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For centuries, the myth of the vampire has intrigued mortal minds. A creature so loathsome, but at the same time so alluring, has inspired literature throughout the ages. This collection contains stories and extracts by established masters of horror such as Bram Stoker, M.R. James and Sheridan Le Fanu.
Drawing on a 200-year-old tradition, this original collection features a deft combination of vintage vampire tales with more contemporary stories. Anthologist Mike Ashley introduces a dozen fantasies that weave together dark, psychological elements with well-recognized vampire themes. His notes trace the development of vampire fiction, illustrating the genre's life beyond the well-known conventions established by Bram Stoker's Dracula. Selections range from Lord Byron's contribution to the legendary storytelling session that produced Mary Shelley's Frankenstein to Nancy Holder's "Blood Gothic," a modern perspective on the corrupting influence of the romantic vampire image. Additional contributors include Alexandre Dumas, Karl von Wachsmann, Tanith Lee, Elizabeth Lynn Linton, Julian Osgood Field, R. Murray Gilchrist, Dick Donovan, Brian Stableford, Sidney Bertram, and Ernst Raupach.
Thirty-five uncanny and erotic tales of vampires written by supernatural fiction’s greatest mistresses of the macabre. "Fashions change, and the urbane vampire created by Byron and cemented in place by Stoker has had to move on . . . Are you, like me, ready for the new dusk?" —Ingrid Pitt, from her Introduction Prepare to arm yourself with garlic, silver bullets, and a stake. Featuring the only vampire short story written by Anne Rice, the undisputed queen of vampire literature, and boasting an autobiographical introduction and original tale by Ingrid Pitt, the star of Hammer Films' The Vampire Lovers and Countess Dracula, this is one anthology that every vampire fan—vampiric feminist or not—will want to drink deep from. From the classic stories of Edith Wharton, Edith Nesbit, Mary E. Wilkins-Freeman, and Mary Elizabeth Braddon to modern incarnations by such acclaimed writers as Poppy Z. Brite, Nancy Kilpatrick, Tanith Lee, Caitlín R. Kiernan, and Angela Slatter, these blood-drinkers and soul-stealers range from the sexual to the sanguinary, from the tormented Good to the unspeakably Evil. Among those memorable Children of the Night you will encounter are Chelsea Quinn Yarbro's Byronic vampire Saint-Germain, Nancy A. Collins' undead heroine Sonja Blue, Tanya Huff's vampiric detective Vicki Nelson, and Freda Warrington’s age-old lovers Karl and Charlotte. Nominated for the World Fantasy Award and the International Horror Guild Award, and now revised and updated, The Mammoth Book of Vampire Stories by Women fulfils the bloodlust of the somnambulist horror fan, delivering the ultimate bite.
In a kingdom ruled by a vampire, royal blood doesn’t mean what it used to—and fairy tales don’t always have happy endings. To wrest her inheritance from her evil stepmother, Cindy must marry a respectable man before she turns 25. The upcoming royal ball is the perfect place to find one—with the help of a fairy godmother. Or at least, a drunken prostitute with some magical skills. At the ball, though, King Caspian sets his sights on her. It’s not like Cindy doesn’t know better—but surely no one’s more respectable than a king. So really, what does she have to lose? Everything, as it turns out. Because the king isn’t human at all, but a monster who’s hell-bent on having Cindy in his bed again. If only he can track her down. Scroll up and one-click this steamy, sexy, adult retelling of Cinderella with a vampire twist!
What real-life character inspired Bram Stoker’s classic Dracula? Did a blood-sucking demon haunt ancient Mespotamia? Did 16th-century Venetians drive a stake through the heart of a true vampire, or was something more sinister at work? For thousands of years vampires have both terrified and titillated our imaginations. Today vampires pervade our popular culture in books, films, and TV shows, and recent discoveries are shedding new light on the origins of vampire myth and legend. This fascinating history explores the myriad origins of vampire stories, providing gripping historic and folkloric context for the concept of beings who seemingly defied death and fed on the lifeblood of others. From ancient whispers in Mesopotamia, Greece, and Rome, vampiric legends passed through the centuries and around the globe, fed by misconceptions about the afterlife, fear of disease, and the unshakable feeling that demons might dwell among us. The term vampire itself made its way to Europe in the 18th century, arising out of Slavic and other eastern European traditions. In 1897 Bram Stoker’s Dracula solidified the concept of a coffin-dwelling, bloodthirsty “undead” human. Today, the vampire myth is stronger than ever, and continues to fascinate the living. In Vampires Jenkins works with noted experts in the fields of archaeology, forensics, and anthropology to skillfully navigate centuries of myth and legend and weave spine-tingling tales along the way.
The Ultimate Collection of Vampire Facts and Fiction From Vlad the Impaler to Barnabas Collins to Edward Cullen to Dracula and Bill Compton, renowned religion expert and fearless vampire authority J. Gordon Melton, PhD takes the reader on a vast, alphabetic tour of the psychosexual, macabre world of the blood-sucking undead. Digging deep into the lore, myths, pop culture, and reported realities of vampires and vampire legends from across the globe, The Vampire Book: The Encyclopedia of the Undead exposes everything about the blood thirsty predator. Death and immortality, sexual prowess and surrender, intimacy and alienation, rebellion and temptation. The allure of the vampire is eternal, and The Vampire Book explores it all. The historical, literary, mythological, biographical, and popular aspects of one of the world's most mesmerizing paranormal subject. This vast reference is an alphabetical tour of the psychosexual, macabre world of the soul-sucking undead. In the first fully revised and updated edition in a decade, Dr. J. Gordon Melton (president of the American chapter of the Transylvania Society of Dracula) bites even deeper into vampire lore, myths, reported realities, and legends that come from all around the world. From Transylvania to plague-infested Europe to Nostradamus and from modern literature to movies and TV series, this exhaustive guide furnishes more than 500 essays to quench your thirst for facts, biographies, definitions, and more.
Spine-tingling tales that will keep you on the edge of your seat! This chilling collection of scary stories will keep you awake for hours! Psychological horrors, disturbing dramas, and gruesome ghosts compose this compendium of confessions made in the dead of night. From vampires and a monkey paw to an unstoppable heart and haunting apparitions, anecdotes of supernatural terror will have you turning pages long past the witching hour. Allow famous authors such as Edgar Allan Poe, H. P. Lovecraft, Henry James, Washington Irving, and more to prey upon your emotions and peace of mind at slumber parties and camping trips, or anytime you want to end the night with a delightful fright!
An expanded, fully illustrated, and up-to-date edition of the classic cultural history of vampires Vampyres is a comprehensive and generously illustrated history and anthology of vampires in literature, from the folklore of eastern Europe to the Romantics and beyond. It incorporates extracts from a huge range of sources—from Bram Stoker’s detailed research notes for Dracula to penny dreadfuls, to Angela Carter’s The Bloody Chamber (new to this edition) which is analyzed by the author in a broader cultural context. This revised and expanded edition of the 1978 classic brings Vampyres up to date with twenty-first-century vampire literature, including new text extracts, commentary, and a revised introduction. For the first time, Christopher Frayling also explores the development of the vampire in the visual arts in four color-plate sections, with illustrations ranging from eighteenth-century prints to twenty-first-century film stills, demonstrating the enduring appeal of the vampire from popular press to fine art and, finally, to film.
This volume explores how horror comic books have negotiated with the social and cultural anxieties framing a specific era and geographical space. Paying attention to academic gaps in comics’ scholarship, these chapters engage with the study of comics from varying interdisciplinary perspectives, such as Marxism; posthumanism; and theories of adaptation, sociology, existentialism, and psychology. Without neglecting the classical era, the book presents case studies ranging from the mainstream comics to the independents, simultaneously offering new critical insights on zones of vacancy within the study of horror comic books while examining a global selection of horror comics from countries such as India (City of Sorrows), France (Zombillénium), Spain (Creepy), Italy (Dylan Dog), and Japan (Tanabe Gou’s Manga Adaptations of H.P. Lovecraft), as well as the United States. One of the first books centered exclusively on close readings of an under-studied field, this collection will have an appeal to scholars and students of horror comics studies, visual rhetoric, philosophy, sociology, media studies, pop culture, and film studies. It will also appeal to anyone interested in comic books in general and to those interested in investigating intricacies of the horror genre.
Monsters and shape-shifters have always held a special fascination in mythologies, legends, and folklore the world over. From ancient customs to famous cases of beasts and vampires and their reflections in popular culture, 600 entries provide definitions, explanations, and lists of suggested further reading.