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“Another full caseload for the zombie detective . . .” in this “inventive” urban fantasy novel from a New York Times–bestselling author (Kirkus Reviews). To Be Dead Or Not To Be Dead In the Unnatural Quarter, golems slave away in sweatshops, necromancers sell black-market trinkets to tourists, and the dead rise up—to work the night shift. But zombie detective Dan Shamble is no ordinary working stiff. When a local senator and his goons picket a ghostly production of Shakespeare in the Dark--condemning the troupe’s “unnatural” lifestyles—Dan smells something rotten. And if something smells rotten to a zombie, you’re in serious trouble . . . Before his way of life, er, death, is destroyed, Dan wants answers. Along the way he needs to provide security for a mummified madame, defend a mixed-race couple (he's a vampire, she’s a werewolf) from housing discrimination, and save his favorite watering hole, the Goblin Tavern, from drying up. Throw in a hairy hitman, a necro-maniac, and a bank robber who walks through walls, and Dan Shamble’s plate is full. Maybe this time, the zombie detective has bitten off more than he can chew . . . Praise for Death Warmed Over: “A darkly funny, wonderfully original detective tale.” —Kelley Armstrong, #1 New York Times–bestselling author of A Twist of Fate). “An unpredictable walk on the weird side. Prepare to be entertained.” —Charlaine Harris, #1 New York Times–bestselling author of the Sookie Stackhouse True Blood series “Like Alexander McCall Smith’s Mma Precious Ramotswe, [Anderson’s] sleuths really do settle most of their cases, and they provide a lot of laughs along the way.” —Kirkus Reviews
Includes excerpt from Stuart Woods's next thrilling Stone Barrinton novel, Collateral damage (p. (379-387)).
Whether he is comparing how students and historians interpret documentary evidence or analyzing children's drawings, Wineburg's essays offer rough maps of how ordinary people think about the past and use it to understand the present. These essays acknowledge the role of collective memory in filtering what we learn in school and shaping our historical thinking.
This revised edition features a new chapter analyzing the failed response to Hurricane Katrina. Steinberg argues that it is wrong to see natural disasters as random outbursts of nature or expressions of divine judgment. He reveals how business and government decisions have paved the way for the greater losses of life and property.
Acts of Intervention traces the ways in which performance and theatre have participated in and informed the larger cultural politics of race, sexuality, citizenship and AIDS in the United States in the last fifteen years.
"... will draw a wide readership from the ranks of literary critics, film scholars, science studies scholars and the growing legion of 'literature and science' researchers. It should be among the essentials in a posthumanist toolbox." -- Richard Doyle Automatic teller machines, castrati, lesbians, The Terminator: all participate in the profound technological, representation, sexual, and theoretical changes in which bodies are implicated. Posthuman Bodies addresses new interfaces between humans and technology that are radically altering the experience of our own and others' bodies.
Essays aimed at understanding performance in a postmodern world.
"... I have used essays from the book to help dance graduate students push their thinking beyond the studio and their own physical experience and to realize the varied resources, approaches, and theoretical positions possible in writing about the body." -- Dance Research Journal "Choreographing History... assembles an impressive diversity of sites, disciplines and critical approaches... [and] includes not only historical bodies and discourses, but also the very bodies of the historians themselves." -- Parachute "This volume is not only full of gems (the very lineup of preeminent scholars is impressive), but is also a neat cross-section of the academic conventions and mannerisms of our time." -- Dance Chronicle "... [an] important step... in the ineluctable dance by postmodern historians across a bridge that spans the gaps among disciplines, between theory and practice, and betweeen present and past." -- Theatre Journal Historians of science, sexuality, the arts, and history itself focus on the body, merging the project of writing about the body with theoretical concerns in the writing of history.