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What is death and how does it touch upon life? Twenty writers look for answers. Birth is not inevitable. Life certainly isn't. The sole inevitability of existence, the only sure consequence of being alive, is death. In these eloquent and surprising essays, twenty writers face this fact, among them Geoff Dyer, who describes the ghost bikes memorializing those who die in biking accidents; Jonathan Safran Foer, proposing a new way of punctuating dialogue in the face of a family history of heart attacks and decimation by the Holocaust; Mark Doty, whose reflections on the art-porn movie Bijou lead to a meditation on the intersection of sex and death epitomized by the AIDS epidemic; and Joyce Carol Oates, who writes about the loss of her husband and faces her own mortality. Other contributors include Annie Dillard, Diane Ackerman, Peter Straub, and Brenda Hillman.
The rate of suicides is at its highest level in nearly 30 years. Suicide notes have long been thought to be valuable resources for understanding suicide motivation, but up to now the small sample sizes available have made an in-depth analysis difficult. Explaining Suicide: Patterns, Motivations, and What Notes Reveal represents a large-scale analysis of suicide motivation across multiple ages during the same time period. This was made possible via a unique dataset of all suicide notes collected by the coroner's office in southwestern Ohio 2000–2009. Based on an analysis of this dataset, the book identifies top motivations for suicide, how these differ between note writers and non-note writers, and what this can tell us about better suicide prevention. The book reveals the extent to which suicide is motivated by interpersonal violence, substance abuse, physical pain, grief, feelings of failure, and mental illness. Additionally, it discusses other risk factors, what differentiates suicide attempters from suicide completers, and lastly what might serve as protective factors toward resilience. - Analyzes 1200+ suicide cases from one coroner's office - Identifies the top motivations for suicide that are based on suicide notes - Discusses the extent to which suicides are impulsive vs. planned - Leads to a better understanding on how to prevent suicide - Emphasizes resilience factors over risk factors
DEATH SCREAMS Caleb's second year of high school starts off without a hitch until Jade touches the wrong clairvoyance sample that foretells a murder in her future. Will she remain safe even while assisting police officers Garcia and Gale in a race to prevent a cataclysmic death? Sophie and Jonesy aren't seeing things eye to eye, but when her safety is threatened by an attacker targeting Astral-Projection girls, they put their differences aside. The FDA approved depressant has begun to be administered to the teens for suppression of paranormal abilities during sleep for safety reasons. Or so they've been told. Carson and Brett have escalated the violence that they perpetrate and leave Caleb no choice but to reciprocate. After saving the newest member of their group from certain abuse, Caleb knows the bull's-eye is dead center on him. Again. Does Caleb use the undead as a weapon of defense while his group hangs in the balance of imminent peril? DEATH WEEPS Caleb faces possible jail time for using Clyde as a undeadly weapon. When he's exonerated with probation lasting a year, Caleb has to watch his every action. Tensions run high when after the death of Jade's only relatives, she must live with an undesirable foster family who are anything but what they seem. Life gets complicated for everyone when the scientists responsible for the paranormal manifestation threaten a parellel world to Caleb's own. In a bid to stop the destruction of their world, while saving his own, Caleb must defend two peoples against the long arm of the Graysheets. Time begins to run against him when he discovers through an unlikely source that his friends have been given a drug that causes progressive insanity. Can he find the antidote in time to save them? To save Jade? UNREQUITED DEATH The Graysheets remain ominously quiet during the teen's senior year. When tragedy strikes Tiff, her confidence shatters into a million pieces and the group doesn't know how to pick up the scattered mess of her emotional health. As the control of the Zondorae scientists slips away, they make a final move to swing the balance in their favor, negotiating a future for the paranormals that is so final, a covert group moves to halt the momentum of their control over humanity with Jeffrey Parker as the catalyst. In a final bid to protect everyone, Caleb discovers he was at the center from the beginning, an unwilling pawn moved on a chess board that no longer exists. Will he have a future of safety and happiness for himself and Jade? Or will the decisions made before the fateful day of inoculation remain to hinder that forever? Mega-length compilation/1000+ pages. New Adult Fiction, 17+
An Ideological Death: Suicide in Israeli Literature examines literary challenges to Israel’s national narratives. The centrality of the army, the mythology of the "new Jew," the vision of the first Israeli city, Tel Aviv, and the very process by which a nation’s history is constructed are confronted in fiction by many prominent Israeli writers. Using the image of suicide, A. B. Yehoshua, Amos Oz, Etgar Keret, Yehudit Katzir, Alon Hilu, Yaakov Shabtai, Benjamin Tammuz, and Yehoshua Kenaz each engage in a critical and rhetorical process that examines the nation’s formation and reconsiders myths at the heart of the Zionist project. In Israeli literature, suicide represents a society’s compulsion to create impossible ideals that leave its populace disappointed and deluded. Yet, as Rachel S. Harris shows, even at their harshest these writers also represent the idealism that helped build Israel as a modern nation-state.
"1984" meets Hunger Games! A #1 bestselling Dark Fantasy series, written by New York Times and USA TODAY bestseller Tamara Rose Blodgett. Hard sci-fi + dark paranormal romance within a chilling collection of humans who possess extraordinary powers, and the government's covert efforts of exploitation and control. Over 3000 pages of DEATH! "Hunger Games, 50 Shades, and Divergent, anyone?" "...edge of your seat." "Wicked brilliant and unpredictable!" Included volumes (with individual star ratings): Death Whispers- 4.1 Death Speaks - 4.6 Death Inception - 4.3 Death Screams - 4.6 Death Weeps - 4.6 Unrequited Death - 4.5 For the Love of Death - 4.4 Death Blinks - 4.5 Average, cross-series star rating: 4.43 DEATH begins as a multi-genre, young adult work in book one, quickly progressing into new adult. DEATH deals with sensitive topics in an authentic way and may be offensive to some. DEATH is a work of fiction and as such, is for entertainment purposes only. Search Terms: free horror, young adult, free horror books to read, free ebooks, freebies, free stories, free zombie stories, free zombie fiction, adventure, free teen books, free teen horror, zombie stories, dystopian, zombie apocalypse, walking dead, dark fantasy, humor, paranormal romance, scary stories, zombie series, zombie stories, supernatural, free supernatural, free horror, free dystopian, free fantasy, free teen books, free adventure books, free action books, free zombie books, zombie apocalypse series, zombie thriller, post-apocalyptic, zombie horror, zombie Armageddon, zombie series, dystopian action middle grade romantic and comedy multicultural high school e romance new adult dark faction adventure romance zombies books paranormal for teens romantic angst suspense fairy tale genes dark fantasy sword and sorcery futuristic majic enemies to lovers teen comedy zombie gothic action books for kids teenage romance gifts
The past comes back to haunt a high-profile defense attorney in the newest book in the Baltimore series from the New York Times bestselling author of Edge of Darkness and Monster in the Closet. In his work as a defense attorney in Baltimore, Thorne has always been noble to a fault--specializing in helping young people in trouble just as someone did for him when he was younger. He plays the part of the bachelor well, but he secretly holds a flame for his best friend and business partner, Gwyn Weaver, a woman struggling to overcome her own demons. After four years, he thinks he might finally be ready to confess his feelings, come what may. But his plans are derailed when he wakes up in bed with a dead woman--her blood on his hands and no recollection of how he got there. Whoever is trying to frame Thorne is about to lead him down the rabbit hole of his past, something he thought he had outran long ago. Thorne must figure out who has been digging into his secrets, how much they know, and how far they will go to bring him down . . .
Death is a topic people are reluctant to ponder. Neither is dying a process that is usually being openly discussed. However, on a variety of occasions, dying and death are on a person's minds, under some sensitive circumstances, he or she are eager to discuss with a close person, a friend, a professional. The present volume, the second in the Series on Dying and Death, is meant to enrich personal experience of dying or death by providing its reader with knowledge and understanding of some aspects of dying or death. Section 1 describes practices of mourning, in different times and places: USA during the Civil War (Ashley Byock), the Island of Viz, between Croatia and Italy (Kathleen Young), present day Israel (Asa Kasher), medieval Serbia (Mira Crouch) and post-Holocaust USA (Paula David). Section 2 consists of reflections on mourning. It includes philosophical discussions of Friendship (Gary Peters), Grace (Dana Freibach-Heifetz), and the Other (Havi Carel), all in the context of mourning, as well as Mourning itself as a skill (Marguerite Peggy Flynn). Section 3 brings papers on culture and suicide, in early modern Holland (Laura Cruz), in historical Japan (Lawrence Fouraker), as well as in the Jazz age (Kathleen Jones). Section 4 discusses different predicaments of medics facing death and dying: terminal diagnosis (Angela Armstrong-Coster), palliative patients (Anna Taube), and the hospice setting (Elizabeth Gill).
Liberalism is being called into question both in practice and in principle, from insurgencies at its bloody hinterlands and from the illiberal responses those insurgencies engender within the so-called civilized world, with technological integration creating the conditions for new forms of barbarism. What then are the chances of progress towards a substantial equality of freedoms within this new context of retrograde attitudes framed by the occlusion of others as somehow essentially different? How can we register the significances of cultural distinctions without letting those ‘we's’ and ‘they's’ split an emergent global civil society into parochial retro-nations, where belonging knows itself only by exclusion? What is it that is being called out of the spirit of modernity in our seemingly backward-moving age of essentialized others and self-righteous rage? And to the end of inter-cultural understanding, how can we come to know the other, both through the care of others and in ourselves? This work of political theory reflects on how cultures imagine their barbarians in the form of essentialized others, focusing specifically on the kinds of barbarism associated with a civilization devoted to technological progress. In response to the excesses of modernity, the author looks to advances an ethic of difference, inverting the golden rule so as to do unto others as those others would do unto themselves.