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Fifteen diverse vampire stories from the Victorian era
Thirty-five uncanny and erotic tales of vampires written by supernatural fiction’s greatest mistresses of the macabre. "Fashions change, and the urbane vampire created by Byron and cemented in place by Stoker has had to move on . . . Are you, like me, ready for the new dusk?" —Ingrid Pitt, from her Introduction Prepare to arm yourself with garlic, silver bullets, and a stake. Featuring the only vampire short story written by Anne Rice, the undisputed queen of vampire literature, and boasting an autobiographical introduction and original tale by Ingrid Pitt, the star of Hammer Films' The Vampire Lovers and Countess Dracula, this is one anthology that every vampire fan—vampiric feminist or not—will want to drink deep from. From the classic stories of Edith Wharton, Edith Nesbit, Mary E. Wilkins-Freeman, and Mary Elizabeth Braddon to modern incarnations by such acclaimed writers as Poppy Z. Brite, Nancy Kilpatrick, Tanith Lee, Caitlín R. Kiernan, and Angela Slatter, these blood-drinkers and soul-stealers range from the sexual to the sanguinary, from the tormented Good to the unspeakably Evil. Among those memorable Children of the Night you will encounter are Chelsea Quinn Yarbro's Byronic vampire Saint-Germain, Nancy A. Collins' undead heroine Sonja Blue, Tanya Huff's vampiric detective Vicki Nelson, and Freda Warrington’s age-old lovers Karl and Charlotte. Nominated for the World Fantasy Award and the International Horror Guild Award, and now revised and updated, The Mammoth Book of Vampire Stories by Women fulfils the bloodlust of the somnambulist horror fan, delivering the ultimate bite.
Three classic works of vampire literature come together for the first time in one volume. Complementing the complete texts are background essays as well as additional selections by the three authors and others. Because the vampire novel has proven so influential in film, an extensive filmography is included.
This is one of Le Fanu's earlier stories. Set in Ireland, it is written as though le Fanu was a priest named Purcell, it contains all the ingredients of the classic Gothic horror story. The countess is known only as Countess D. All we know about her at first is that her family and the family into which she married, are now entirely extinct.
Lock the doors and turn on the lights! These seven blood-chilling tales of the macabre are a showcase of the supernatural that is sure to haunt your dreams. Includes John Polidori's genre-defining "The Vampyre," Edward Bulwer-Lytton's "Monos and Daimonos," Clemence Housman's "The Werewolf," plus 4 anonymous tales, including "The Curse" and "The Victim."
Featuring the Immortal Stories of Bram Stoker, Sheridan Le Fanu MR James, John William Polidori, Ernst Raupach and others Always thrilling and at times deeply moving, Classic Vampire Tales presents 10 stories from true masters of the genre. Dracula’s Guest Wake Not the Dead The Vampyre Carmilla An Episode of Cathedral History Good Lady Ducayne The Room in the Tower For the Blood is the Life The True Story of a Vampire Clarimonde
Tales of the Vampires presents stories ranging from medieval times to the Depression to today, all intricately woven around Joss Whedon's central story about a group of young Watchers in training. Not to be missed is Buffy's rematch with Dracula and Angel's ongoing battle with his own demons. Wrapped in a haunting cover by Hellboy creator Mike Mignola, these diverse tales flesh out the history and the world of Joss Whedon's unforgettable creations and fill the void left by the Buffy TV show better than any other writers ever could.
The Vampyre is a work of prose fiction written in 1819 by John William Polidori taken from the story Lord Byron told as part of a contest among Polidori, Mary Shelley, Lord Byron, and Percy Shelley. The same contest produced the novel Frankenstein; or, The Modern Prometheus. The Vampyre is often viewed as the progenitor of the romantic vampire genre of fantasy fiction. The work is described by Christopher Frayling as "the first story successfully to fuse the disparate elements of vampirism into a coherent literary genre."
Collects a story from each of the "pulp" fiction magazines available from the 1920s to the 1950s, guaranteed to chill and thrill--if they don't make ill--all but the most bloodless readers.
After a vicious attack leaves him close to death, Aremis realizes something is changing within him, forcing him to leave home to find answers in London. He becomes the center of the most horrific string of murders in London's history.