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Mixing learning and play, this game teaches youngsters about the artist Van Gogh, along with Cezanne, Gaugin, Seurat, Rousseau and Toulouse-Lautrec. Comes with a deck of 36 museum-quality cards and an art book, packaged in a treasure box. 90 color photos. Pkg.
An intimate testament to the power of friendship between two creative forces—available again in English after more than a century “I exaggerate, I sometimes make changes to the subject, but I still don’t invent the whole of painting; on the contrary, I find it ready-made, but to be untangled, in the real world.” —Vincent van Gogh The painter and poet Émile Bernard’s firsthand account of the beloved Dutch painter Vincent van Gogh’s life offers a close perspective into the difficulties the artist faced. First published in French in 1911, and presented here in English for the first time, Bernard details van Gogh’s approach to painting, his tools, his style, his love of the medium. Moreover, he chronicles his attempts to have van Gogh’s work recognized after his death, a sign of a true friend. Shedding light on the artistic community they were part of, Bernard also discusses notable figures such as Claude Monet, Paul Gauguin, and Émile Zola, in his storied account of his friend’s life and work. Letters written by van Gogh to a young Bernard, some of which are included in this volume, further the import of the friendship between the two men. Van Gogh’s words of advice to Bernard as well as ruminations on his own practice, inspirations, and creative struggles are revealed in these pages. Brought together and introduced by preeminent van Gogh scholar Martin Bailey, these texts present a sensitive and discerning portrait of van Gogh that goes beyond his reputation as a troubled genius.
Vincent Van Gogh is often seen as a man who went through life lonely and misunderstood. This is not an accurate picture. That he had a complex and somtimes obdurate character is certainly true, but he also had long-lasting and often intimate relationships -- ties that helped to shape the man and his art. This book, Van Gogh's Inner Circle: Friends, Family, Models, published to accompany the exhibition of the same title, highlights the people who played an important part in his life and work. Personal documents and works of art make us readjust the present somewhat clichéd image. Van Gogh's Inner Circle gives us a different impression of the idiosyncratic artist, in whom many of those around him recognized an exceptional talent, a great spirit and a warm heart, and so leaves us much better acquainted with Van Gogh and his nearest and dearest.
A huddle of wooden sheds in a courtyard off the Boulevard Montmartre known as Cormon's atelier was where the handsome art student from Sydney, John Peter Russell, first met the haunted, intense newcomer from Holland, Vincent van Gogh. Both were foreigners in the competitive art world of Paris in the 1880s, and over the next two years both would discover a passion for colour painting. Now, for the first time, Ann Galbally traces the passage of this extraordinary and unlikely friendship. The two spent hours together in a Paris studio experimenting with the fast-moving changes in art practice. Both artists ultimately rejected the Impressionist's world of urban sophistication and left Paris to develop colour painting in isolation, Van Gogh at Arles in Provence, and Russell on Belle Ile off the coast of Brittany. With a supporting cast including Gauguin, Rodin, Monet and Matisse this is a journey through the struggles and failures, plots and intrigues of artistic life. A tale of love found and lost and ultimate tragedy, it makes for enthralling reading.
The best-known and most sensational event in Vincent van Gogh’s life is also the least understood. For more than a century, biographers and historians seeking definitive facts about what happened on a December night in Arles have unearthed more questions than answers. Why would an artist at the height of his powers commit such a brutal act? Who was the mysterious “Rachel” to whom he presented his macabre gift? Did he use a razor or a knife? Was it just a segment—or did Van Gogh really lop off his entire ear? In Van Gogh’s Ear, Bernadette Murphy reveals, for the first time, the true story of this long-misunderstood incident, sweeping away decades of myth and giving us a glimpse of a troubled but brilliant artist at his breaking point. Murphy’s detective work takes her from Europe to the United States and back, from the holdings of major museums to the moldering contents of forgotten archives. She braids together her own thrilling journey of discovery with a narrative of Van Gogh’s life in Arles, the sleepy Provençal town where he created his finest work, and vividly reconstructs the world in which he moved—the madams and prostitutes, café patrons and police inspectors, shepherds and bohemian artists. We encounter Van Gogh’s brother and benefactor Theo, his guest and fellow painter Paul Gauguin, and many local subjects of Van Gogh’s paintings, some of whom Murphy identifies for the first time. Strikingly, Murphy uncovers previously unknown information about “Rachel”—and uses it to propose a bold new hypothesis about what was occurring in Van Gogh’s heart and mind as he made a mysterious delivery to her doorstep. As it reopens one of art history’s most famous cold cases, Van Gogh’s Ear becomes a fascinating work of detection. It is also a study of a painter creating his most iconic and revolutionary work, pushing himself ever closer to greatness even as he edged toward madness—and one fateful sweep of the blade that would resonate through the ages.
A wildly entertaining and surprisingly educational dive into art history as you've never seen it before, from the host of the beloved ArtCurious podcast We're all familiar with the works of Claude Monet, thanks in no small part to the ubiquitous reproductions of his water lilies on umbrellas, handbags, scarves, and dorm-room posters. But did you also know that Monet and his cohort were trailblazing rebels whose works were originally deemed unbelievably ugly and vulgar? And while you probably know the tale of Vincent van Gogh's suicide, you may not be aware that there's pretty compelling evidence that the artist didn't die by his own hand but was accidentally killed--or even murdered. Or how about the fact that one of Andy Warhol's most enduring legacies involves Caroline Kennedy's moldy birthday cake and a collection of toenail clippings? ArtCurious is a colorful look at the world of art history, revealing some of the strangest, funniest, and most fascinating stories behind the world's great artists and masterpieces. Through these and other incredible, weird, and wonderful tales, ArtCurious presents an engaging look at why art history is, and continues to be, a riveting and relevant world to explore.
Printz Honor Book • YALSA Nonfiction Award Winner • Boston Globe-Horn Book Award Winner • SCBWI Golden Kite Winner • Cybils Senior High Nonfiction Award Winner From the author of National Book Award finalist Charles and Emma comes an incredible story of brotherly love. The deep and enduring friendship between Vincent and Theo Van Gogh shaped both brothers' lives. Confidant, champion, sympathizer, friend—Theo supported Vincent as he struggled to find his path in life. They shared everything, swapping stories of lovers and friends, successes and disappointments, dreams and ambitions. Meticulously researched, drawing on the 658 letters Vincent wrote to Theo during his lifetime, Deborah Heiligman weaves a tale of two lives intertwined and the extraordinary love of the Van Gogh brothers.
Artists’ Letters is a treasure trove of carefully selected letters written by great artists, providing the reader with a unique insight into their characters and a glimpse into their lives. Arranged thematically, it includes writings and musings on love, work, daily life, money, travel and the creative process. On the theme of friendship, for example, letters provide evidence of a creative community between peers, with support and mutual appreciation that helps to dispel the myth of the artist as solitary genius. Letters between Vincent van Gogh and Paul Gauguin show an ongoing conversation and exchange of ideas. We see mutual admiration between Claude Monet and Berthe Morisot, and Picasso’s quick notes to Jean Cocteau illustrate their closeness. Correspondence, some of which includes sketches and drawings, is reproduced with the transcript and some background and contextual information alongside. The book brings together a collection of treasures found in letters, which in our digital age are an increasingly lost art.
"Descriptive analysis and musical transcriptions, in standard notation and tablature" of the works of various blues guitarists.
The work and artistic ambitions of Edvard Munch (1863-1944) and Vincent van Gogh (1853-1890) show interesting parallels. They are known for their emotionally imbued paintings and drawings, their personal and innovative style and their tormented lives. Both strived to modernize art and developed expressive imagery to portray the universal emotions of human life. In 'Munch : Van Gogh', these similarities are focused on for the first time. The exhibition studies the essence of their art, their artistic ambitions, the development in their style and technique and the influences to which they were subjected. This shows why these artists are so often mentioned in one breath. With over one hundred art works including various iconic masterpieces and special artworks which are rarely loaned out ; the two artists are brought together on a large scale for the first time. Exhibition: Munch Museet, Oslo, Norway (5.-9.2015) / Van Gogh Museum, Amsterdam, the Netherlands (24.9.2015-17.1.2016)