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Published to accompany the exhibition held at Tate Britain, London, 18 Feb.-17 May 2009.
This richly illustrated catalog corresponds with an exhibition at Tate Britain of work by Flemish painter Anthony van Dyck that portrays the royal families and members of the court. Both the exhibition and catalog focus specifically on the two periods van Dyck spent in London: his brief visit in 1620 to the court of King James I and his more lengthy visit to serve Charles I, beginning in 1632 and ending almost ten years later with his death in London in 1641. Hearn (curator, 16th- and 17th-century British art, Tate; Nicholas Hilliard) and other distinguished scholars and art historians including Christopher Brown, Diana Dethloff, Emilie Gordenker, Kevin M. Sharpe, Susan Sloman, and Aileen Ribeiro contribute erudite essays. Complete with 200 full-color illustrations, this catalog is pretty enough to sit on any coffee table; the text, endnotes, bibliography, list of works exhibited, "Loans" and "Lenders and Credits" lists, and index make it fit for serious academic inquiry. A great addition to collections focused on early modern England.Jennifer H. Pollock, Coll. of DAAP Lib., Univ. of Cincinnati Copyright Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
The first major examination of Anthony van Dyck's work as a portraitist and an essential resource on this aspect of his illustrious career This landmark volume is a comprehensive survey of the portrait drawings, paintings, and prints of Anthony van Dyck (1599-1641), one of the most celebrated portraitists of all time. His supremely elegant style and ability to convey a sense of a sitter's inner life made him a favored portraitist among high-ranking figures and royalty across Europe, as well as among his fellow artists and art enthusiasts. Showcasing the full range of Van Dyck's fascinating international career with more than 100 works, this catalogue celebrates the artist's versatility, inventiveness, and influential approach to portraiture. Works include preparatory drawings and oil sketches that shed light on Van Dyck's working process, prints that allowed his work to reach a wider audience, and grand painted portraits. Some of the masterpieces are drawn from the exceptional holdings of The Frick Collection, while other works are presented here for the first time. Also included are drawings by some of Van Dyck's contemporaries--including his teacher Peter Paul Rubens--that illuminate the lineage of his working method. With insightful contributions by a team of international scholars, this unparalleled study of Van Dyck offers a compelling case for the distinctiveness and importance of the artist's work.
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