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Juan Valera y Alcalá-Galiano (1824-1905), one of nineteenth-century Spain's most respected authors, lived an international life-a career in the diplomatic service, with postings to more than a half dozen countries in Europe and the Americas.
"The story of Dan Fadrique Lopez de Mendoza, a man of seafaring adventures and a deist in the mould of the eighteenth-century philosophes, and Dona Blanca Roldan de Solis, a woman of unbounded pride and a Catholic driven by religious fanaticism, neither of which traits prevented her from having had an adulterous affair as a young woman in Lima, Peru, with Don Fadrique."--Back cover.
Juan Valera y Alcalá-Galiano (1824-1905), one of 19th-century Spain's most well known authors, had a career in the diplomatic service with postings in Europe and the Americas. A serious student of his own and foreign literatures, Valera wrote novels, short stories, essays and literary criticism. Fluent in a number of languages, he also translated Longus's Daphne and Chloe from Greek into Spanish. The unifying thread of his creative work is "art for art's sake," that is, beauty as the end and purpose of imaginative literature, an ideal epitomised by Pepita Jiménez , long considered one of the best half dozen novels of 19th-century Spain. When it was first published in 1874, Pepita Jiménez became an instant success. Translations abound, as do the number of editions, upwards of fifteen, many of them annotated, some of them illustrated. It tells of Luis de Vargas, a devout twenty-two-year-old seminarian who has come home to visit with his father before entering the priesthood. The storyline unfolds when he meets a comely twenty-year-old widow named Pepita Jiménez and has his religious calling put to the test. On the heels of a fictitious prologue, Valera gives the reader multiple perspectives. The first part of the novel is epistolary in form, letters that Luis writes to the Dean, who is both his uncle and his mentor at the seminary, and everything - people, places, and activities - is filtered through his eyes. The second part reverts to the traditional all-seeing narrator of the realist novel, while the third consists of letters that Pedro de Vargas, Luis's father, writes to his brother the Dean.
Juan Valera y Alcalá-Galiano (1824-1905), one of 19th-century Spain's most well known authors, had a career in the diplomatic service with postings in Europe and the Americas. A serious student of his own and foreign literatures, Valera wrote novels, short stories, essays and literary criticism.
"Pilar Orsini Oquendo has just lost the love of her life. Her fiancé, Gonzalo, has been wrenched from her grasp by his untimely passing. Left alone to grieve, she finds herself at their favorite place, on a secluded beach in Spain. It is here where Gonzalo's childhood friend finds Pilar and, in a fit of lust, rapes her. Distraught and betrayed, Pilar soon finds the rape has produced a pregnancy. Despite the difficulty, Pilar decides to keep the baby. She struggles to wade through her emotional turmoil and continue her ambitious career as a translator of American literature. While speaking at Columbia University, Pilar meets Gus Brubaker. Gus is a Spanish literature translator, and he is immediately taken in by Pilar's intellect and stunning beauty. Pilar is conflicted and still dealing with the aftermath of her rape as her attacker continues his harassment. She is also pregnant. How will she explain this to Gus, who, she believes, will surely leave her when she reveals her pregnancy? The Translators tells a story of troubled romance set in the world of linguistics and literature. As Pilar and Gus travel the world together, they also must travel beyond pains of the past. In the conquering of violence, there is a possibility of healing and perhaps, a possibility of endless love."