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This comprehensive bibliography will be a necessary starting-point for all future students of the communist international, 1919-1943. It contains the most complete annotated list of references on the subject published so far.
Much has been written about the activity of Lenin and his colleagues on the editorial board of the Iskra newspaper, whereas little has been said about the opponents of Leninism, who unsuccessfully fought for control of the Russian Social-Democratic Labour Party during the Iskra period. To redress the balance, Richard Mullin has translated 25 documents from this period, most of which express an anti-Lenin view. They include articles from Rabochee Delo, the Jewish Bund's Poslednie Izvestiia and the post-Lenin Iskra, pamphlets by Plekhanov and Martov, the resolutions of Party meetings and some very revealing private correspondence. However, the result is not an anti-Bolshevik polemic: through these documents a clearer, and curiously flattering picture of Lenin's thought and activity is obtained.
Taruskin demonstrates how Stravinsky achieved his modernist technique by combining what was most characteristically Russian in his musical training with stylistic elements abstracted from Russian folklore. The stylistic synthesis thus achieved formed Stravinsky as a composer for life, whatever the aesthetic allegiances he later professed.