rich descriptions of cross-cultural interactions and micro-negotiations with chiefs, headmen, and villagers." -- P. [4] of cover.
A searching account of nineteenth-century salvage anthropology, an effort to preserve the culture of ÒvanishingÓ Indigenous peoples through dispossession of the very communities it was meant to protect. In the late nineteenth century, anthropologists, linguists, archaeologists, and other chroniclers began amassing Indigenous cultural objectsÑcrafts, clothing, images, song recordingsÑby the millions. Convinced that Indigenous peoples were doomed to disappear, collectors donated these objects to museums and universities that would preserve and exhibit them. Samuel Redman dives into the archive to understand what the collectors deemed the tradition of the Òvanishing IndianÓ and what we can learn from the complex legacy of salvage anthropology. The salvage catalog betrays a vision of Native cultures clouded by racist assumptionsÑa vision that had lasting consequences. The collecting practice became an engine of the American museum and significantly shaped public education and preservation, as well as popular ideas about Indigenous cultures. Prophets and Ghosts teases out the moral challenges inherent in the salvage project. Preservationists successfully maintained an important human inheritance, sometimes through collaboration with Indigenous people, but collectorsÕ methods also included outright theft. The resulting portrait of Indigenous culture reinforced the publicÕs confidence in the hierarchies of superiority and inferiority invented by ÒscientificÓ racism. Today the same salvaged objects are sources of invaluable knowledge for researchers and museum visitors. But the question of what should be done with such collections is nonetheless urgent. Redman interviews Indigenous artists and curators, who offer fresh perspectives on the history and impact of cultural salvage, pointing to new ideas on how we might contend with a challenging inheritance.
From big cats to elephants and indigenous communities, Wild Encounters is a must-have for nature lovers, conservationists, and anyone who is inspired by all that remains wild. David Yarrow travels from pole to pole and continent to continent to visit frozen Arctic tundras, vast African deserts, primordial rain forests, and remote villages, inviting us to truly connect with subjects we mistakenly think we have seen before. Yarrow takes the familiar—lions, elephants, tigers, polar bears—and makes it new again by creating iconic images that deliberately connect with us at a highly emotional level. For more than two decades, this legendary wildlife photographer has been putting himself in harm's way to capture the most unbelievable close-up animal photography, amassing an incomparable photographic portfolio, spanning six continents. Driven by a passion for sharing and preserving Earth's last great wild cultures and species, Yarrow is as much a conservationist as a photographer and artist. His work has transcended wildlife photography and is now collected and shown as fine art in some of the most famed galleries around the world. Featuring 160 of his most breathtaking photographs, Wild Encounters offers a truly intimate view of some of the world's most compelling—and threatened—species and captures the splendor and very soul of what remains wild and free in our world through portraits that feel close enough to touch.
Brought up on stories and myths of the Kalahari Bushmen, Rupert Isaacson journeys to the dry vast grassland -- which stretches across South Africa, Botswana, and Namibia -- to find out the truth behind these childhood stories. Deep in the Kalahari, Isaacson meets the last groups of Bushmen still living the traditional way, caught between their ancient culture and the growing need to protect and reclaim their dwindling hunting grounds. Little by little he is drawn into the fascinating web of ritual and prophecy that make up the Bushman reality. He hears of shamans who turn into lions, sees leopards conjured from the landscape as though by magic. He attends trance-inducing dances and witnesses incredible healings. But he also sees the heart-wrenching social problems of a dispossessed people. What follows is an adventure of an intensity he could never have predicted. The Healing Land records Isaacson's personal transformation amid these extraordinary people, and his passionate contribution to their political struggle. It captures his enchantment with the character, corruption, kindness, and confusion of a place that has wrenched itself from the Stone Age into the new millennium.
This seminal volume on the indigenous African Dinka group is a landmark documentation of a vanishing people in war-torn Sudan. World-renowned photographers Angela Fisher and Carol Beckwith have devoted their lives to documenting the rapidly disappearing ceremonies and cultures of the indigenous people of Africa. In breathtakingly poignant images, they present a story that started with their first visit to the Dinka thirty years ago. Living in harmony with their cattle, the Dinka have survived years of war only to find their culture on the brink of vanishing forever. Where the White Nile River reaches Dinka country, it spills over 11,000 square miles of flood plain to form the Sudd, the largest swamp in the world. In the dry season, it provides abundant pasture for cattle, and this is where the Dinka set up their camps. The men dust their bodies and faces with gray ash--protection against flies and lethal malarial mosquitoes, but also considered a mark of beauty. Covered with this ash and up to 7' 6- tall, the Dinka were referred to as -gentle- or -ghostly- giants by the early explorers. The Dinka call themselves -jieng- and -mony-jang, - which means -men of men.-
"An introduction to the Asiatic lion and the "lion queens," or female forest rangers, of the Gir wildlife sanctuary in Gujarat, India"--