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Vincent Van Gogh is often seen as a man who went through life lonely and misunderstood. This is not an accurate picture. That he had a complex and somtimes obdurate character is certainly true, but he also had long-lasting and often intimate relationships -- ties that helped to shape the man and his art. This book, Van Gogh's Inner Circle: Friends, Family, Models, published to accompany the exhibition of the same title, highlights the people who played an important part in his life and work. Personal documents and works of art make us readjust the present somewhat clichéd image. Van Gogh's Inner Circle gives us a different impression of the idiosyncratic artist, in whom many of those around him recognized an exceptional talent, a great spirit and a warm heart, and so leaves us much better acquainted with Van Gogh and his nearest and dearest.
Rejected in their day by painters, critics, and collectors, the visions of Vincent Van Gogh now rank among the most beloved and influential works in the history of Western art. The artist sold only a single painting in his lifetime, despite an abundant oeuvre of more than 2,000 artworks. Today his paintings fetch tens of millions at auction, and visitors from around the world flock to Amsterdam's Van Gogh Museum. The artist's life of grinding poverty, his severe mental illness, and the derision of his contemporaries combined to form a romantic ideal of the tortured artist. Twenty-three years after Van Gogh's suicide, in the wake of his slowly growing fame, the painter's sister published this memoir. An intimate view of the artist's life, art, and philosophy, the book is illustrated with reproductions of several of Van Gogh's most characteristic works, including portraits and landscapes.
Introduces the life of Vincent van Gogh, a Dutch artist whose paintings had become the most famous and valuable on Earth by the end of the twentieth century.
Fascinating Look into the Life of a Tortured Genius Using Van Gogh's own letters as a primary source, the author discusses the artist's life, his approach to his work and his mental illness. The letters vividly show the artist's life was no bed of roses. Whereas Van Gogh perfectly knew what was sellable, he continued to produce what he considered as honest, 'truthful' art, regardless of current taste. He did not expect the art-buying public to understand the rough appearance of his work. Van Gogh acknowledged that being an artist simply involved struggle, but he believed that one would benefit from adversity, both personally and professionally. "No victory without a battle, no battle without suffering." In Van Gogh's case it seems to have been a never ending battle against poverty, isolation and adversity. Given his circumstances - being financially dependent upon his brother Theo, not selling any work, and getting minimal recognition - his achievements are utterly amazing. This is not a book about Van Gogh's art, but about his life as an artist and human being. By reading it, you will appreciate and understand his work even better. Van Gogh's Inner Struggle is number # 3 of the series SECRETS OF VAN GOGH. # 1 The 1-Hour Van Gogh Book is a brief introduction to Van Gogh's fascinating life and work. If you want to gain a greater appreciation for one of the most fascinating artists of all time, this is the book for you. You will gain a whole new perspective on Van Gogh. # 3 Van Gogh Today - Short Stories contains eight short stories of lives that were touched in some way or another by the artist. They are a reflection of the power of his story, and why Van Gogh remains a timeless inspiration to us all. The book is not about Van Gogh's paintings, but tells us about the relevance of Van Gogh's life story for eight seemingly ordinary people. # 4 Van Gogh and Love tells the story of the artist's longing for love and a family, exploring the lesser-known area of the artist's romantic life. As can perhaps be expected from an artist like Vincent van Gogh, his choice of women was unconventional. He favored more mature companions, and pursued relationships with women that were considered unsuitable. His yearning for love and a family life was intimately connected with his artistic practice. A woman could not only assist him practically, by serving as his model, but would also give him the opportunity to fully understand emotions like love, tenderness and compassion. A painter had to be immersed in his subject matter to properly express feelings in his work. # 5 Van Gogh and Money focuses on Vincent's financial situation, a subject never explored before. Known as the ultimate embodiment of the notion of the "poor artist", Vincent van Gogh was largely unable to sell his work during his lifetime. His letters tell of an eternal lack of money, and the difficulties this created when it came to practising his art. Paint, canvases and models were, as he discovered, not cheap. He was, however, more than happy to sacrifice his physical wellbeing in the interest of producing his masterpieces. The book follows Vincent during two critical periods of his artistic career, his time spent in The Hague and Arles. At both stages, he was supported by his brother Theo, who sent him a monthly allowance that never seemed sufficient. This dependency on his brother caused Vincent immense guilt. From his letters we get a good insight into Vincent's financial affairs, since the brothers' correspondence often touched on the subject of money. This book presents a more nuanced view of Vincent as the impoverished artist, as he was in fact in a rather fortunate position compared to many of his peers. Regardless of the actual amount of money he received from his brother, it becomes clear that Vincent was poor in the light of his ambition.
A widowed first cousin, Kee; a prostitute named Sien; shy, spinsterish Margot Bergemann; the seventeen-year-old peasant girl Stien de Groot -- to all of them Vincent van Gogh would declare his love. In none of them would he find the wife to seal the emotional bond that he so perfectly imagined and ardently desired. He described it, too, in his correspondence, not only in the remarkable, justly famous letters exchanged with his brother Theo, but also in heartfelt missives to his aggrieved mother, his loyal sister Wil, and his devoted sister-in-law Johanna. Focusing especially on van Gogh's letters to these three steadfast women he called his sisters, award-winning author Derek Fell examines Vincent's interior life and poignantly documents his emotional decline. Indeed, the blows that Vincent's psyche suffered -- like his rejection by Kee and a dramatic showdown with her father in which the devastated Vincent held his hand in a lantern's flame -- continually undermined his self-worth. In a sensitive reading and astute interpretation of van Gogh's own written words, Fell illuminates the passions that at once commanded Vincent's genius and tormented his heart. Many illustrations are included in this revealing life of the artist, as seen through the lens of his loves and losses.
A key study of how Van Gogh popularised the sous-bois genre, capturing the forest scene through paint.
The Nazis kept extensive files on practically everybody in the Third Reich. Now author Paul Roland turns the tables with this brilliant new exposé - a fascinating psychological profile of the leading Nazis and their lesser-known associates. Examples include: • Adolf Hitler had 'terrible' table manners, gorged on cake in his bunker and Allied psychologists considered him a neurotic psychopath. • When Hermann Goering surrendered to the Americans, he had a gold-plated revolver and a stash of drugs in his luggage. • Franz Stangl loved his job so much (as commandant of Sobibor and Treblinka concentration camps) that he tried to make his places of work seem as normal as he could by planting flowers and shrubs everywhere and creating a fake railway station with fake painted clocks to welcome new arrivals. Accompanied by over 50 images, this concise yet revealing chronicle of Hitler's henchmen and their horrifying crimes is presented in a fresh and accessible way.
The personality of Vincent van Gogh (1853-1890) - a 9th-century combination of dropout, rebel, and genius - and the source of his enormous achievement continue to fascinate people as deeply as his vivid, wildly painted canvasses of sunflowers, peasants, and starry nights. In this first and only in-depth study of the relationship between van Gogh's psychological development and his art, Albert J. Lubin, Clinical Professor of Psychiatry (Emeritus) at Stanford University and a practicing psychoanalyst, draws on the tremendous wealth of information available about van Gogh to explore his personal conflicts in the context of the forces that molded him: familial, historical, cultural, religious, artistic, and literary. Dr. Lubin approaches van Gogh not as a mysterious mix of sick eccentric and martyred artist, but as a complete man who transformed his suffering into a phenomenal body of work. Lubin's daring psychological insights and art criticism create a compelling portrait that allows us to better understand, and more fully appreciate, van Gogh's artistic triumph over his inner torment.