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"This superbly illustrated book traces van Gogh's development as a painter of trees, from the distinctive pollard willows of his home province of North Brabant to the cypress and olive trees of Provence to the parks of Paris. Ralph Skea discusses van Gogh's early life in the Netherlands; his first tree studies in the Dutch landscape; his paintings of trees within townscapes; his particular fascination with orchards, which led to some of his best-known and most loved paintings; and the works he completed in rural Provence"--Amazon.com.
A beautifully produced gift book for gardeners and art lovers everywhere: a selection of Vincent van Gogh’s garden and flower paintings and drawings. Vincent van Gogh never owned a garden, but throughout his career he painted and drew outdoor spaces and natural objects frequently, both fascinated and stimulated by each location’s unique character. In this book Ralph Skea surveys the gardens that were most dear to Van Gogh—from the domestic havens of parsonage gardens in the Netherlands to the romance of Parisian city parks, from the blazing flower beds of Provence to the asylum gardens that provided the artist with seclusion and calm in his final months. Whether joyous paintings of plants in bloom or the intensely beautiful studies of lilacs, roses, irises, and pine trees that he produced in the asylum at Saint-Rémy, all the oils and sketches included here are monuments to the artist’s originality and poetic sensibility.
Vincent van Gogh (1853–1890) immortalized the cypress tree in signature images that have become synonymous with his fiercely original power of expression. This richly illustrated publication illuminates the backstory of his invention for the first time, from his initial investigations of the motif in benchmark drawings from Arles to his realization of their full evocative potential in such iconic canvases as The Starry Night and Wheat Field with Cypresses, painted at the asylum in Saint-Rémy. Susan Alyson Stein retraces the Dutch artist’s inspired response to the flamelike evergreens as they gained ground in his works and artistic thinking over the course of his sojourn in the South of France. The volume provides further insight into Van Gogh’s creative process through a technical study focused on two celebrated works from the artist’s epic painting campaign of June 1889. The visual and literary heritage of the cypresses is featured in a compilation of images and excerpts from nineteenth-century poetry, novels, and travel writing — many translated into English for the first time.
Combining deep focus with a multifaceted approach to reveal formal, technical, and spiritual aspects of the olive tree motif that dominated the painter's production during his time in a Provençal asylum​ Van Gogh and the Olive Groves reunites for the first time the important series of paintings that Vincent van Gogh (1853-90) dedicated to the motif of olive trees during his stay at the asylum of Saint-Rémy-de-Provence. The book contextualizes this work within Van Gogh's artistic production and explores its deeply personal, often religious resonance. It also features in-depth findings on the artist's technique, materials, and palette resulting from a three-year cross-disciplinary conservation science research project that rigorously examined all 15 paintings. Of particular interest are new discoveries concerning Van Gogh's use of unstable pigments, his application of paint en plein air versus in the studio, and the chronology of the series. Produced between June and December 1889, this bold and highly experimental series employs the motif as a constant in the artist's passionate investigation of the expressive powers of color, line, and subject. Painting the olive trees at different times of day and in different seasons was a quest to unlock their quintessential features, which to him represented the spirit of Provence.
- Digitally restored illustrations- Translated captions- AnnotatedVincent Van Gogh often depicted individual trees, orchards, arboretums, parks, forests and groves through the skilled prism of his own unique vision, from rectory gardens and wooded areas of his native Holland to the parks and gardens of Paris and finally to the various fruit trees, cypresses, willows, pine trees, poplars and olive groves of Southern France where he spent his last years. In some of his finest work, the branches and leaves of cypress and other trees take on the swirling effect mirrored in the trademark Van Gogh sky. 1888 and 1889 were peak years for his tree paintings.Vincent Van Gogh's short art career provided the world with unparalleled paintings from a troubled genius. It was to be an age of post-Impressionistic color, form and wonderment that the art world discovered only after the master's death. Bouts of anxiety, mental illness and epilepsy may have tormented him and brought about his suicide at the age of 37. But they may also have been catalysts for an emotionality and vibrance in his art that reveals a turbulent search for grace.This volume displays 50 examples of Van Gogh's finest tree art in a digitally restored state: their eye-popping brilliance and vitality are just as on the day Vincent Van Gogh finished them. Unless otherwise noted, they were originally oil paintings on canvas or wood. The arrangement is chronological within each category.Tree images include: Girl in the Forest, 1882Poplars in Autumn, 1884Rectory Garden of Nuenen in the Snow, 1885Jardin de Luxembourg, 1886Walkers in the Bois de Boulogne, 1886Park at Asnieres in the Spring, 1887Forest Path, 1887Underbrush, 1887Orchard with Flowering Apricot Trees, 1888Flowering Peach Tree (Souvenirs of Mauve), 1888Blue Train, 1888Flowering Orchard I, 1888Flowering Fruit Orchard Surrounded by Cypresses, 1888Orchard with Flowering Peach Trees, 1888Flowering Orchard II, 1888Flowering Pear Tree, 1888Flowering Plum Tree, 1888Meadow with Weeping Willow, 1888Rocky Hill with Oak, 1888Park Clearing (Garden of the Poet), 1888Entrance to the Park at Arles with Walkers, 1888Trunk of an Old Yew Tree, 1888Willow Trees at Sunset, 1888Les Alycamps Avenue in Arles, 1888Les Alycamps Avenue in Arles II, 1888Flowering Orchard with View of Arles, 1889Path with Trimmed Willows, 1889Cypress Trees with Two Female Figures, 1889Cypresses, 1889Olive Grove I, 1889Olive Trees at Les Alpilles, 1889Underbrush with Ivy, 1889Entrance to a Quarry, 1889Wheat Field with Cypresses, 1889Olive Trees, 1889Two Poplars on a Path through the Hills, 1889Mulberry Tree, 1889Pine Trees at Sunset with Female Figure, 1889Landscape with Trees and Figures, 1889Olive Grove II, 1889Olive Grove III, 1889Olive Trees with Yellow Sky and Sun, 1889Olive Trees on a Hill, 1889Street Workers on Boulevard Victor Hugo in St. Rémy, 1889Olive Grove with Figures Harvesting, 1889Garden of St. Paul Hospital in St. Rémy, 1890Flowering Meadow with Trees and Dandelions, 1890Cypress Path under Starry Skies, 1890Garden of Dr. Gachet in Auvers, 1890Flowering Chestnut Trees, 1890
A beautiful, luxurious notebook from Flame Tree. Combining high-quality production with magnificent fine art, the covers are printed on foil in five colours, embossed then foil stamped. And they're powerfully practical: a pocket at the back for receipts and scraps and two bookmarks. Bookshelf of girls' books design.
"Published on the occasion of the exhibition Van Gogh Repetitions, organized by The Phillips Collection, Washington, D.C., and the Cleveland Museum of Art."
Starry Night is a fully illustrated account of Van Gogh's time at the asylum in Saint-Remy. Despite the challenges of ill health and asylum life, Van Gogh continued to produce a series of masterpieces – cypresses, wheatfields, olive groves and sunsets. He wrote very little about the asylum in letters to his brother Theo, so this book sets out to give an impression of daily life behind the walls of the asylum of Saint-Paul-de-Mausole and looks at Van Gogh through fresh eyes, with newly discovered material.
This is an eye-opening catalogue that chronicles van Gogh's ongoing relationship with nature throughout his entire career. Among the featured works are van Gogh's drawings and paintings, along with related materials that illuminate his reading, sources, and influences.
In the last seventy days of his life, Vincent van Gogh experienced an unprecedented burst of creativity. He painted at least one canvas per day, often more, and wrote dozens of eloquent, personal letters to family, fellow artists, and friends. For the first time, this volume gathers all that he produced during these last few months and presents it in a day-by-day chronology that reveals his intense focus on the continuing development of his signature artistic method as well as his innermost thoughts and concerns. Persuaded by his doting brother, Theo, to move to the artistic enclave of Auvers-sur-Oise in 1890 for a change of scenery and a chance at a life free from temptation, and with the intent of concentrating solely on painting and restoring his full mental health, van Gogh arrived in May just as the town and its nearby bucolic fields were bursting into full springtime glory, providing him ample material for inspiration. Stunning reproductions of his last paintings display his daily explorations of this charming hamlet’s streets and buildings, including its now-iconic church and thatched cottages, its inhabitants—including his friend and mentor Doctor Gachet, immortalized on canvas—and the wide, open fields that roused him to paint masterpieces such as Wheat Field with Crows and Landscape with a Carriage and a Train. Despite these idyllic surroundings, his encouraging pace of production, and mounting critical recognition, van Gogh chose to end his own life a mere two and a half months later, leaving the letters and paintings duplicated here as the only clues to the internal anguish that led him to an act of such desperation. The full complexity of van Gogh’s personality, emotions, and relationships is presented here through reproductions of historical documents, letters, and glorious full-color plates of over seventy paintings, each of which is also accompanied by incisive commentary from author Wouter van der Veen, a renowned van Gogh scholar. A final chapter fully explores the often overlooked role played by his sister-in-law, Johanna Bonger, in cultivating and establishing his posthumous legacy.