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This work is a defense of Christianity composed in clear and direct imitation of Cicero, by a practicing advocate at Rome of African background, writing within the first third of the third century. +
A collection of eight lectures published over the past 20 years, in which Bullough (medieval history, U. of St. Andrews) looks at the ninth-century Carolingian court, focusing on the pan-European cultural elements. He combines his own close analysis of texts with the work of other scholars. Distributed in the U.S. by St. Martin's Press. Annotation copyrighted by Book News, Inc., Portland, OR
Italy's original fascination with its cultural origins in Greece and Rome first created what is now known as 'the Classical tradition' - the pervasive influence of ancient art and thought on later times. In response to a growing interest in Classical reception, this volume provides a timely reappraisal of the Greek and Roman legacies in Italian literary history. There are fresh insights on the early study of Greek and Latin texts in post-classical Italy and reassessments of the significance attached to ancient authors and ideas in the Renaissance, as well as some innovative interpretations of canonical Italian authors, including Dante, Petrarch and Alberti, in the light of their ancient influences and models. The wide range of essays in this volume - all by leading specialists - should appeal to anyone with an interest in Italian literature or the Classical tradition. Italy's early fascination with its Hellenic and Roman origins created what is now called 'the classical tradition'.This book focuses on the role of the Greek and Latin languages and texts in Italian humanist thought and Renaissance poetry: how ancient languages were mastered and used, and how ancient texts were acquired and appropriated. Fresh perspectives on the influences of Aristotle, Plutarch and Virgil accompany innovative interpretations of canonical Italian authors - including Dante, Petrarch and Alberti - in the light of their classical models. Treatments of more specialized forms of writing, such as the cento and commentary, and some opening chapters on linguistic history also prompt reassessment of Renaissance perceptions of both Greece and Rome in relation to early modern Latin and vernacular culture. The collection as a whole highlights the importance of Italy's unique legacy of antiquity for the history of ideas and philology, as well as for literary history. The essays in this volume, all by leading specialists, are supplemented by a detailed introduction and a subject bibliography.
Why did Christians come to Ireland from abro ad? Why did, by contrast, Irish Christians leave their nativ e country to live abroad? These are just some of the questio ns answered in this text. '
Volume 41
This book is concerned with the transmission and reception of Latin literary culture in the early Middle Ages, and with the production of Latin works in Ireland and in Irish centres on the Continent. In these articles, Professor Herren deals with several closely related themes: the introduction of Latin into Ireland and the study of Latin literary heritage; the language and metre of Hiberno-Latin writings; and questions of dating and authorship pertaining to a number of crucial texts, from Columbanus to John Scottus Eriugena.
The augurs, the official Roman diviners, had a significant role in the public life of the Roman Republic. However, to recover the facts concerning their rites and doctrine is a difficult task because of the defectiveness and the fragmentary nature of our sources. This book offers the first thorough examination of the ways in which the augural doctrine has been treated by the Greek historians who have written about Rome. The main bulk of its material derives from four prominent writers of the Roman period: Dionysius of Halicarnassus, Plutarch, Appian and Cassius Dio. Analysing the Greek sources from the point of view of language, style, bilingualism, and cultural context, the author not only sheds light on disputed matters of augural doctrine and Roman constitution, but also offers a good deal of new material that in various ways clarifies the meeting of the two cultures.