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The U.S.-USSR Cultural Agreement signed at the Geneva summit in 1985 signalled the resumption of a broad range of cultural exchanges suspended in 1980 after the Soviet invasion of Afghanistan. Mr. Richmond describes the history of the various areas of exchange—in the performing arts, popular media, academia, public diplomacy, science and technology
Some fifty thousand Soviets visited the United States under various exchange programs between 1958 and 1988. They came as scholars and students, scientists and engineers, writers and journalists, government and party officials, musicians, dancers, and athletes—and among them were more than a few KGB officers. They came, they saw, they were conquered, and the Soviet Union would never again be the same. Cultural Exchange and the Cold War describes how these exchange programs (which brought an even larger number of Americans to the Soviet Union) raised the Iron Curtain and fostered changes that prepared the way for Gorbachev's glasnost, perestroika, and the end of the Cold War. This study is based upon interviews with Russian and American participants as well as the personal experiences of the author and others who were involved in or administered such exchanges. Cultural Exchange and the Cold War demonstrates that the best policy to pursue with countries we disagree with is not isolation but engagement.
When Nikita Khrushchev visited Hollywood in 1959 only to be scandalized by a group of scantily clad actresses, his message was blunt: Soviet culture would soon consign the mass culture of the West, epitomized by Hollywood, to the "dustbin of history." In Moscow Prime Time, a portrait of the Soviet broadcasting and film industries and of everyday Soviet consumers from the end of World War II through the 1970s, Kristin Roth-Ey shows us how and why Khrushchev’s ambitious vision ultimately failed to materialize. The USSR surged full force into the modern media age after World War II, building cultural infrastructures—and audiences—that were among the world’s largest. Soviet people were enthusiastic radio listeners, TV watchers, and moviegoers, and the great bulk of what they were consuming was not the dissident culture that made headlines in the West, but orthodox, made-in-the-USSR content. This, then, was Soviet culture’s real prime time and a major achievement for a regime that had long touted easy, everyday access to a socialist cultural experience as a birthright. Yet Soviet success also brought complex and unintended consequences. Emphasizing such factors as the rise of the single-family household and of a more sophisticated consumer culture, the long reach and seductive influence of foreign media, and the workings of professional pride and raw ambition in the media industries, Roth-Ey shows a Soviet media empire transformed from within in the postwar era. The result, she finds, was something dynamic and volatile: a new Soviet culture, with its center of gravity shifted from the lecture hall to the living room, and a new brand of cultural experience, at once personal, immediate, and eclectic—a new Soviet culture increasingly similar, in fact, to that of its self-defined enemy, the mass culture of the West. By the 1970s, the Soviet media empire, stretching far beyond its founders’ wildest dreams, was busily undermining the very promise of a unique Soviet culture—and visibly losing the cultural cold war. Moscow Prime Time is the first book to untangle the paradoxes of Soviet success and failure in the postwar media age.
This collection brings together empirical and analytical studies of the nature and evolution of Soviet-British relations during the 1980s and looks forward to the 1990s. The relationship is firmly placed within the wider context of Soviet policy toward the West and NATO. The contributors examine mutual perceptions and policy perspectives; Soviet interests and objectives in dealing with Britain; and the role of economic, political, diplomatic, nongovernmental and security factors in determining policy outcomes. A concluding section evaluates the long-term significance of current and potential policy developments on both sides. Soviet-British Relations is the first volume to be produced by the Soviet foreign policy study group at Chatham House, and is published in association with The Royal Institute of International Affairs.
A fascinating historical account of how and why the U.S. cultural penetration in Yugoslavia became a key feature for the attainment of Washington’s short, middle and long-term policy goals there.
This volume analyzes US policy toward communist-ruled Poland in the fields of diplomacy, economy, culture, and public diplomacy. It highlights the limitations in developing cooperation between democratic and nondemocratic countries resulting from the Cold War conflict. No comprehensive account of US policy toward Poland from 1956 to 1968 has emerged in historiography. This book aims to answer why, since the political changes of the Polish October 1956, Washington ceased to see Polish affairs as “Soviet-related matters.” Instead, it recognized communist-ruled Poland as a separate political entity among other Kremlin-dependent states in Eastern Europe. This policy, introduced by the Dwight D. Eisenhower administration, was continued by his successors John F. Kennedy and Lyndon B. Johnson. Recently declassified US and Polish archival sources allow the presentation of more considerations around the decision-making mechanisms by presidential administrations regarding communist Poland after 1956. They also reveal the dependence of the implementation of US actions on the climate of international relations. Moreover, they can now explain how Poland became an “open window” toward the Soviet bloc and a model example of the changes in the US policy of diversifying its approach to Eastern European countries under Soviet control in the next decades.
Exchange programmes have been a part of US foreign relations since the nineteenth century, but it was only during and after World War II that they were applied by the US government on a large scale to influence foreign publics in support of strategic objectives. This book looks at the background, organisation, and goals of the Department of State's most prestigious activity in this field, the Foreign Leader Program. The Program (still running as the International Visitor Leadership Program) enabled US Embassies to select and invite talented, influential 'opinion leaders' to visit the United States, meet their professional counterparts, and gain a broad understanding of American attitudes and opinions from around the country. By tracking the operation of the Program in three key transatlantic allies of the United States a full picture is given of who was selected and why, and how the target groups changed over time in line with a developing US-European relationship. The book therefore takes a unique in-depth look at the importance of exchanges for the extension of US 'informal empire' and the maintenance of the transatlantic alliance during the Cold War.
American-Soviet Relations (1993) is a study of American policy towards the Soviet Union from 1917 to the fall of Communism. It attempts to understand what precisely were the roots of the Cold War and an analysis of the later relationship in the light of the Soviet Union’s evolution since the Revolution. It argues that American policy was shaped not only by the external threat from the USSR but also by internal forces within American society, domestic politics, economic interests, emotional and psychological attitudes and images of the Soviet Union.
These firsthand accounts of US and Soviet scientists communicating across the Iron Curtain offer “a stunning portrait of Cold War scientific cooperation” (Physics Today). For sixty years, scientists from the United States and the Soviet Union participated in state-organized programs of collaboration. But what really happened in these programs? What did the participants and governments hope to achieve? And how did these programs weather the bumpiest years of political turbulence? From Pugwash to Putin provides accounts from sixty-three insiders who participated in these programs, including interviews with scientists, program managers, and current or former government officials. In their own words, these participants discuss how and why they engaged in cooperative science, what their initial expectations were, and what lessons they learned. They tell stories of gravitational waves, classified chalkboards, phantom scientists, AIDS propaganda, and gunfire at meteorological stations, illustrating the tensions and benefits of this collaborative work. From the first scientific exchanges of the Cold War through the years following the fall of the Soviet Union, Gerson S. Sher provides a sweeping and critical history of what happens when science is used as a foreign policy tool. Sher, a former manager of these cooperative programs, provides a detailed and critical assessment of what worked, what didn’t, and why it matters.
This volume provides a transnational study of the impact of musical cultures in the Eastern Baltics—Lithuania, Latvia, Poland, and Russia—at the end of the Cold War and in the early post-Communist period. Throughout the book, the contributors explore and conceptualize transnational musical collaboration and the diffusion of information, people, and ideas focusing on musical activity which shaped the moral and artistic outlook of several generations. The volume sheds light on the transformative power of politically and socially engaged music and offers a deeper understanding of the artistic potential of societies and its impact on social and political change.