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SHORTLISTED FOR THE COSTA BOOK OF THE YEAR AWARDS 2018 What was I fighting for? Even now I'm not sure. Something so old and so deep, it has no words, no shape, no logic. Every memoir is a battle between reality and invention - but in her follow up to Clothes, Music, Boys, Viv Albertine has reinvented the genre with her unflinching honesty. To Throw Away Unopened is a fearless dissection of one woman's obsession with the truth - the truth about family, power, and her identity as a rebel and outsider. It is a gaping wound of a book, both an exercise in blood-letting and psychological archaeology, excavating what lies beneath: the fear, the loneliness, the anger. It is a brutal expose of human dysfunctionality, the impossibility of true intimacy, and the damage wrought upon us by secrets and revelations, siblings and parents. Yet it is also a testament to how we can rebuild ourselves and come to face the world again. It is a portrait of the love stories that constitute a life, often bringing as much pain as joy. With the inimitable blend of humour, vulnerability, and intelligence that makes Viv Albertine one of our finest authors working today, To Throw Away Unopened smashes through layers of propriety and leads us into a new place of savage self-discovery.
The concept is the share, by telling a story, lessons learned from a man who - forever in pursuit of the brass ring - almost loses everything he has. Kyle, focused on wealth and his elite bike building company, pursues external measures of success and it's never enough to satisfy him. It is unique in that we see the impact of his choices that he is yet to see, and helps us understand the power of our own interpretations and communication. The story allows us to take the time to look inside ourselves, face our fears, and see how simple adjustments can enhance and/or clarify what is most important to each of us.
The Unopened Gift reveals what we have not yet understood about emotions. That emotions aren't in competition with reason, but are an essential part of thinking; that they are constantly giving us information about the world around us.
In this delightfully witty, provocative book, literature professor and psychoanalyst Pierre Bayard argues that not having read a book need not be an impediment to having an interesting conversation about it. (In fact, he says, in certain situations reading the book is the worst thing you could do.) Using examples from such writers as Graham Greene, Oscar Wilde, Montaigne, and Umberto Eco, he describes the varieties of "non-reading"-from books that you've never heard of to books that you've read and forgotten-and offers advice on how to turn a sticky social situation into an occasion for creative brilliance. Practical, funny, and thought-provoking, How to Talk About Books You Haven't Read-which became a favorite of readers everywhere in the hardcover edition-is in the end a love letter to books, offering a whole new perspective on how we read and absorb them.
The Care of Fine Books is a thorough, readable guide to caring for books of value. From a discussion of the various techniques and materials used in bookbinding to advice on handling and storage, Jane Greenfield has created a succinct yet complete resource for anyone who wants to preserve and protect their fine books. Whether you are a collector, a librarian, or a conservation professional, you will benefit from this expert advice. Learn about appropriate levels of light, temperature, relative humidity, and pollution; how to secure a collection against fire, insect infestation, flood, and theft; and methods for cleaning and repairing books that have already been damaged. Always practical and amply illustrated, this is a must-have reference for anyone who loves fine books.
“My Brother Was an Only Child” was Jack Douglas’ very first humour book, having written for famous radio and television celebrities such as Jack Paar, Bob Hope, Bing Crosby and Jimmy Durante, as well as TV shows such as “Adventures of Harriet and Ozzie”, “The George Gobel Show”, and “Laugh-In”. It perfectly captures the sense of humour prevalent in this era and is as refreshing and side-splittingly funny now as it was then.
Emily "Fido" Faithfull, a spinster pioneer in the British women's movement, is distracted from her cause by the details of her friend's failing marriage and affair with a young army officer, in this drama of friends, lovers, and divorce, Victorian style.
NEW YORK TIMES BESTSELLER • An essential volume for generations of writers young and old. The twenty-fifth anniversary edition of this modern classic will continue to spark creative minds for years to come. Anne Lamott is "a warm, generous, and hilarious guide through the writer’s world and its treacherous swamps" (Los Angeles Times). “Superb writing advice…. Hilarious, helpful, and provocative.” —The New York Times Book Review For a quarter century, more than a million readers—scribes and scribblers of all ages and abilities—have been inspired by Anne Lamott’s hilarious, big-hearted, homespun advice. Advice that begins with the simple words of wisdom passed down from Anne’s father—also a writer—in the iconic passage that gives the book its title: “Thirty years ago my older brother, who was ten years old at the time, was trying to get a report on birds written that he’d had three months to write. It was due the next day. We were out at our family cabin in Bolinas, and he was at the kitchen table close to tears, surrounded by binder paper and pencils and unopened books on birds, immobilized by the hugeness of the task ahead. Then my father sat down beside him, put his arm around my brother’s shoulder, and said, ‘Bird by bird, buddy. Just take it bird by bird.’”