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Excerpt from Unseen Kings Once, long ago, secluded and alone, A King dwelt in the mountains near the sky, And brooding darkness hung about his throne; His people loved him as a memory. All day the castle doors were locked and barred, No man went forth and none might enter in; Whilst round his throne the great hills kept their guard Serenely pure, above our dust and din. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from The Sufficiency and Defects of the English Communion Office HE object which led to the enterprise of this subject was essentially practical. Considerable outcry had been raised against the interpolation into the service by the Celebrant of parts of the Unreformed Office. The outcry interpreted this action as throwing doubt or discredit on the Office of our Church. And this interpretation is justified by the open avowals of many who are addicted to this practice. They allege defect or deficiency in our Office. Others, indeed, without such allegation or conscious admission, defend their interpolations as conducing to greater fulness or richness. The object of this work in part'is to attempt to disprove the charges of insufficiency and to show the redundancy of such interpolations. The nature of the interpolations in View has been already defined. There is no reference to any private1 intercessions or devo tions of the Celebrant, but to the direct interpolation of portions of other Offices. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The invisible man is the unnamed narrator of this impassioned novel of black lives in 1940s America. Embittered by a country which treats him as a non-being he retreats to an underground cell.
This book is a groundbreaking contribution to the study of the UFO enigma, originally published over 30 years ago. In this book, Sanderson, a renowned zoologist with a keen interest in the paranormal, puts forward the curious theory that a oeOINTS"-Other Intelligences-live under the Eartha (TM)s oceans. This underwater, parallel, civilization may be twice as old as Homo sapiens, he proposes, and may have a oedeveloped what we call space flight." Sanderson postulates that the OINTS are behind many UFO sightings as well as the mysterious disappearances of aircraft and ships in the Bermuda Triangle. What better place to have an impenetrable base than deep within the oceans of the planet? Yet, if UFOs, or at least some of them, are coming from beneath our oceans or lakes, does it necessarily mean that there is another civilization besides our own that is responsible? In fact, could it be that since WWII a number of underwater UFO bases have been constructed by the very human governments of our planet? Whatever their source, Sanderson offers here an exhaustive study of USOs (Unidentified Submarine Objects) observed in nearly every part of the world. He presents many well-documented and exciting case studies of these unusual sightings; more.
The bold and boundlessly original debut novel from the Oscar®-winning screenwriter of Being John Malkovich, Adaptation, Eternal Sunshine of the Spotless Mind, and Synecdoche, New York. LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE • “A dyspeptic satire that owes much to Kurt Vonnegut and Thomas Pynchon . . . propelled by Kaufman’s deep imagination, considerable writing ability and bull’s-eye wit."—The Washington Post “An astonishing creation . . . riotously funny . . . an exceptionally good [book].”—The New York Times Book Review • “Kaufman is a master of language . . . a sight to behold.”—NPR NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR AND MEN’S HEALTH B. Rosenberger Rosenberg, neurotic and underappreciated film critic (failed academic, filmmaker, paramour, shoe salesman who sleeps in a sock drawer), stumbles upon a hitherto unseen film made by an enigmatic outsider—a film he’s convinced will change his career trajectory and rock the world of cinema to its core. His hands on what is possibly the greatest movie ever made—a three-month-long stop-motion masterpiece that took its reclusive auteur ninety years to complete—B. knows that it is his mission to show it to the rest of humanity. The only problem: The film is destroyed, leaving him the sole witness to its inadvertently ephemeral genius. All that’s left of this work of art is a single frame from which B. must somehow attempt to recall the film that just might be the last great hope of civilization. Thus begins a mind-boggling journey through the hilarious nightmarescape of a psyche as lushly Kafkaesque as it is atrophied by the relentless spew of Twitter. Desperate to impose order on an increasingly nonsensical existence, trapped in a self-imposed prison of aspirational victimhood and degeneratively inclusive language, B. scrambles to re-create the lost masterwork while attempting to keep pace with an ever-fracturing culture of “likes” and arbitrary denunciations that are simultaneously his bête noire and his raison d’être. A searing indictment of the modern world, Antkind is a richly layered meditation on art, time, memory, identity, comedy, and the very nature of existence itself—the grain of truth at the heart of every joke.
Screen of Kings is the first book in any language to examine the cultural role of the regional aristocracy – relatives of the emperors – in Ming dynasty China (1368–1644). Through an analysis of their patronage of architecture, calligraphy, painting and other art forms, and through a study of the contents of their splendid and recently-excavated tombs, this innovative study puts the aristocracy back at the heart of accounts of China’s culture, from which they have been excluded until very recently. Screen of Kings challenges much of the received wisdom about Ming China. Craig Clunas sheds new light on many familiar artworks, as well as work that have never before been reproduced. New archaeological discoveries have furnished the author with evidence of the lavish and spectacular lifestyles of these provincial princes and demonstrate how central the imperial family was to the high culture of the Ming era. Written by the leading specialist in the art and culture of the Ming period, this book will illuminate a key aspect of China’s past, and will significantly alter our understanding of the Ming. It will be enjoyed by anyone with a serious interest in the history and art of this great civilization.