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FROM THE BESTSELLING AUTHOR OF REBECCA 'An eloquent elegy on the past of a county she loved so much' THE TIMES 'This classic evocation of du Maurier's beloved home ranks as a work of art ... ' INDEPENDENT 'Du Maurier has no equal' SUNDAY TELEGRAPH 'There was a smell in the air of tar and rope and rusted chain, a smell of tidal water. Down harbour, around the point, was the open sea. Here was the freedom I desired, long sought-for, not yet known. Freedom to write, to walk, to wander, freedom to climb hills, to pull a boat, to be alone ... I for this, and this for me.' Daphne du Maurier lived in Cornwall for most of her life. Its rugged coastline, wild terrain and tumultuous weather inspired her imagination and many of her works are set there, including Rebecca, Jamaica Inn and Frenchman's Creek. In Vanishing Cornwall she celebrates the land she loved, exploring its legends, its history and its people, eloquently making a powerful plea for Cornwall's preservation.
FROM THE BESTSELLING AUTHOR OF REBECCA 'An eloquent elegy on the past of a county she loved so much' THE TIMES 'This classic evocation of du Maurier's beloved home ranks as a work of art ... ' INDEPENDENT 'Du Maurier has no equal' SUNDAY TELEGRAPH 'There was a smell in the air of tar and rope and rusted chain, a smell of tidal water. Down harbour, around the point, was the open sea. Here was the freedom I desired, long sought-for, not yet known. Freedom to write, to walk, to wander, freedom to climb hills, to pull a boat, to be alone ... I for this, and this for me.' Daphne du Maurier lived in Cornwall for most of her life. Its rugged coastline, wild terrain and tumultuous weather inspired her imagination and many of her works are set there, including Rebecca, Jamaica Inn and Frenchman's Creek. In Vanishing Cornwall she celebrates the land she loved, exploring its legends, its history and its people, eloquently making a powerful plea for Cornwall's preservation.
“Transported me effortlessly…Haunting, harrowing and heartbreaking, this is a novel that will stay with you.” --Ashley Audrain, New York Times bestselling author of The Push “A ghost story and fantastically gripping psychological investigation rolled into one. It is also a pitch-perfect piece of writing. . . . As with Shirley Jackson’s work or Sarah Waters’s masterpiece Affinity, in Stonex’s hands the unspoken, unexamined, unseen world we can call the supernatural, a world fed by repression and lies, becomes terrifyingly tangible.” --The Guardian (London) Inspired by a haunting true story, a gorgeous and atmospheric novel about the mysterious disappearance of three lighthouse keepers from a remote tower miles from the Cornish coast--and about the wives who were left behind. What strange fate befell these doomed men? The heavy sea whispers their names. Black rocks roll beneath the surface, drowning ghosts. And out of the swell like a finger of light, the salt-scratched tower stands lonely and magnificent. It's New Year's Eve, 1972, when a boat pulls up to the Maiden Rock lighthouse with relief for the keepers. But no one greets them. When the entrance door, locked from the inside, is battered down, rescuers find an empty tower. A table is laid for a meal not eaten. The Principal Keeper's weather log describes a storm raging round the tower, but the skies have been clear. And the clocks have all stopped at 8:45. Two decades later, the keepers' wives are visited by a writer determined to find the truth about the men's disappearance. Moving between the women's stories and the men's last weeks together in the lighthouse, long-held secrets surface and truths twist into lies as we piece together what happened, why, and who to believe. In her riveting and suspenseful novel, Emma Stonex writes a story of isolation and obsession, of reality and illusion, and of what it takes to keep the light burning when all else is swallowed by dark.
"There was a smell in the air of tar and rope and rusted chain, a smell of tidal water. Down harbour, around the point, was the open sea. Here was the freedom I desired, long sought-for, not yet known. Freedom to write, to walk, to wander, freedom to climb hills, to pull a boat, to be alone . . . I for this, and this for me." Daphne du Maurier lived in her beloved Cornwall for most of her life. Its rugged coastline, wild terrain and tumultuous weather inspired her imagination, and many of her works are set there, including "Rebecca," "Jamaica Inn," and "Frenchman's Creek," In "Vanishing Cornwall" she celebrates the land she loved, exploring its legends, its history, and its people, eloquently making a powerful plea for Cornwall's preservation.
Sea Narratives: Cultural Responses to the Sea, 1600-Present explores the relationship between the sea and culture from the early modern period to the present. The collection uses the concept of the ‘sea narrative’ as a lens through which to consider the multiple ways in which the sea has shaped, challenged, and expanded modes of cultural representation to produce varied, contested and provocative chronicles of the sea across a variety of cultural forms within diverse socio-cultural moments. Sea Narratives provides a unique perspective on the relationship between the sea and cultural production: it reveals the sea to be more than simply a source of creative inspiration, instead showing how the sea has had a demonstrable effect on new modes and forms of narration across the cultural sphere, and in turn, how these forms have been essential in shaping socio-cultural understandings of the sea. The result is an incisive exploration of the sea’s force as a cultural presence.
Considers how national fantasy has been constructed through a wide range of narratives that have described rocks and landscape not merely as inert substances but moving living beings.
Examination of major changes in political behaviour in 19c Cornwall, withwider implications for the country as a whole. This detailed case-study offers a penetrating analysis of the changing political culture in Cornwall up to and after the introduction of the 1832 electoral system. It spans a century in which the county's parliamentary over-representation and notorious political corruption was replaced by a politicised electorate for whom issues and principles were usually paramount. Several models of electoral behaviour are tested; in particular, the continuous politicalactivism of Cornwall's farmers stands out. Despite remnants of the unreformed electoral system lingering into the mid-Victorian era, Cornwall developed a powerful Liberal tradition, built upon distinctive patterns of non-conformity; the Conservatives, split by dissension, saw their pre-reform ascendancy disappear. Professor EDWIN JAGGARD lectures in history at Edith Cowan University, Perth, Western Australia.
Focussing on written and visual culture that is made in or made about Cornwall, this book argues that Cornwall and the Scilly Isles (known as ‘Kernow’ in the Cornish language) have a special relationship with Gothic, one that has been overlooked in the literature on regional Gothic.
This book demonstrates how oral history can provide a valuable way of understanding locality, which is important in light of major issues facing the world today, including global environmental concerns.