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Unruled, blank notebook. No lines. No page numbers. Glossy cover with image on front and back. Full size at 8.5 x 11 inches. Great for artwork or journals. Our notebook sizes are: Notebooks at 8.5 x 11 inches, Notes at 6 x 9 inches, and Mini Notebooks at 5 x 8 inches.
Notebook Without Lines is a perfect multi purpose notebook for sketching, jotting down thoughts, and writing notes. Perfect size for schoolbag, handbag or backpack, easy to take away. With 100 unlined and completely blank pages you can draw what you need without the limit of the line. Ideal for a diary, work records, study notes, travel journal, poetry work, creative writing, making sketches and drawings, mood diary and scrapbooks. Notebook is: Without Lines. Blank Journal. Unruled Diary. Unlined Notebook. This Notebook Without Lines is great for keeping a journal, a diary, small sketches, jotting down ideas, keeping a travelogue, taking notes and so much more.
160 lined pages 5 wide x 7 high (12.7 cm wide x 17.8 cm high) Bookbound hardcover Elastic band place holder Archival/acid-free paper Inside back cover pocket Gold foil, embossed
Blank Unlined Book Get Your Copy Today! Portable Size 6 inches by 9 inches Enough Space for writing Include sections for: Blank pages Buy One Today
Blank Unlined Book Get Your Copy Today! Portable Size 6 inches by 9 inches Enough Space for writing Include sections for: Blank pages Buy One Today
General Series Editors: Gay Wilson Allen and Sculley Bradley Originally published between 1961 and 1984, and now available in paperback for the first time, the critically acclaimed Collected Writings of Walt Whitman captures every facet of one of America’s most important poets. Notebooks and Unpublished Prose Manuscripts gathers Whitman’s autobiographical notes, his views on contemporary politics, and the writings he made as he educated himself in ancient history, religion and mythology, health (including phrenology), and word-study. Included is material on his Civil War experiences, his love of Abraham Lincoln, his descriptions of various trips to the West and South and of the cities in which he resided, his generally pessimistic view of America’s prospects in the Reconstruction and the Gilded Age, and his reminiscences during his final years and his preoccupation with the increasing ailments that came with old age. Many of these notes served as sources for his poetry—first drafts of some of the poems are included as they appear in the notes—and as the basis for his lectures.
In the eight regular journals and three miscellaneous notebooks of this volume is the record of fusions. This period of his life closes, as it opened, with 'acquiescence and optimism.'