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For centuries, the legends and myths of vampires have permeated various cultures around the world. In folklore, frequently vampires visited their loved ones, and caused evil doings or deaths in the places they inhabited when they were alive. The romance of the vampire lies in his total isolation––he is the tragic character of the fallen angel, one with unimaginable power. Yet, his fatal weakness makes him vulnerable. In this mesmerizing book, readers learn about the origins of vampires and their various forms across the ancient world, Europe, America, the Caribbean, Asia, and Africa. Vlad Tepes, the land of Transylvania, and Dracula are engagingly introduced. The volume also describes how vampires have been featured in books and film.
Explores the history, origins, and characteristics of vampires and features notable myths and legends from around the world.
A thrilling treasury of vampire lore! Since the seventeenth century, people have been frightened, mesmerized, and fascinated by the terrifying tales of vampires. In this book, you'll uncover the history and mystery behind these bloodthirsty monsters with folklore, mythology, and poetry from every tradition in the world. From the Bosnian Lampir, whose disease-ridden corpse spread infection and death throughout villages, to Bram Stoker's charming Dracula, who helped define modern-day vampires, the wicked stories surrounding these nocturnal beings are sure to captivate anyone who has ever wondered about these shadow-loving creatures. Whether you're interested in exploring the culture of vampires or just want to learn more about their supernatural abilities, you'll discover dozens of compelling tales, historical accounts, and haunting legends that shed some light on these sinister beings. Complete with detailed illustrations, Vampires reveals the dark allure and gruesome power of these creatures of the night.
From the earliest days of oral history to the present, the vampire myth persists among mankind's deeply-rooted fears. This encyclopedia, with entries ranging from "Abchanchu" to "Zmeus," includes nearly 600 different species of historical and mythological vampires, fully described and detailed.
Delves into the myths, legends, literature, and history surrounding that ever-frightening and yet strangely seductive creature, the vampire.
While vampire stories have been part of popular culture since the beginning of the nineteenth century, it has been in recent decades that they have become a central part of American culture. Vampire Legends in Contemporary American Culture looks at how vampire stories -- from Bram Stoker's Dracula to Blacula, from Bela Lugosi's films to Love at First Bite -- have become part of our ongoing debate about what it means to be human. William Patrick Day looks at how writers and filmmakers as diverse as Anne Rice and Andy Warhol present the vampire as an archetype of human identity, as well as how many post-modern vampire stories reflect our fear and attraction to stories of addiction and violence. He argues that contemporary stories use the character of Dracula to explore modern values, and that stories of vampire slayers, such as the popular television series Buffy the Vampire Slayer, integrate current feminist ideas and the image of the Vietnam veteran into a new heroic version of the vampire story.
Thirty-five uncanny and erotic tales of vampires written by supernatural fiction’s greatest mistresses of the macabre. "Fashions change, and the urbane vampire created by Byron and cemented in place by Stoker has had to move on . . . Are you, like me, ready for the new dusk?" —Ingrid Pitt, from her Introduction Prepare to arm yourself with garlic, silver bullets, and a stake. Featuring the only vampire short story written by Anne Rice, the undisputed queen of vampire literature, and boasting an autobiographical introduction and original tale by Ingrid Pitt, the star of Hammer Films' The Vampire Lovers and Countess Dracula, this is one anthology that every vampire fan—vampiric feminist or not—will want to drink deep from. From the classic stories of Edith Wharton, Edith Nesbit, Mary E. Wilkins-Freeman, and Mary Elizabeth Braddon to modern incarnations by such acclaimed writers as Poppy Z. Brite, Nancy Kilpatrick, Tanith Lee, Caitlín R. Kiernan, and Angela Slatter, these blood-drinkers and soul-stealers range from the sexual to the sanguinary, from the tormented Good to the unspeakably Evil. Among those memorable Children of the Night you will encounter are Chelsea Quinn Yarbro's Byronic vampire Saint-Germain, Nancy A. Collins' undead heroine Sonja Blue, Tanya Huff's vampiric detective Vicki Nelson, and Freda Warrington’s age-old lovers Karl and Charlotte. Nominated for the World Fantasy Award and the International Horror Guild Award, and now revised and updated, The Mammoth Book of Vampire Stories by Women fulfils the bloodlust of the somnambulist horror fan, delivering the ultimate bite.
Even before Bram Stoker immortalized Transylvania as the homeland of his fictional Count Dracula, the figure of the vampire was inextricably tied to Eastern Europe in the popular imagination. Drawing on a wealth of previously neglected sources, this book offers a fascinating account of how vampires—whose various incarnations originally emerged from folk traditions from all over the world—became so strongly identified with Eastern Europe. It demonstrates that the modern conception of the vampire was born in the crucible of the Enlightenment, embodying a mysterious, Eastern otherness that stood opposed to Western rationality. From the Prologue: From Original Sin to Eternal Life For a broad contemporary public, the vampire has become a star, a media sensation from Hollywood. Bestselling authors such as Bram Stoker, Anne Rice and Stephenie Meyer continue to fire the imaginations of young and old alike, and bloodsuckers have achieved immortality through films like Dracula, Interview with a Vampireand Twilight. It is no wonder that, in the teenage bedrooms of our globalized world, vampires even steal the show from Harry Potter. They have long since been assigned individual personalities and treated with sympathy. They may possess superhuman powers, but they are also burdened by their immortality and have to learn to come to terms with their craving for blood. Whereas the Southeast European vampire, discovered in the 1730s, underwent an Americanization and domestication in the media landscape of the twentieth century, the creole zombies that first became known through the cheap novels and horror films of the 1920s still continue to serve as brainless horror figures. Do bloodsuckers really exist and should we really be afraid of the dead? These are the questions that I seek to tackle, following the wishes of my daughter, who was ten when I started this project.
*Includes pictures *Includes historical accounts describing vampires *Discusses the legends of vampires across various cultures and the evolution of the folklore *Includes a bibliography for further reading *Includes a table of contents People have always been afraid of the dead. Since the dawn of humanity, people have both cared for those who have deceased yet also tried to keep them away. There are a myriad of legends and beliefs about the dead coming back, and one of the more persistent ones is of the vampire. Everyone has heard of vampires, but few people are truly familiar with the history and folklore that have made the mythical beings so popular. Indeed, there are so many legends from so many cultures that it is difficult to come up with a hard definition, and folklore is by its very nature unscientific, but most people in the Western world think of vampires as those who come back from the grave to suck the blood or life essence from the living. This common understanding of vampires actually obscures many European and most non-European traditions of bloodsucking monsters. For example, in China, Japan, and the Middle East, there are spirits that will drain the life force of an unwary person, but these magical beings were never mortal humans. In African and Native American traditions, there are monsters that do the same, but while they are supposed to be of this Earth, they too are not human beings. Furthermore, folklore changes over time, so the vampires people are familiar with today (and the ones some people claim to actually meet) bear little resemblance to the vampires of early modern Europe. Stories change, fiction turns to fact and vice versa, and beliefs are constantly reinvented. Ideas are adopted, adapted, and presented as true. All the while, the legend of the vampire remains. The History and Folklore of Vampires chronicles how vampires became so popular. Along with pictures and a bibliography, you will learn about vampires like never before, in no time at all.
Surveys centuries of folklore about vampires and offers a scientific explanation for the origins of the legends.