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What if your entire life, every experience you've ever had, every person you've ever met, every place you've ever been, never existed? What if it was all just a fabricated memory that you were given, and the real world is the stuff of dreams and nightmares? What if the memories, the daydreams, suddenly left you stranded in a world that could never exist, not in a million years? What then? In Rayai, the first novel in the set of Untold Memories, a girl is confronted with that very question when her world has completely left her behind and she has to start anew in a place we can only imagine.
What if your entire life, every experience you've ever had, every person you've ever met, every place you've ever been, never existed? What if it was all just a fabricated memory that you were given, and the real world is the stuff of dreams and nightmares? What if the memories, the daydreams, suddenly left you stranded in a world that could never exist, not in a million years? What then? In Rayai, the first novel in the set of Untold Memories, a girl is confronted with that very question when her world has completely left her behind and she has to start anew in a place we can only imagine.
This is a book basically about myself and the experiences that I had, also whatever I could remember. I hope you enjoy my book as much as I did writing it.
The Korean War has been called the “forgotten war,” not as studied as World War II or Vietnam. Choi examines the collective memory of the Korean War through five discrete memory sites in the United States and South Korea, including the PBS documentary Battle for Korea, the Korean War Memorial in Salt Lake City, and the statue of General Douglas MacArthur in Incheon, South Korea. She contends that these sites are not static; rather, they are active places where countermemories of the war clash with the official state-sanctioned remembrance. Through lively and compelling analysis of these memory sites, which include two differing accounts of the No Gun Ri massacre\--contemporaneous journalism and oral histories by survivors\--Choi shows diverse narratives of the Korean War competing for dominance in acts of remembering. Embattled Memories is an important interdisciplinary work in two fields, memory studies and public history, from an understudied perspective, that of witnesses to the Korean War.
Beautiful postcards, photographs and adverts capture old Bury St Edmunds in all its glory
This book offers an empirically informed understanding of how cultural, autobiographical and absent memories of orphanhood interact and interconnect or come into being in the re-telling of a life story and construction of an identity. The volume investigates how care experienced identities are embedded within personal, social and cultural practices of remembering. The book stems from research carried out into the life (hi)stories of twelve undervalued ‘historical witnesses’ (Roberts, 2002) of orphanhood: women who grew up in Nazareth House children’s home in Belfast, Northern Ireland, during the 1940s, 50s and 60s. Several themes are covered, including histories of care in Northern Ireland, narratives and memories, sociologies of home, and self and identity. The result is an impressive text that works to introduce readers to the complexity of memory for care experienced people and what this means for their life story and identity.
Untold Emotions is a unique anthology that contains the raw and deep emotions which a co author wants to convey through their writings. It is a journey of 30 intresting and amazing co authors who expressed their emotions in the form of short stories, poems, quotes etc.
Most of the old factories are long gone and many workers have retired. Combining history, memory and heritage, Theatres of Memory: Industrial Heritage of 20th Century Singapore takes a stroll through Singapore’s industrial past. From Jurong to Redhill and Kallang, the book uncovers the many hands that enabled the island’s transformation from a colonial entrepôt to an industrial nation. Along the way, we will meet the pioneers of industry—government officials and production workers, men and women, Singaporeans and foreigners. We will hear laughter on the assembly line, descend into the quiet dark of the night shift, and relive the products once made in Singapore, from Rollei cameras and Acma refrigerators to carbonated soft drinks and Bata shoes.
"Offers an intense scholarly experience in its comprehensiveness, its variety of voices and its formal organization... the editors took a risk, experimented and have delivered a much-needed resource that upends the status-quo." - Architectural Histories, journal of the European Architectural History Network "Architectural theory interweaves interdisciplinary understandings with different practices, intentions and ways of knowing. This handbook provides a lucid and comprehensive introduction to this challenging and shifting terrain, and will be of great interest to students, academics and practitioners alike." - Professor Iain Borden, UCL Bartlett School of Architecture "In this collection, architectural theory expands outward to interact with adjacent discourses such as sustainability, conservation, spatial practices, virtual technologies, and more. We have in The Handbook of Architectural Theory an example of the extreme generosity of architectural theory. It is a volume that designers and scholars of many stripes will welcome." - K. Michael Hays, Eliot Noyes Professor of Architectural Theory, Harvard University The SAGE Handbook of Architectural Theory documents and builds upon the most innovative developments in architectural theory over the last two decades. Bringing into dialogue a range of geographically, institutionally and historically competing positions, it examines and explores parallel debates in related fields. The book is divided into eight sections: Power/Difference/Embodiment Aesthetics/Pleasure/Excess Nation/World/Spectacle History/Memory/Tradition Design/Production/Practice Science/Technology/Virtuality Nature/Ecology/Sustainability City/Metropolis/Territory. Creating openings for future lines of inquiry and establishing the basis for new directions for education, research and practice, the book is organized around specific case studies to provide a critical, interpretive and speculative enquiry into the relevant debates in architectural theory.
Barbara Sher Tinsley, Ph.D. (Stanford’83), has applied her academic, artistic, and literary knowledge, musical gifts, and love of nature to creating Phonotactics, The Sounds of Poetry. She is a singer of the broad culture, the personal, of family life, sensuality, history, philosophy, place, and the significance of a well-rounded life. The seemingly simplest of her poems are sometimes the deepest; the most complex appearing may be easier. Satire, humor, tenderness. These are her tactics of poetic sound, our surroundings, thoughts. Her surround sound is not in theaters, but in experience. A Fulbright Fellow and resident (two years) of Paris, Florence, Italy’s Tyrol, and Almuñecar, Spain, where net menders gathered each morning, inspired a painting and a poem. Her long residence in California’s Bay Area has enriched her life. A professor of French, humanities, world literature, history, and English composition at Stanford, Santa Clara University, San Jose State, Stephens College, and several community colleges, she has published four books on European history; three on poetry, (another forthcoming); a novel on Italian culture; and articles in various encyclopedias and academic journals. Her biography appears in Who’s Who in America and she is listed in The Dictionary of American Philosophers. Dr. Tinsley’s poems on language, philosophy, love, writing, music, history, geology, archaeology, astronomy, insomnia, business, family, hacking, fake news, violent movies, computers, gardens, art, contentment, literary criticism, let us meet not just the poet, but ourselves. For, as Aristotle thought best, she deals with universals, our shared humanity. Her first two poetry collections are Art, Passion, Poetry (2015), and Streaming Consciousness (2016). The fourth, Travelling in Place ... and to Other Places, will appear shortly. As one perceives from my dedication, music was on my mind – my uncles’ and my own – to create poetry that is truly musical, with meter, rhyme, and compelling themes. Phonotactics was a word I discovered thumbing through my dictionary while looking for another word. I had no idea what it meant, but learned that sound involves tactics and techniques, all involved in poetry. My own poems are quite varied, from Renaissance villanelles and sonnets to philosophical musings on great thinkers. The poetry honors historical monuments to monuments dedicated to man’s cultural achievements, and to their corruption or destruction by barbarians, old and modern. My first two poetry collections are Art, Passion, Poetry (2015), and Streaming Consciousness (2016). The fourth, Travelling in Place ... and to Other Places, will appear shortly.