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“Mark Kingwell is a beautiful writer, a lucid thinker and a patient teacher ... His insights are intellectual anchors in a fast-changing world.”—Naomi Klein, author of No Logo Meet the “fast zombie" citizen of the current world. He is a rapid, brainless carrier of preference-driven consumption. His Facebook-style ‘likes’ replace complex notions of personhood. Legacy college admissions and status-seekers gobble up his idea of public education, and positional market reductions hollow out his sense of shared goods. Meanwhile, the political debates of his 24-hour-a-day newscycle are picked clean by pundits, tortured by tweets. Forget the TV shows and doomsday scenarios; when it comes to democracy, the zombie apocalypse may already be here. Since the publication of A Civil Tongue (1995), philosopher Mark Kingwell has been urging us to consider how monstrous, self-serving public behaviour can make it harder to imagine and achieve the society we want. Now, with Unruly Voices, Kingwell returns to the subjects of democracy, civility, and political action, in an attempt to revitalize an intellectual culture too-often deadened by its assumptions of personal advantage and economic value. These 17 new essays, where zombies share pages with cultural theorists, poets, and presidents, together argue for a return to the imagination—and from their own unruly voices rises a sympathetic democracy to counter the strangeness of the postmodern political landscape. Mark Kingwell is the author of sixteen books and a contributing editor for Harper's Magazine.
A new collection by the author of The World We Want, with essays on civility, public space, Obama, procrastination, suicide.
"A product of literary recovery at its very best. These carefully researched essays help us to see how gender marginalized black intellectuals who happened to be women." -- Claudia Tate, George Washington University The Unruly Voice explores the literary and journalistic career of Pauline Elizabeth Hopkins, a turn-of-the-century African American writer who was editor in chief of the Colored American Magazine, though it was not acknowledged on the masthead. Hopkins wrote short fiction, novels, nonfiction articles, and a play believed to be the first by an African American woman. Versatile and politically committed, she was fired when the magazine was bought by an ally of Booker T. Washington's who disliked her editorial stands and unconciliatory politics. Even though more than a thousand pages of Hopkins's works have been brought back into print, The Unruly Voice is the first book devoted exclusively to her writings and the significance she holds for readers today. Contributors explore the social, political, and historical conditions that informed her literary works.
Unruly Speech explores how Uyghurs in China and in the diaspora transgress sociopolitical limits with "unruly" communication practices in a quest for change. Drawing on research in China, the United States, and Germany, Saskia Witteborn situates her study against the backdrop of displacement and shows how naming practices and witness accounts become potent ways of resistance in everyday interactions and in global activism. Featuring the voices of Uyghurs from three continents, Unruly Speech analyzes the discursive and material force of place names, social media, surveillance, and the link between witnessing and the discourse on human rights. The book provides a granular view of disruptive communication: its global political moorings and socio-technical control. The rich ethnographic study will appeal to audiences interested in migration and displacement, language and social interaction, advocacy, digital surveillance, and a transnational China.
Advances critical conversations in Native American literary studies by situating its subject in global, transnational, and modernizing contexts. Since the rise of the Native American Renaissance in literature and culture during the American civil rights period, a rich critical discourse has been developed to provide a range of interpretive frameworks for the study, recovery, and teaching of Native American literary and cultural production. For the past few decades the dominant framework has been nationalism, a critical perspective placing emphasis on specific tribal nations and nationalist concepts. While this nationalist intervention has produced important insights and questions regarding Native American literature, culture, and politics it has not always attended to the important fact that Native texts and writers have also always been globalized. The World, the Text, and the Indian breaks from this framework by examining Native American literature not for its tribal-national significance but rather its connections to global, transnational, and cosmopolitan forces. Essays by leading scholars in the field assume that Native American literary and cultural production is global in character; even claims to sovereignty and self-determination are made in global contexts and influenced by global forces. Spanning from the nineteenth century to the present day, these analyses of theories, texts, and methods—from trans-indigenous to cosmopolitan, George Copway to Sherman Alexie, and indigenous feminism to book history—interrogate the dialects of global indigeneity and settler colonialism in literary and visual culture.
The first critical study of personal narrative by women with disabilities, Unruly Bodies examines how contemporary writers use life writing to challenge cultural stereotypes about disability, gender, embodiment, and identity. Combining the analyses of disability and feminist theories, Susannah Mintz discusses the work of eight American autobiographers: Nancy Mairs, Lucy Grealy, Georgina Kleege, Connie Panzarino, Eli Clare, Anne Finger, Denise Sherer Jacobson, and May Sarton. Mintz shows that by refusing inspirational rhetoric or triumph-over-adversity narrative patterns, these authors insist on their disabilities as a core--but not diminishing--aspect of identity. They offer candid portrayals of shame and painful medical procedures, struggles for the right to work or to parent, the inventive joys of disabled sex, the support and the hostility of family, and the losses and rewards of aging. Mintz demonstrates how these unconventional stories challenge feminist idealizations of independence and self-control and expand the parameters of what counts as a life worthy of both narration and political activism. Unruly Bodies also suggests that atypical life stories can redefine the relation between embodiment and identity generally.
Unruly Media is the first book to account for the current audiovisual landscape across media and platform. It includes new theoretical models and close readings of current media as well as the oeuvre of popular and influential directors.
Postcolonialism has become one of the most exciting, popular and stimulating fields of literary and cultural studies in recent years. Yet the variety of approaches, the range of debate and the critical vocabularies often used may make it challenging for new students to establish a firm foothold in this area. Beginning Postcolonialism is a vital resource for those taking undergraduate courses in postcolonial studies for the first time and has become an established international best-seller in the field. In this fully revised and updated second edition, John McLeod introduces the major areas of concern in a clear, accessible and organised fashion. He provides an overview of the emergence of postcolonialism as a discipline and closely examines its many established critical approaches while also exploring important recent initiatives in the field. In particular, Beginning Postcolonialism demonstrates how many key postcolonial ideas and concepts can be effectively applied when reading texts and enables students to develop their own independent thinking about the possibilities and pitfalls of postcolonial critique.
As activists strategize, build resistance, and foster solidarity, they also call for better dialogue between researchers and movements and for research that can aid their causes. In this volume, contributors examine how research can produce knowledge for social transformation by using political activist ethnography, a unique social research strategy that uses political confrontation as a resource and focuses on moments and spaces of direct struggle to reveal how ruling regimes are organized so activists and social movements can fight them. Featuring research from Aotearoa (New Zealand), Bangladesh, Canada, Poland, South Africa, and the United States on matters as diverse as anti-poverty organizing, prisoners’ re-entry, anti-fracking campaigns, left-inspired think-tank development, non-governmental partnerships, involuntary psychiatric admission, and perils of immigration medical examination, contributors to this volume adopt a “bottom-up” approach to inquiry to produce knowledge for activists, not about them. A must-read for humanities and social sciences scholars keen on assisting activists and advancing social change.