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A history of elite women who were concubines and wives of powerful slave-soldiers, known as Mamluks, who dominated Egypt both politically and militarily in the eighteenth century.
The Secrets of the Harem is an anonymous insider view on historical Turkish harems. Excerpt: "Many people have an idea that Turkish women absolutely do nothing that is either useful or ornamental aside from the decoration of their own persons, but that is not altogether true, as my residence of over a year in their country taught me, for they are really dextrous with the needle and do work which is as fine as that done by the sisters in the convents, or that of the wives of the feudal noblemen of olden times. The favorite pastime of the Turkish women is the bath, which brings together the wives and slaves of all the well-to-do Turks, and it is like a picnic of school children. These wives, most of them very young—some, indeed, not over twelve or fourteen years old—take their lunch along, and they eat and steam, plunge and splash, and play pranks upon each other in the wildest glee the whole day long. No fear of an angry husband haunts their minds, for they are not expected to do anything, and their husbands very rarely enter the harems before six o'clock. By this time they are all back, rosy and sweet from their bath."
Anna Harriette Leonowens' 'The Romance of the Harem' is a fascinating exploration of the exotic and mysterious world of the Middle Eastern harem. Through vivid descriptions and captivating storytelling, Leonowens delves into the intricacies of these secluded spaces, unveiling the complex lives of the women who inhabit them. Written in a flowing and eloquent style, the book transports readers to a time and place where tradition and passion collide, offering a unique perspective on a culture shrouded in secrecy. Leonowens' attention to detail and rich imagery make 'The Romance of the Harem' a literary gem that is sure to captivate readers with its beauty and insight.
An anthology of personal writings in which twenty-nine women who have lived in Turkey over the last forty years chronicle their experiences and share their impressions of the country.
Follows a fifteen-year-old girl who, after presenting Gaddafi with a bouquet of flowers during a visit to her school, was summoned to his compound where she, along with a number of young women, was violently abused, raped, and degraded.
The first study to explore the lives of female slaves of the Ottoman imperial court, including the period following their manumission and transfer from the imperial palace. Through an analysis of a wide range of hitherto unexplored primary sources, Betül İpşirli Argıt demonstrates that the manumission of female palace slaves and their departure from the palace did not mean the severing of their ties with the imperial court; rather, it signaled the beginning of a new kind of relationship that would continue until their death. Demonstrating the diversity of experiences in non-dynastic female-agency in the early-modern Ottoman world, Life After the Harem shows how these evolving relationships had widespread implications for multiple parties, from the manumitted female palace slaves, to the imperial court, and broader urban society. In so doing, İpşirli Argıt offers not just a new way of understanding the internal politics and dynamics of the Ottoman imperial court, but also a new way of understanding the lives of the actors within it.
Sage Fleur wasn't expecting to be starting at the mysterious Oak Mountain University as a sophomore. Looking over her schedule, she's baffled by some of her classes - what exactly is "Species Traits", anyway? But what her father's will says, Sage has to do - if she wants her inheritance, that is. New places and new people are hard for Sage to deal with, especially when emotions run high. As Sage prepares to juggle her studies with her shifts at Jitter Bean, the new job she just landed, making friends is the last thing on her mind. But when four guys seem set on making her their friend, what's a girl to do? It's not until Sage finds out that her friends are twin demons and two mythical beings, that her timetable starts to make sense. And it's not Sage's fault that her new friends are also super-hot, right? As her friendship with Aiden, Caden, Dante, and Maddox deepens, Sage wonders if her ability to read emotions is less of a weakness and more of a power. So when black feathers start to appear in her bed, Sage knows things are about to change at Oak Mountain University; her included. This a MMMFMM reverse harem novel where the FMC falls in with a group of lifelong friends with another guy joining later.
In contrast to most cultural histories of imperialism, which analyse Orientalist images of rather than by women, Gendering Orientalism focuses on the contributions of women themselves. Drawing on the little-known work of Henriette Browne, other `lost' women Orientlist artists and the literary works of George Eliot, Reina Lewis challenges masculinist assumptions relating to the stability and homogeneity of the Orientalist gaze. Gendering Orientalism argues that women did not have a straightforward access to an implicitly nale position of western superiority, Their relationship to the shifting terms of race, nation and gender produced positions from which women writers and artists could articulate alternative representations of racial difference. It is this different, and often less degrading, gaze on the Orientalized `Other' that is analysed in this book. By revealing the extent of women's involvement in the popular field of visual Orientalism and highlighting the presence of Orientalist themes in the work of Browne, Eliot and Charlotte Bronte, reina Lewis uncovers women's roles in imperial culture and discourse. Gendering Orientalism will appeal to students, lecturers and researchers in cultural studies, literature, art history, women's studies and anthropology.