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Beautifully illustrated story of a poor water-carrier discovers the well-hidden treasure belonging to a band of thieves.
Presents a history of the ancient world, from 6000 B.C. to 400 A.D.
From High Noon to Unforgiven, the "A" Western represents the pinnacle of Western filmmaking. More intellectual, ambitious, and time-consuming than the readily produced "B" or serial Westerns, these films rely on hundreds of talented artists. This comprehensive reference work provides biographies and Western filmographies for nearly 1,000 men and women who have contributed to at least three "A" Westerns. These contributors are arranged by their role in film production. Cinematographers, composers, actors, actresses, and directors receive complete biographical treatment; writers whose work was used in at least two Westerns are also featured. An appendix lists well-known actors who have appeared in either one or two "A" Westerns, as specified.
First published in 1902, "Just So Stories" is Rudyard Kipling's classic collection of animal fables and poetry. This collection grew out of nighttime story-telling between Rudyard and his daughter Josephine. The peculiar name is drawn from her insistence that these tales, which were origin stories describing how animals got their most distinctive features, be told "just so". This volume reproduces the complete edition of "Just So Stories" which includes the following stories: "How The Whale Got His Throat", "How The Camel Got His Hump", "How The Rhinoceros Got His Skin", "How The Leopard Got His Spots", "The Elephant's Child", "The Sing-Song of Old Man Kangaroo", "The Beginning of the Armadillos", "How The First Letter Was Written", "How The Alphabet Was Made", "The Crab That Played With The Sea", "The Cat That Walked By Himself", "The Tabu Tale", and "The Butterfly That Stamped". This edition is printed on premium acid-free paper and includes the original illustrations by the author.
Imagine a world in which each individual has a fundamental right to be reborn. This idle dream haunts Hilde Van Gelder’s associative travelogue that takes Allan Sekula’s sequence Deep Six / Passer au bleu (1996/1998) as a touchstone for a dialogue with more recent artworks zooming in on the borderscape near the Channel Tunnel, such as those by Sylvain George and Bruno Serralongue. Combining ethnography, visual materials, political philosophy, cultural geography, and critical analysis, Ground Sea proceeds through an innovative methodological approach. Inspired by the meandering writings of W.G. Sebald, Javier Marías, and Roland Barthes, Van Gelder develops a style both interdisciplinary and personal. Resolutely opting for an aquatic perspective, Ground Sea offers a powerful meditation on the indifference of an increasingly divided European Union with regard to considerable numbers of persons on the move, who find themselves stranded close to Calais. The contested Strait of Dover becomes a microcosm where our present global challenges of migration, climate change, human rights, and neoliberal surveillance technology converge. Read more on the book's dedicated website: www.groundsea.be
Ranging from the earliest drama to the theater of the 1980's this encyclopedia includes coverage of national drama and theater around the world, theater companies, and musical comedy. Arrangement of the 1,300 entries is alphabetically by name or subject with nearly 950 of these devoted to individual playwrights and their works.