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Niel Black, a Scot from Argyllshire, arrived in Melbourne in September intending to make his fortune. Ambitious and determined, Black became one of the most successful and energetic squatters in the Western District of Victoria – a livestock breeder and a Member of the Legislative Council. He was also a correspondent extraordinaire, and his letters to family, fellow pastoralists, colonial officials, and his chief UK business partner, Thomas Steuart Gladstone (and first cousin of the British prime minister), offer a unique insight into the time. Black’s letters and journals, now held at the State Library Victoria, are the inspiration for this revelatory book written by his great-granddaughter. Battles with local Aboriginal people, other settlers, Commissioners of Crown Lands and bush-fires, along with droughts, family feuds, multiple trips back to Scotland to find a wife and Black’s rise to gentrified excess are all vividly brought to life. ‘In this vivid, fast-moving book Niel Black comes to life’ – Geoffrey Blainey
Long-lost manuscript becomes a Queensland First after 145 years. Faced with losing his centuries old family estate to debt, Tom Hurstbourne headed to colonial Australia to make his fortune. He had no idea that the Shrewsbury lawyer he left in charge of his affairs would snatch this chance to exact the ultimate revenge on Tom, the last of the Hurstbourne dynasty... Brisbane Editors, Gloria Grant and Gerard Benjamin, transcribed the manuscript and wrote its introduction and contextual notes.
The Squatter’s Dream (1875) is a novel by Rolf Boldrewood, the pseudonym of Australian novelist Thomas Browne. A squatter himself for nearly twenty-five years, he came to know the ways of life on the outskirts of civilization, which allowed him to lead a peaceful, uncomplicated, and inexpensive existence. Originally serialized in Australian weekly magazines, Browne’s work as Rolf Bolfrewood is an incomparable record of colonial Australia, where outlaws and speculators lived side by side on land stolen from the continent’s Aboriginal peoples. “The climate in which his abode was situated was temperate, from latitude and proximity to the coast. It was cold in the winter, but many a ton of she-oak and box had burned away in the great stone chimney, before which Jack used to toast himself in the cold nights, after a long day’s riding after cattle.” Jack Redgrave leads the kind of existence most men would dream of: a comfortable home, plenty of food, a beautiful property, and enough books to keep him curious about the world beyond the wilderness. Despite this, he begins to grow dissatisfied, dreaming of ways to increase his wealth and forgetting the reasons that first drew him to the squatting lifestyle. With a beautifully designed cover and professionally typeset manuscript, this edition of Rolf Boldrewood’s The Squatter’s Dream is a classic work of Australian literature reimagined for modern readers.
A fight breaks out over a claim in this action-filled homesteading story. The hardships of covered wagon life, the danger of the prairie fire, and the romance of the young bride's new home made this a best-seller in 1869. One of the things that made dime novels so popular was the lurid cover art. These scandalous imaged caught the attention of readers and, indeed, the ellicit nature of the stories was most appealing. Publishers capitalized on the interests of young female readers, especially, bringing tales of strong, willful heroines to life between the cheap paper covers of these books.
He was looking for a woman. What he found was gold, greed...and murder. Enoch Brand never met a fight he couldn't resist. His wife Minnie had the same problem with men. Then Minnie finally ran off from Enoch, while the two were headed home to Tennessee. Now Enoch has gone charging after her-running straight into a gun battle, a one-handed ex Confederate soldier, and a storm of lies, betrayal and greed that all comes down to one thing: a treasure of gold that may or may not exist. Somewhere in the dark Ozark hills Enoch is sure there's a fortune waiting to be claimed. The only trouble is, it's killing those who want it most. . .
The Squatter and the Don, originally published in San Francisco in 1885, is the first fictional narrative written and published in English from the perspective of the conquered Mexican population that, despite being granted the full rights of citizenship under the Treaty of Guadalupe-Hidalgo in 1848, was, by 1860, a subordinated and marginalized national minority.
The Squatter and the Don (1885) is a novel by Mexican American author María Amparo Ruiz de Burton. The novel, Ruiz de Burton’s second, explores the consequences of the Treaty of Guadalupe Hidalgo for the Californios whose land was taken following the Mexican American War. Central to its focus are the ways in which Californios were forced to provide proof of ownership while squatters, with the support of the US government, settled on their land. Following the conquest of California, the Alamar family struggles to assimilate into American culture while maintaining their cultural heritage. Faced with immense prejudice, the Alamars, who like many Californios consider themselves to be racially white, embrace the capitalist culture introduced by American settlers and accelerated by the introduction of the railroad. Against this sociopolitical backdrop, the Alamars become increasingly entwined with the Darrells, a settler family, turning a story of political and economic circumstances into tale of romance between Clarence and Mercedes, whose love becomes representative of a new United States. Both personal and political, historical and fictional, The Squatter and the Don is a novel that captures a complex moment in American history without losing sight of the humanity at its heart. With a beautifully designed cover and professionally typeset manuscript, this edition of María Amparo Ruiz de Burton’s The Squatter and the Don is a classic of Mexican American literature reimagined for modern readers.