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Our lives are filled with unique short stories. Each day has the capacity to unlock various experiences ripe for documentation and further examination. In this collection of stories, the author introduces you to the lives of three fictitious men all plagued with similar attributes. From the decrepit apartments of Shanty Town, to the heartbroken unable to escape his past, and finally through a maze of mysterious hallways leading to unmistakable madness. The experiences of these men have been documented, the last step is to sit down and examine them for yourselves.
The Russian theater director Vsevolod Meyerhold (1874-1940) has since his «repression» under Stalin resumed his rightful place alongside Stanislavsky as a founder of twentieth-century «director's theater.» But he has been simplistically stereotyped as a radical of the bare stage and biomechanical gymnastics for actors. Marjorie L. Hoover, who surveyed his whole forty-year career, official as well as experimental, in her Meyerhold: The Art of Conscious Theater - nominated for a National Book Award in 1975 - now concentrates in Meyerhold and His Set Designers on his collaboration with many great artists. For with Leon Bakst and Alexander Golovin, among others, he pioneered the modern «designer's theater, » staging both drama and opera in painterly luxury before 1917, and thereafter he led a revolution in theater art together with several designers, among whom, El Lissitzky, Popova and Rodchenko.
From The Big Sleep to Babette's Feast, from Lawrence of Arabia to Drugstore Cowboy, The Movie Guide offers the inside word on 3,500 of the best motion pictures ever made. James Monaco is the president and founder of BASELINE, the world's leading supplier of information to the film and television industries. Among his previous books are The Encyclopedia of Film, American Film Now, and How to Read a Film.
Dalton Chamberlain's worked for Southern widows in the past. They all want the same thing - someone to take care of the grass and keep the leaves raked. But more than anything else, they just want someone to listen. So when he is hired by Mrs. Glenda Daugherty, he realizes he isn't just a gardener for this Southern widow - he's her confidant. But Dalton's more than some college kid who listens to stories of Mrs. Daugherty's past; he's her last chance to find the truth behind the suicide of her son, Charley. But why would Charley kill himself? He was handsome, suave, and heir to the most powerful company in Birmingham. Maybe Charley's death wasn't suicide...and maybe it had nothing to do with Charley but vengeance for a murder his father committed years before Charley was born. But someone knows what happened to Charley - and wants the truth left in the past.
As the two billion YouTube views for “Gangnam Style” would indicate, South Korean popular culture has begun to enjoy new prominence on the global stage. Yet, as this timely new study reveals, the nation’s film industry has long been a hub for transnational exchange, producing movies that put a unique spin on familiar genres, while influencing world cinema from Hollywood to Bollywood. Movie Migrations is not only an introduction to one of the world’s most vibrant national cinemas, but also a provocative call to reimagine the very concepts of “national cinemas” and “film genre.” Challenging traditional critical assumptions that place Hollywood at the center of genre production, Hye Seung Chung and David Scott Diffrient bring South Korean cinema to the forefront of recent and ongoing debates about globalization and transnationalism. In each chapter they track a different way that South Korean filmmakers have adapted material from foreign sources, resulting in everything from the Manchurian Western to The Host’s reinvention of the Godzilla mythos. Spanning a wide range of genres, the book introduces readers to classics from the 1950s and 1960s Golden Age of South Korean cinema, while offering fresh perspectives on recent favorites like Oldboy and Thirst. Perfect not only for fans of Korean film, but for anyone curious about media in an era of globalization, Movie Migrations will give readers a new appreciation for the creative act of cross-cultural adaptation.
Compiled in one book, the essential collection of books by Booth Tarkington Alice Adams Beasley's Christmas Party The Beautiful Lady The Conquest of Canaan The Flirt Gentle Julia The Gentleman From Indiana The Gibson Upright The Guest of Quesnay Harlequin and Columbine His Own People In the Arena The Magnificent Ambersons The Man from Home Monsieur Beaucaire Penrod Penrod and Sam Ramsey Milholland Seventeen The Turmoil The Two Vanrevels
From John Philip Sousa to Green Day, from Scott Joplin to Kanye West, from Stephen Foster to Coldplay, The Encyclopedia of Great Popular Song Recordings, Volumes 1 and 2 covers the vast scope of its subject with virtually unprecedented breadth and depth. Approximately 1,000 key song recordings from 1889 to the present are explored in full, unveiling the stories behind the songs, the recordings, the performers, and the songwriters. Beginning the journey in the era of Victorian parlor balladry, brass bands, and ragtime with the advent of the record industry, readers witness the birth of the blues and the dawn of jazz in the 1910s and the emergence of country music on record and the shift from acoustic to electrical recording in the 1920s. The odyssey continues through the Swing Era of the 1930s; rhythm & blues, bluegrass, and bebop in the 1940s; the rock & roll revolution of the 1950s; modern soul, the British invasion, and the folk-rock movement of the 1960s; and finally into the modern era through the musical streams of disco, punk, grunge, hip-hop, and contemporary dance-pop. Sullivan, however, also takes critical detours by extending the coverage to genres neglected in pop music histories, from ethnic and world music, the gospel recording of both black and white artists, and lesser-known traditional folk tunes that reach back hundreds of years. This book is ideal for anyone who truly loves popular music in all of its glorious variety, and anyone wishing to learn more about the roots of virtually all the music we hear today. Popular music fans, as well as scholars of recording history and technology and students of the intersections between music and cultural history will all find this book to be informative and interesting.
First Published in 2002. A Century of American Popular Music is an annotated index to over 2,000 of the most popular, best remembered, historically important and otherwise influential and interesting popular music, from the landmark publication of Scott Joplin's Maple Leaf Rag to the latest rap hit. It provides information all in one place that is available no where else: song title, composer, lyricist, publisher, date of copyright and genre. The annotations include, where possible, a discussion of the history of the song, how it was written, who popularized it, notable recordings with their original issue numbers, as well as covers and other versions that helped keep the song in public attention. Also included are indices by composer, publisher and year of publication.