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Sebastian Desiderio went to the new world as a Spanish explorer seeking new life. He found eternal life at the hands of his maker, the beautiful Miakoda. Sebastian would wander the world of the night finding and losing loved ones until his fateful meeting with the witch who changed his world…again…forever. He would become a Vampire of the Sun. (Second Edition Originally published by: Whispers Publishing September 2007)
In 1896, French magician and filmmaker George Méliès brought forth the first celluloid vampire in his film Le manoir du diable. The vampire continues to be one of film's most popular gothic monsters and in fact, today more people become acquainted with the vampire through film than through literature, such as Bram Stoker's classic Dracula. How has this long legacy of celluloid vampires affected our understanding of vampire mythology? And how has the vampire morphed from its folkloric and literary origins? In this entertaining and absorbing work, Stacey Abbott challenges the conventional interpretation of vampire mythology and argues that the medium of film has completely reinvented the vampire archetype. Rather than representing the primitive and folkloric, the vampire has come to embody the very experience of modernity. No longer in a cape and coffin, today's vampire resides in major cities, listens to punk music, embraces technology, and adapts to any situation. Sometimes she's even female. With case studies of vampire classics such as Nosferatu, Martin, Blade, and Habit, the author traces the evolution of the American vampire film, arguing that vampires are more than just blood-drinking monsters; they reflect the cultural and social climate of the societies that produce them, especially during times of intense change and modernization. Abbott also explores how independent filmmaking techniques, special effects makeup, and the stunning and ultramodern computer-generated effects of recent films have affected the representation of the vampire in film.
More than ten thousand years ago, a race called the Bitalo conquered the continent of Africa. They were something like vampires, something like African vampires. There is a quite a bit of sunshine in Africa. Do you know what that means? It means that the African vampires do not fear the sun. It means that the sun cannot save you from an African vampire. There are African vampires in the United States. They came to this country during the slave trade. Most of them look like ordinary African American people, but there are Bitalos in every race. African vampires do not like blood that much. To them it is like milk—good for their health. Some call them cannibal vampires or ghoul vampires because their main food is people. They like their food prepared in many ways—fried, baked, barbequed, and ground like hamburgers. There are quite a few African vampires in the United States. Now they are planning to take over the United States. Somebody has got to stop them. John Irungu has killed quite a few Bitalos, but he is a very old man now, and he is becoming senile. Also, there would seem to be very few Irungu Knights left. But John Irungu has a much younger friend named John David Hunter, also known as the Preacher. The preacher just might be a natural-born Irungu Knight. He just might be the Chosen One. Bitalo prophecy warns them of the coming of a man who could destroy them. He would be a descendant of Curtis Jore, the man of war, the man who destroyed their ancient vampire. Could this preacher be the Chosen One?
This “vigorous, witty look at the undead as cultural icons in 19th- and 20th-century England and America” examines the many meanings of the vampire myth (Kirkus Reviews). From Byron’s Lord Ruthven to Anne Rice’s Lestat to the black bisexual heroine of Jewelle Gomez’s The Gilda Stories, vampires have taken many forms, capturing and recapturing our imaginations for centuries. In Our Vampires, Ourselves, Nina Auerbach explores the rich history of this literary and cultural phenomenon to illuminate how every age embraces the vampire it needs—and gets the vampire it deserves. Working with a wide range of texts, as well as movies and television, Auerbach follows the evolution of the vampire from 19th century England to 20th century America. Using the mercurial figure as a lens for viewing the last two hundred years of Anglo-American cultural history, “this seductive work offers profound insights into many of the urgent concerns of our time” (Wendy Doniger, The Nation).
Vampires is your beautifully illustrated mystical guide to the undead and their lore throughout the centuries.
Everything you can find in this text are pure facts from real life but also a word of science. In further pages of our work we will display not only science facts vampires and vampirism but also about real cases from real life that are confirmed by the public and people talk about it.
Although the word "vampire" was not introduced until the eighteenth century, variations of this hemo-craving creature have existed since long before the Christian era. Almost every civilization had a demon or spirit—often a god or goddess—whose bloodlust complicated things for the general populace. But sometimes it’s not all about the blood. Modern vampire tales have stronger-willed and less traditional beings at their core: beings who strive to coexist with mortals by drinking synthetic blood, like True Blood’s Bill Compton, or who sparkle in the daylight instead of disintegrating, like Twilight’s Edward Cullen. Plus, these guys are way easier on the eyes than the more old-school vampires out there, especially filmmaker F. W. Murnau’s infamous Nosferatu, a terrifying vampire in dire need of a manicure. Regardless of time, place, and blood type, Laura Enright cordially invites you into the dark underworld of the vampire. She sheds light (but not too much) on this captivating, age-defying creature by exploring topics ranging from the powers it can possess to what will kill it—for good. With close to thirty top-ten lists brimming with gore and fang-tastic facts, Vampires’ Most Wanted™ is sure to provide the reader with a biting good time.
Monsters and shape-shifters have always held a special fascination in mythologies, legends, and folklore the world over. From ancient customs to famous cases of beasts and vampires and their reflections in popular culture, 600 entries provide definitions, explanations, and lists of suggested further reading.
The Tradition and First Born Law have governed the way of life for hundreds of years – an agreement where humans supply Vampires with fresh blood for the protection of their cities, and a law that promises the first born child of each family to that city’s Vampire cause. Vampires reign supreme underground, but even they fear what awaits them on the desolate surface. The faltering Sun has dawned a new age of faster, stronger Vampires – the Vampeez. Levi is a First Born – property of Salvation and scheduled to be Turned on his 18th birthday. When his girlfriend, Sarah, is Turned months before his own birthday, he finds himself thrust into the secrets of the Vampire world in attempts to salvage her memories and their relationship. Salvation’s council seizes Sarah’s vulnerability to begin their plans to do away with the Vampeez, but they must also contend with a new threat. A new Vampeez Queen has been crowned and is about to prove herself to be a formidable foe.
"Describes the features and abilities of vampires and werewolves, and how they may battle each other in a fight"--Provided by publisher.