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This completely reworked second edition of Modern Esoteric includes new information, over a dozen additional images, and up-to-date revisions. Winner of the Best Book Design 2014, Modern Esoteric examines the flaws in modern history and looks at how conspiracy theories, esoteric knowledge, and fringe subjects can be used to help change the dead-end course humanity seems to be following. The Lifeology section explores the long and storied "alternative narrative" of life on this planet. In the Control section, author Brad Olsen examines how Big Brother is here in the form of the New World Order, and how they keep the knowledge of humankind's true nature from the mass population. Finally, the Thrive section looks at all the ways humans are evolving to achieve their full potential.
The Akan are an African indigenous group found primarily in the southern parts of Ghana, as well as in Cote d'Ivoire and in Togo. This book explores certain aspects of Akan language, culture and tradition that point to association with star beings from the Sirius star system. Akan language and culture offers clues and revelations that point to links with the ancient cultures of Mesopotamia and of the Nile valley. Among these revelations, Kwame Adapa shows that names of Akan deities can be traced back to Egyptian and Mesopotamian deities who have links with the Sirius star system. Having grown up in Akan culture, it was a starting point for Kwame Adapa to do more research on the Akan and other African people. Among the revelations in this book are language and cultural connections between the Akan and other African groups as well as with human groups beyond Africa. Kwame Adapa tells an engaging story that implies that the Akan, the Bakwama, the Bambara, the Dogon and just about every African ethnic group is connected to the Sirius star system in one way or another. These connections can be found in their legends, their language and their culture.
2014 Locus Awards Finalist, Nonfiction Category In this hip, accessible primer to the music, literature, and art of Afrofuturism, author Ytasha Womack introduces readers to the burgeoning community of artists creating Afrofuturist works, the innovators from the past, and the wide range of subjects they explore. From the sci-fi literature of Samuel Delany, Octavia Butler, and N. K. Jemisin to the musical cosmos of Sun Ra, George Clinton, and the Black Eyed Peas' will.i.am, to the visual and multimedia artists inspired by African Dogon myths and Egyptian deities, the book's topics range from the "alien" experience of blacks in America to the "wake up" cry that peppers sci-fi literature, sermons, and activism. With a twofold aim to entertain and enlighten, Afrofuturists strive to break down racial, ethnic, and social limitations to empower and free individuals to be themselves.
FROM THE ASHES OF THE WORLD, A HERO MUST RISE In the not-so-distant future, India has fallen, and the world is on the brink of an apocalyptic war. An attack by the terrorist group Invisible Hand has brutally eliminated the Indian Prime Minister and the union cabinet. As a national emergency is declared, chaos, destruction and terror reign supreme. From the ashes of this falling world, rises an unconventional hero - a vigilante known only as Kalki. Backed by a secret society called The Rudras, Kalki, along with Nushen, the Chinese superhuman spy, must do the impossible to save his country, and the world.But who is Kalki? A flesh and blood crusader with a mysterious past? Or the Messiah the world has been waiting for? The future of human survival depends on a single man. Will he become the living God prophesied as the last avatar of Lord Vishnu, or will he fade away as an outlaw?
The first book for general readers about the storied past of one of the world’s most fabled cities. Timbuktu — the name still evokes an exotic, faraway place, even though the city’s glory days are long gone. Unspooling its history and legends, resolving myth with reality, Marq de Villiers and Sheila Hirtle have captured the splendour and decay of one of humankind’s treasures. Founded in the early 1100s by Tuareg nomads who called their camp “Tin Buktu,” it became, within two centuries, a wealthy metropolis and a nexus of the trans-Saharan trade. Salt from the deep Sahara, gold from Ghana, and money from slave markets made it rich. In part because of its wealth, Timbuktu also became a centre of Islamic learning and religion, boasting impressive schools and libraries that attracted scholars from Alexandria, Baghdad, Mecca, and Marrakech. The arts flourished, and Timbuktu gained near-mythic stature around the world, capturing the imagination of outsiders and ultimately attracting the attention of hostile sovereigns who sacked the city three times and plundered it half a dozen more. The ancient city was invaded by a Moroccan army in 1600, beginning its long decline; since then, it has been seized by Tuareg nomads and a variety of jihadists, in addition to enduring a terrible earthquake, several epidemics, and numerous famines. Perhaps no other city in the world has been as golden — and as deeply tarnished — as Timbuktu. Using sources dating deep into Timbuktu’s fabled past, alongside interviews with Tuareg nomads and city residents and officials today, de Villiers and Hirtle have produced a spectacular portrait that brings the city back to life.
It has been 12 months since Beary has arrived at the Academy from his tour aboard the Saber Claw. He enjoyed teaching the classes he had been assigned. At first, some of the older cadets resented the fact that their instructor was younger than they were. Then they would see the ribbons on his uniform and hear the rumors. Ben, of course, helped spread them. Flight training was going well. His many hours in jump ships were proving to be a blessing instead of a curse. He expected to graduate early from flight training. Caesar had spent six months at the academy then shipped off to aid a hospital ship that had lost one of its surgeons to an accident. The Hospital ship was trying to combat a new disease that had cropped up on an agricultural colony in the Darius system. Once again, his work under Dr Maxumus was proving invaluable. Ben, along with taking accelerated classes, was teaching a class in survival and weapons. Ben had taken to this task with enthusiasm. With the help of two of the Marine Professors, he wrote the training manual for the course, which they used as a major project in two of his classes. The class he taught was so popular there was a waiting list. Pompey kept busy trying to prepare for the cub, which was due in three months, running two homes, plus working for her new father- in- law on special issues. Senator Maxumus was busy trying to get the Senate to strengthen its rules. He did not want to see new conspiracies flair up. The idea that eight senators some in critical positions could become traitors had shaken the Senate. The Bearilian house of Representatives was demanding a full and open investigation as it scrutinized its own members. The Arcrilians had suffered such a devastating defeat that they were asking for terms for a treaty and for aid. The Bearilian President immediately started negotiations along with the Antillean Supreme Council. The result was the removal of all Arcrilian ships from Bearilian and Antillean territory, in exchange for food and raw materials purchased at a reasonable price. For the Antilleans this was a big win. For Angelina Maxumus the last 12 months had been hectic as she tried to balance her time between Bearilia Prime and Andreas Prime. She enjoyed being a Neuro-surgeon a lot more than being an Empress. She even found that she had to show up at State functions not as a wife of a prominent Senator, but as a Head of State. There had also been a need to appoint representatives to the two Bearilian Houses. One of her second Brother's sons, Iacomus Augustus, had joined his cousins on Andreas Prime. He found some unclaimed land near the western ocean connected to the Augustan land. A young Dragon, Silver Tail agreed to be his Family Dragon. The Dragon Counsel suggested that he be appointed as the Planet's Senator. A young nomad also moved to Andreas Prime. He had no family or land. A young Dogon, Saraina, approached the Dogon Counsel and asked that this young Nomad be given its sheep and become its family. His name was Khristophoros. The Dogon Counsel gave him the last name Theodoros. Khristophoros Theodoros was called before Angelina. She questioned him for several cycles. She found out that he had been part of a servant family to the Pompaius family. She found goodness and strength in this young Bear. After talking with both counsels, she appointed him to the House of Representatives. He would prove to be a loyal and excellent choice. Savato Artemus was not happy. He loved the Crimson Blade but he could not find a gunner that met his standards. He also missed his friends. Captain Centaurus found he hated the paper work of a ship's captain as much as Atilus had. Yet he loved the Saber Claw, especially with the new upgrades. Commodore Atilus was a taskmaster with his Destroyer Squadron. Only Centaurus had no complaints. Yet Destroyer Squadron 9 was shapin
For few verses in the Bible is the relationship between scripture and the artistic imagination more intriguing than for the conclusion of Genesis 4:15: "And the Lord set a mark upon Cain, that whosoever found him should not kill him." What was the mark of Cain? The answers set before us in this sensitive study by art historian Ruth Mellinkoff are sometimes poignant, frequently surprising. An early summary of rabbinic answers, for examples runs as follows: R. Judah said: "He caused the orb of the sun to shine on his account." Said R. Nehemiah to him: "For that wretch He would cause the orb of the sun to shine! Rather, he caused leprosy to break out on him...." Rab said: "He gave him a dog." Abba Jose said: "He made a horn grow out of him." Rab said: "He made him an example to murderers." R. Hanin said: "He made him an example to penitents." R. Levi said in the name of R. Simeon b. Lakish: "He suspended judgment until the flood came and swept him away." After a review of such early Jewish and Christian exegesis, Mellinkoff divides physical interpretations on the mark into three groups: "A Mark on Cain's Body," "A Movement of Cain's Body," and "A Blemish Associated with Cain's Body." Her discussion of these groups is the heart of her study and offers its richest examples of interplay among medieval art and imaginative literature, on the one hand, and biblical exegesis, on the other. Thus in one remarkable tour de force, she shows us how a poetic misprision of Genesis 4:24 - "Sevenfold vengeance will be taken for Cain: but for Lamech seventy times sevenfold" - made Lamech the murderer of Cain; how there then grew up the legend that Lamech, a hunter, had killed Cain when he mistook him for an animal; how from that, the notion that the mark of Cain was a horn or horns on Cain's head arose (in the poignant formulation of the Tanhuma Midrash: "Oh father, you have killed something that resembles a man except it has a horn on its forehead!"); and how from that, in the maturity of the legend, there flowered Cornish drama, Irish saga, and stunning reliefs of a dying, antlered Cain in the cathedrals of Vezelay and Autun. Like Genesis 4:15 itself, 'The Mark of Cain' is suggestive rather than comprehensive. Concluding chapters on "Intentionally Distorted Interpretations of Cain's Mark" and "Cain's Mark and the Jews" bring the history down to our own day, but Mellinkoff does not claim to have said the last word on the subject. Her achievement is neither documentary nor exegetical but rather demonstrative: she shows us with brilliant economy how the artistic imagination functioned in a world whose intellectual definition was a closed canonical text.
A view into the sophisticated and highly advanced civilization that preceded the world of the pharaohs • Presents historical evidence of the civilization ruled by the “gods” that the Egyptians claimed preceded their own • Explains who these prehistoric people were, what happened to them, and why they built a series of pyramids along the west bank of the Nile River Traditional Egyptologists have long resisted the notion that the architectural achievements of the Ancient Egyptians required the existence of a much more sophisticated technology than would have existed at that time. Yet, no records exist explaining how, why, or who built Egypt’s megalithic monuments and statues. The ancient Egyptians did, however, record that their civilization resided in the shadow of a kingdom of “gods” whose reign ended many thousands of years before their first dynasty. What was this Civilization X that antiquity’s most accomplished people revered as gods? The recent discovery of a large stone at one of Egypt’s oldest ruins presents physical evidence that clearly and distinctly shows the markings of a machining process far beyond the capabilities of the Ancient Egyptians. Likewise, experimental modeling of the Great Pyramid’s subterranean chambers and passageways gives scientific evidence to further support the theory that the civilization responsible for such magnificent monuments is much older than presently believed. Ancient Egypt 39,000 BCE examines this evidence from historical and technical points of view, explaining who these prehistoric people were, what happened to them, why they built their civilization out of granite, and why they built a series of pyramids along the west bank of the Nile River.
Winner of the International Lannan Literary Award for Nonfiction Animal tracks, word magic, the speech of stones, the power of letters, and the taste of the wind all figure prominently in this intellectual tour de force that returns us to our senses and to the sensuous terrain that sustains us. This major work of ecological philosophy startles the senses out of habitual ways of perception. For a thousand generations, human beings viewed themselves as part of the wider community of nature, and they carried on active relationships not only with other people with other animals, plants, and natural objects (including mountains, rivers, winds, and weather patters) that we have only lately come to think of as "inanimate." How, then, did humans come to sever their ancient reciprocity with the natural world? What will it take for us to recover a sustaining relation with the breathing earth? In The Spell of the Sensuous David Abram draws on sources as diverse as the philosophy of Merleau-Ponty, Balinese shamanism, Apache storytelling, and his own experience as an accomplished sleight-of-hand of magician to reveal the subtle dependence of human cognition on the natural environment. He explores the character of perception and excavates the sensual foundations of language, which--even at its most abstract--echoes the calls and cries of the earth. On every page of this lyrical work, Abram weaves his arguments with a passion, a precision, and an intellectual daring that recall such writers as Loren Eisleley, Annie Dillard, and Barry Lopez.
With the fabled city of Timbuktu as his goal, author Rick Antonson began a month-long trek. His initial plan? To get a haircut. The second edition of this important book outlines the volatile political situations in Timbuktu following the spring 2012 military coup in Mali and the subsequent capture of the city by Islamic extremists.