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A history of New Orleans music in the four decades since World War II. In particular, it tells of the rise of rhythm and blues, a musical form rooted in the very identity of the Crescent City, its history and geography, the Mardi Gras rites and the intermixture of its many races and cultures. In providing a tribute to the musical heritage of New Orleans, the book is also a testament to the rich sounds still produced there by such musicians as Dr John, the Neville Brothers, Allen Toussaint, and The Wild Tchoupitoulas.
Up from the Cradle of Jazz is an intimate history of New Orleans music during the last 45 years. It describes the piano playing of Fats Domino, Professor Longhair, James Booker, Huey Piano Smith and Dr John; the singing of Irma Thomas, Little Richard, Aaron Neville and Lee Dorsey; the compositions and performances of Allen Toussaint, Guitar Slim, Wynton and Branford Marsalis, The Meters and The Neville Brothers. From smoky bars and nightclubs to the open air revelry of Mardi Gras, this work aims to be the definitive story of the music of contemporary New Orleans.
Up from the Cradle of Jazz is the inside story of New Orleans music from the rise of rhythm and blues through the post-Hurricane Katrina resurrection.
"Vintage photographs and 24 contemporary portraits capture the style and flavor of Jackson Street and its jazz legacy. Based on extensive interviews with jazz musicians, this significant new volume documents the smokey rooms, Prohibition antics, wartime parties, and unforgettable riffs that characterized great moments in Pacific Northwest jazz." -- Amazon.com viewed July 8, 2020.
This autobiography of legendary New Orleans piano man Dr. John--"the hippest, fonkiest cat to come down the musical turnpike" (Library Journal)--is one of the most original, colorful, and acclaimed music books ever. Photos.
In 2015, the beautiful jazz funeral in New Orleans for composer Allen Toussaint coincided with a debate over removing four Confederate monuments. Mayor Mitch Landrieu led the ceremony, attended by living legends of jazz, music aficionados, politicians, and everyday people. The scene captured the history and culture of the city in microcosm--a city legendary for its noisy, complicated, tradition-rich splendor. In City of a Million Dreams, Jason Berry delivers a character-driven history of New Orleans at its tricentennial. Chronicling cycles of invention, struggle, death, and rebirth, Berry reveals the city's survival as a triumph of diversity, its map-of-the-world neighborhoods marked by resilience despite hurricanes, epidemics, fires, and floods. Berry orchestrates a parade of vibrant personalities, from the founder Bienville, a warrior emblazoned with snake tattoos; to Governor William C. C. Claiborne, General Andrew Jackson, and Pere Antoine, an influential priest and secret agent of the Inquisition; Sister Gertrude Morgan, a street evangelist and visionary artist of the 1960s; and Michael White, the famous clarinetist who remade his life after losing everything in Hurricane Katrina. The textured profiles of this extraordinary cast furnish a dramatic narrative of the beloved city, famous the world over for mysterious rituals as people dance when they bury their dead.
Song for My Fathers is the story of a young white boy driven by a consuming passion to learn the music and ways of a group of aging black jazzmen in the twilight years of the segregation era. Contemporaries of Louis Armstrong, most of them had played in local obscurity until Preservation Hall launched a nationwide revival of interest in traditional jazz. They called themselves “the mens.” And they welcomed the young apprentice into their ranks. The boy was introduced into this remarkable fellowship by his father, an eccentric Southern liberal and failed novelist whose powerful articles on race had made him one of the most effective polemicists of the early Civil Rights movement. Nurtured on his father’s belief in racial equality, the aspiring clarinetist embraced the old musicians with a boundless love and admiration. The narrative unfolds against the vivid backdrop of New Orleans in the 1950s and ‘60s. But that magical place is more than decor; it is perhaps the central player, for this story could not have taken place in any other city in the world.
New Orleans jazz thrilled the world in the twenties and traveled around the world in the thirties. In the forties and fifties, the world came to New Orleans to hear authentic New Orleans jazz played by real jazz musicians. The sixties brought Preservation Hall, a musical institution that even a hurricane couldn't kill. For the last 40 years, the New Orleans Jazz and Heritage Festival has been celebrating New Orleans' and Louisiana's unique culture and music. This volume contains rare photographs from the Louisiana State Museum's Jazz Collection, lovingly assembled and accompanied by captions written by award-winning author and Jazz Roots radio show host Tom Morgan. Those who love jazz will be amazed by these pictures of some of the best musicians ever to pick up an instrument. For those just beginning to learn about jazz, this 200-page volume is an excellent takeoff point to learn more about what made New Orleans jazz unique, and a source to discover musicians who can further enhance readers' listening pleasure.