Download Free Van De Velde Drawings Book in PDF and EPUB Free Download. You can read online Van De Velde Drawings and write the review.

Around 1600, trade and shipping flourished in the Northern Netherlands as never before. This activity of ships on the water and in the many ports was a new, inexhaustible source of inspiration for painters who chose the sea as their subject. Among these marine painters were father and son Willem van de Velde. They worked closely together for over fifty years, first from their Amsterdam shop and from 1672 at the court of the English kings Charles II and James II. With their eye for detail and entrepreneurial talent, they became the most prominent marine painters of the seventeenth century.0Their studio has existed for over fifty years. Their productivity in that period was unprecedented, they made an estimated 2500 drawings and 800 paintings. Their works of art can now be found in the collections of all major museums in the world. The work of the Van de Veldes symbolizes the heyday of Dutch marine painting. Their departure to England in the winter of 1672 also marked the end of a period in which Dutch marine painters, like the war fleet they depicted throughout their lives, ruled in an artistic sense.00Exhibition: Het Scheepvaartmuseum, Amsterdam, the Netherlands (1.10.2021-27.3.2022).
Although the work of father and son Van de Velde received considerable attention from historians and art historians, no comprehensive monograph on the Van de Velde studio has so far been written. In this book Remmelt Daalder describes their careers as a case study of a 17th -century family firm specialising in maritime art. Instead of focusing on their artistic development per se, Daalder explores how they developed their products to keep apace with the art market in the 17th century. Exhibition: Scheepvaartmuseum, Amsterdam, The Netherlands (2016).
* The imagined universe of the artist Rinus Van de Velde"Rinus Van de Velde's art touches us because the artist draws us in to his confrontation with external expectations and internal emotions." Fanni Fetzer, Director, Kunstmuseum Luzern Rinus Van de Velde has made remarkable strides in recent years in the development of his oeuvre. Best known for his large-scale charcoal drawings at the start of his career, he now positions himself as a total artist, using a range of different media and forms of expression such as drawing, sculpture, installations and film. Initially, Van de Velde used found photographs and images as a basis for his drawings, but he later went in search of ways of exercising more control over the images. He achieved this through an extensive process of scene-building, in which he cast himself and those around him in different roles and characters in order to fit them into the narrative discourse of his fictional autobiography. These scenes were built up life-size, with even the tiniest detail being reproduced in wood and cardboard. This book focuses on this part of his artistic activity and has been produced to mark the eponymous solo show in Kunstmuseum Luzern in Switzerland. With a textual contribution from Fanni Fetzer and Koen Sels. Text in English and German.
A curator of Dutch drawings at the Albertina surveys the work of Rembrandt, Jacob van Ruisdael, Meindert Hobbema, Philips Koninck, and others, presenting the various forms of art that dominated the scene in seventeenth-century Holland. 112 colour illustrations
Few artists have been as versatile as Henry van de Velde (1863-1957). Trained initially as a painter, he then developed as an architect, interior designer, designer and art advisor. He created a highly impressive oeuvre; with his furniture, silverware, porcelain, jewellery, book design and other creations, always managing to combine both practicality with unique style and elegance. This collection highlights the diversity of his work and is a reflection of his originality and talent in crossing the boundaries between a range of different art forms. AUTHOR: Werner Adriaenses is a conservator in the department of 20th Century Decorative Arts at the Royal Musea for Art and History in Brussels. Thomas Fohl is a doctor in art history and special representative of the chairman of the Klassik-Stiftung Weimar. Sabine Walter works for the musea of the Klassik Stiftung Weimar. SELLING POINTS: A complete overview of the works of Henry van de Velde who, along with Victor Horta and Paul Hankar, can be considered as one of the main founders and representatives of Art Nouveau in Belgium Van de Velde was a major influence on German design and architecture at the beginning of the twentieth century 100 colour and 250 b/w illustrations
This beautiful and important book highlights the collection of European drawings at the Yale University Art Gallery, one of America's premier university museums. From intimate studies to exquisite finished compositions, this selection of works documents the history of European drawing practices beginning with late-medieval model books and progressing to the verge of the modern period. The accompanying text--written by a team of scholars--offers a unique introduction to various critical and technical aspects of the study of master drawings, brought to life through drawings from a range of national schools and in a variety of media. Among the drawings examined in this handsomely produced volume are an animated pen and ink sketch by Giulio Romano, a pastoral landscape by Claude Lorrain, a forceful and humorous caricature by Guercino, a scene from the epic poem Orlando Furioso by Jean-Honoré Fragonard, and a delicate portrait by Edgar Degas.
The painter, designer, and architect Henry van de Velde (1863–1957) played a crucial role in expanding modernist aesthetics beyond Paris and beyond painting. Opposing growing nationalism around 1900, he sought to make painting the basis of an aesthetic that transcended boundaries between the arts and between nations through his work in Belgium, France, Germany, and the Netherlands. Van de Velde’s designs for homes, museums, and theaters received international recognition. The artist, often associated with the Art Nouveau and Jugendstil, developed a style of abstraction that he taught in his School of Applied Arts in Weimar, the immediate precursor of and model for the Bauhaus. As a leading member of the German Werkbund, he helped shaped the fields of modern architecture and design. This long-awaited book, the first major work on van de Velde in English, firmly positions him as one of the twentieth century’s most influential artists and an essential voice within the modern movement.
A pioneering painter and printmaker, Nikolai Astrup (1880-1928) spent his life capturing the landscapes of his home in Western Norway, imbuing his work with mysticism and an enigmatic symbolic content. The first UK exhibition of his work will run at the Dulwich Picture Gallery from February to May 2016. Over 90 oil paintings and prints will explore the breadth and depth of Astrup's unique artistic practice, shining a spotlight on of one of Norway's most renowned artists of the twentieth century. AUTHOR: Frances Carey is an independent curator and consultant who was formerly Deputy Keeper of Prints and Drawings and Head of National Programmes at the British Museum. She has published on the history of art and culture from the eighteenth century to the present day. Ian A.C. Dejardin is the Sackler Director of Dulwich Picture Gallery, London. He graduated with a Master (Hons) in History of Art from Edinburgh University; appointed Curator at Dulwich in 1997, he became the gallery's Director in 2005 and since then has presided over a varied and international exhibition programme. MaryAnne Stevens is an independent art historian and curator who has previously worked at the Royal Academy of Arts, London, as Director of Academic Affairs, before serving as Acting Secretary for three years. She has been published extensively, and curated or co-curated many major international exhibitions, including Manet: Portraying Life and Jean-Etienne Liotard. SELLING POITS: * An elegant catalogue showcasing the illustrations and prints of Nikolai Astrup * Beautiful illustrations displayed without the distraction of scholarly comment * Astrup is a well-loved Norwegian painter, uniquely able to capture the spirit of his home 175 colour
"Henry van de Velde (1863-1957) is a pivotal figure in design history: a bridge between nineteenth-century eclecticism and the emergence of a modern style. His range was prodigious: from furniture, domestic and shop interiors to ceramics, textiles, dresses, jewelery, silverware and books. He was also the architect of large private houses, theatres, museums and art galleries." --back cover of book