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Smith dismantles the shoddy science undergirding direct, intensive, and early phonics training.
The Dead Father is a gargantuan half-dead, half-alive, part mechanical, wise, vain, powerful being who still has hopes for himself--even while he is being dragged by means of a cable toward a mysterious goal. In this extraordinary novel, marked by the imaginative use of language that influenced a generation of fiction writers, Donald Barthelme offered a glimpse into his fictional universe. As Donald Antrim writes in his introduction, "Reading The Dead Father, one has the sense that its author enjoys an almost complete artistic freedom . . . a permission to reshape, misrepresent, or even ignore the world as we find it . . . Laughing along with its author, we escape anxiety and feel alive."
The definitive collection of a twentieth-century master of the short story, whose unforgettable inventions revolutionized the form The short stories of Donald Barthelme, revered by the likes of Thomas Pynchon and George Saunders, are gems of invention and pathos that have dazzled and delighted readers since the 1960s. Here, for the first time, these essential stories are preserved as they were published in Barthelme's original collections, beginning with Come Back, Dr. Caligari (1964), a book that made a generation of readers sit up and take notice. Collected Stories also includes the work that appeared for the first time in Barthelme's two retrospective anthologies, Sixty and Forty, as well as a selection of uncollected stories. Discover, in this comprehensive gathering, Barthelme's unique approach to fiction, his upside-down worlds that are nonetheless grounded in fundamental human truths, his scrambled visions of history that yield unexpected insights, and his genius for dialogue, parody, and collage, which was for him "the central principle of all art in the twentieth century." Engage with sophisticated works of fiction that, often in just the space of a few pages, wrest profundities out of what might first seem merely ephemeral, even trivial. And experience, along with Barthelme's imaginative and frequently subversive ideas, the pleasures of a consummate stylist whose sentences are worth marveling at and savoring. Introduced with a sharp and discerning essay by editor Charles McGrath and annotation that clarifies Barthelme's freewheeling, wide-ranging allusions, the landmark volume is a desert-island edition for fans and the ideal introduction to new readers eager to find out why, as Dave Eggers writes, Barthelme's "every sentence ... makes me want to stop and write something of my own. He fires all of my synapses and connects them in new ways."
New Yorker denizen Barthelme and award-winning illustrator graphic designer Chwast have created within the walls of Sam's Bar the barroom atmosphere of exchange, self-pity, egoism, and interpretation. Sam, the bartender, listens sympathetically to stressed-out executives, out-of-work punk purists, frustrated artists, and debutantes who have come to talk. Forty patrons meet here to recreate their adventures and ruminate on the day's problems. They include a writer, a toy jobber, a lawyer, a dentist, a publicist, a policeman, a builder, and an accountant. ISBN 0-385-24264-6: $15.95.
" ... Donald Barthelme's new collection ... takes us from New York to Tokyo to Copenhagen to Barcelona to Paris to the Radiant City of Le Corbusier, balancing twelve of his widely celebrated short stories against an equal number of brief visionary texts, new in his work, that provide a lovely, haunting counterpoint"--From dust jacket.
Donald Barthelme was one of the most influential and inventive writers of the 20th century. In this volume of unpublished and previously uncollected stories, he transforms the absurd into the real in his usual epiphanic and engaging style. Delving into such themes as the perils of the unfulfilled existence and the relationships among politics, sex, art, and life, this collection will delight both old fans and new readers.
'I said that although hanging Colby was almost certainly against the law, we had a perfect moral right to do so because he was our friend, belonged to us in various important senses, and he had after all gone too far.' Donald Barthelme is a puckish player with language, a writer of short but endlessly rewarding comic gems, a thinker and an experimenter. In these nine short stories, whether writing about a hairy, donkeyish king or a touching, private gesture of city-sized proportions, his is a surreal, deadpan genius. This book includes Some of Us Had Been Threatening Our Friend Colby, The Glass Mountain, I Bought a Little City, The Palace at Four A.M., Chablis, The School, Margins, Game and The Balloon.
Relates Matilda's adventures in the Chinese house that grew in her back yard. Collage illustrations made from nineteenth-century engravings.