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Leading experts and rising stars in the field explore whether cosmopolitanism becomes impossible in the theoretical framework that assumed the absence of a final ground. The questions that the volume addresses refer exactly to the foundational predicament that characterizes cosmopolitanism: How is it possible to think cosmopolitanism after the critique of foundations? Can cosmopolitanism be conceived without an ‘ultimate’ ground? Can we construct theories of cosmopolitanism without some certainties about the entire world or about the cosmos? Should we continue to look for foundations of cosmopolitan rights, norms and values? Alternatively, should we aim towards cosmopolitanism without foundations or towards cosmopolitanism with ‘contingent foundations’? Could cosmopolitanism be the very attempt to come to terms with the failure of ultimate grounds? Written accessibly and contributing to key debates on political philosophy, and social and political thought, this volume advances the concept of post-foundational cosmopolitanism by bridging the polarised approaches to the concept.
Tamora Pierce has a large following of teen and adult readers, who savor her fantasy novels with strong female characters. This volume provides her readers and fans with additional insights into her life and work. The first section provides a biographical chapter and literary heritage. The second and third sections analyze the Tales of Tortall and the Magic Circle Sagas as a whole, providing details into the characters and settings of each. The final section of the book, Perspectives, includes both a section on literary techniques along with an interview of Tamora Pierce herself. Appendices include a section on Power Female Heroes, and Fantasy Adventures. Novels include: *The Song of the Lioness Quartet *The Immortals Quartet *The Protector of the Small Quartet *The Trickster Duology *The Magic Circle Quartet *The Circle Opens Quartet *The Will of the Empress
What is a maiden to do when her prince is not a prince, her hair won’t stop growing, and someone has cursed her to sleep for 300 years? In Polyhymnia’s case, it seems expedient to get up with the help of a kiss or two, trailing her hair behind her, and find out who did it. Nothing quite works out as planned, however. Poly can’t be sure if that’s because she never seems to be able to remember things like the mysterious spindle that keeps showing up around her, or if it’s the fault of the wizard who woke her but never stops long enough to explain anything. Poly is determined in two things: One, that she will find out who cursed her to sleep and meddled with her memories. Two: that she will absolutely not fall in love with the irritating wizard who seems to need to keep kissing her back into the real world… Spindle is a fairytale retelling of Sleeping Beauty with a dash of Rapunzel. If you love fairytales, clean fantasy, enchanters, and magical villages, not to mention Diana Wynne Jones, Robin McKinley, and Gail Carson Levine, you'll probably love Spindle!
Sandry can weave magic like thread. Her skill leaves others in awe, although controlling and channelling her power is second nature by now. And this is why she is horrified to find that an untrained boy, Pasco, is dancing complex magic - with no idea that he is doing it ...
Lady Sandrilene fa Toren knows all about unusual magic--she herself spins and weaves it like thread. But when she witnesses a boy dancing a spell, even she is confounded. To her dismay she gets news of a mysterious murderer stalking a clan of local merchants. The killer employs the strangest magic of all: the ability to reduce essence to nothingness. As the murders mount and the killer grows bolder, Sandry's teaching takes on a grave purpose. It becomes clear to everyone that the killings can only be stopped by the combined magic of two people: the young teacher and her even younger student.
The Plant Contract argues that visual and performance art can help change our perception of the vegetal world, and can return us to nature and thought. Via an investigation into the wasteland, robotany, feminist plants, and nature rights, this phytology-love story investigates how contemporary art is mediating the effects of plant-blindness, caused by human disassociation from the natural world. It is also a gesture of respect for the genius of vegetal life, where new science proves plants can learn, communicate, remember, make decisions, and associate. Art is a litmus test for how climate change affects human perception. This book responds to that test by expressing plant-philosophy to a wider public, through an interrogation of plant-art.
He was once a king, turned into a bear as punishment for his cruel and selfish deeds. She was a once a princess, now living in the form of a hound. Wary companions, they are sent—in human form—back to a time when magic went terribly astray. Together they must right the wrongs caused by this devastating power—if only they can find a way to trust each other. But even as each becomes aware of an ever-growing attraction, the stakes are rising and they must find a way to eliminate this evil force—or risk losing each other forever.
An American classic about four children who discover that the lake by their summer house is full of magic. They find themselves awash with enchantment as they embark on a summer full of magical adventures including outwitting pirates and giving a helping hand to explorers in the North Pole.
Vodou has often served as a scapegoat for Haiti’s problems, from political upheavals to natural disasters. This tradition of scapegoating stretches back to the nation’s founding and forms part of a contest over the legitimacy of the religion, both beyond and within Haiti’s borders. The Spirits and the Law examines that vexed history, asking why, from 1835 to 1987, Haiti banned many popular ritual practices. To find out, Kate Ramsey begins with the Haitian Revolution and its aftermath. Fearful of an independent black nation inspiring similar revolts, the United States, France, and the rest of Europe ostracized Haiti. Successive Haitian governments, seeking to counter the image of Haiti as primitive as well as contain popular organization and leadership, outlawed “spells” and, later, “superstitious practices.” While not often strictly enforced, these laws were at times the basis for attacks on Vodou by the Haitian state, the Catholic Church, and occupying U.S. forces. Beyond such offensives, Ramsey argues that in prohibiting practices considered essential for maintaining relations with the spirits, anti-Vodou laws reinforced the political marginalization, social stigmatization, and economic exploitation of the Haitian majority. At the same time, she examines the ways communities across Haiti evaded, subverted, redirected, and shaped enforcement of the laws. Analyzing the long genealogy of anti-Vodou rhetoric, Ramsey thoroughly dissects claims that the religion has impeded Haiti’s development.