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"Saints, Scholars, and Schizophrenics, in its original form--now integrally reproduced in the new edition--is a most important seminal study of an Irish community."—Conor Cruise O'Brien
For too long, King Edward VI has been pushed to the very edges of Tudor history - overlooked in favor of some of the more vibrant personalities of his family members, such as Henry VIII and Elizabeth I. Known as the 'boy king' of the Tudor dynasty, he is often remembered for little more than the ambitious councillors who governed England during his minority. His reign, however, and the significant religious changes that took place as he furthered the Protestant Reformation in England, had great influence over the remaining decades of the Tudor period and even modern Britain as we know it today. ‘Boy king’ though he may have been, Edward VI and his government were more significant to the history of England than he is often given credit for, and it is long past time for careful and thoughtful study of his life and reign. Edward VI: Henry VIII’s Overshadowed Son aims to reopen the pages of his story, arguing that however brief it may have been, Edward VI’s reign had lasting impacts on the religious landscape in England, and is certainly a Tudor reign worth remembering.
Hilarious. Incredible. Bizarre. Witty. Deliciously malicious! Where There's a Will is an absorbing collection of odd and curious wills from many countries and many times. The vindictive wills, revealing wills, wills written on nurses petticoats, eggshells, tractor fenders and wills found in a bottle at sea included in the book reflect the full range of man's virtues and vices. The colorful individuals whose Last Will and Testament grace the pages of this book give more than their money away - they give themselves away. They use their wills to get back at obnoxious relatives, to maintain control beyond the grave, to reward, to punish, to defy those who say you can't take it with you. And to have the last word. Among the famous and the infamous whose wills are featured are: George Bernard Shaw, W.C. Fields, Patrick Henry, Janis Joplin, Napoleon, Jack Kelly, Howard Hughes, William Shakespeare, Ian Fleming, Billy Rose, Picasso, Marilyn Monroe, Aristotle Onassis. . . and many more.
Too often accounts of African family life have tended to describe the family in purely static terms. The contributors to this book emphasize the developmental or time dimension of the family, analysing it as a process. In the seven different societies described in East Africa, the Congo and the Transvaal the changing nature of the distribution of rights in the family property and resources is directly linked with the growth and change of the family itself. First published in 1964.
A must-have reference for financial advisors In step-by-step detail, Success as a Financial Advisor For Dummies covers how a current or would-be financial advisor can maximize their professional success through a series of behaviors, activities, and specific client-centric value propositions. In a time when federal regulators are changing the landscape on the standard of care that financial services clients should expect from their advisors, this book affords professionals insight on how they can be evolving their practices to align with the regulatory and technological trends currently underway. Inside, you’ll find out how a financial advisor can be a true fiduciary, how to compete against the growing field of robo-advisors, and how the passive investing trend is actually all about being an active investor. Additionally, you’ll discover time-tested advice on building and focusing on client relationships, having a top advisor mindset, and much more. Master the seven core competencies Attract and win new business Pick the right clients Benchmark your performance Start your own firm Brimming with practical expert advice, Success as a Financial Advisor For Dummies is a priceless success tool for any wannabe or experienced financial advisor.
In this book, Paula Backscheider considers Daniel Defoe's entire canon as related, developing, and in close dynamic relationship to the literature of its time. In so doing, she revises our conception of the contexts of Defoe's work and reassesses his achievement and contribution as a writer. By restoring a literary context for modern criticism, Backscheider argues the intensity and integrity of Defoe's artistic ambitions, demonstrating that everything he wrote rests solidly upon extensive reading of books published in England, his understanding of the reading tastes of his contemporaries, and his engagement with the issues and events of his time. Defoe, the dedicated professional writer and innovator, emerges with a new wholeness, and certain of his novels assume new significance. Defoe's literary status continues to be debated and misunderstood. Even critical studies of the novel often begin with Richardson rather than Defoe. By moving from Defoe's poetry, pamphlets, and histories to the novels, Backscheider offers an argument for the thematic and stylistic coherency of his oeuvre and for a recognition of the dominant place he held in shaping the English novel. For example, Defoe deserves to be recognized as the true originator of the historical novel, for three of his fictions are deeply engaged with just those conceptual and technical issues common to all later historical fiction. And Roxana now appears as Defoe's deliberate attempt to enter the fastest growing market for fiction—that for women readers. What have been powerfully significant for the history of the novel, then, are the very characteristics of his writing that have been held against his literary stature: its contemporaneity, its mixed and untidy form, its formal realism, its concentration on the life of an individual, and its probing of the individual's psychological interaction with the empirical world, making that world representative even as it is referential. It is exactly these characteristics most original, prominent, and subsequently imitated in Defoe's fiction that define the form we call "novel."
Cynicism began as a school of philosophy that was largely inspired by Socrates and often decried by popular commentators as a social pathology, a nihilistic rebellion against the foundations of civilization. Modern definitions of the cynic describe an individual who is negative and sarcastic, violently opposed to established authority and social convention, and dedicated to existentialism. This book attempts to vindicate cynicism, arguing that it is both a progressive approach to social dilemmas and an enlightened understanding of the human condition. Chapter One establishes the foundations of classical Greek cynicism, while later chapters illustrate the varied faces of the cynic phenomenon in the persons of such disparate characters as Machiavelli, Nietzsche, Diogenes, the Dadaists, George Bataille, Samuel Beckett, Auberon Waugh, the creators of South Park, and others. Nietzsche is portrayed as the most important representative of both classical and postmodern cynicism, as well as the pivotal link between the two. The book focuses on significant periods of historical change, such as the Renaissance, and the historical cynics responsible for several seminal social ideas, including cosmopolitanism (citizenship of the world), asceticism (personal growth through self-testing), and parrhesia (finding one's voice in the presence of tyrannical forces). The author claims that aspects of Greek cynicism are present in contemporary society, offering a positive strategy for living in a hostile world.
During the spring of 1938, a flood of Chinese refugees displaced by the Anti-Japanese War (1937-1945) converged on the central Yangzi valley tricity complex of Wuhan. For ten remarkable months, in a highly charged atmosphere of carnage, heroism, and desperation, Wuhan held out against the Japanese in what would become a turning point in the war—and one that attracted international attention. Stephen MacKinnon for the first time tells the full story of Wuhan's defense and fall, and how the siege's aftermath led to new directions in the history of modern Chinese culture, society, and politics.
本书借鉴西方儿童文化史研究的理论框架，以国难读本、战时教科书、国防游戏、儿童杂志以及战时儿童旅行团等为主要分析对象，将1937年至1945年前后的“儿童”概念历史化的同时，也重新考察发生在战时及战后的关于救国、抗战宣传和民众教育等与现代中国“发展”密切相关的重要主题，从而提供另一种观照和理解20世纪中后期文学、文化与历史变革的方式。
This small book provides an introduction to the rich and variegated subject of Christian currents through art and music down the ages, from Early Christian art to the present. It is personal and selective in its focus on favorite major artists and their subjects as exemplars of a wide range of sacred themes. The author’s lifelong professional focus on the Baroque giants Rubens and Bernini, along with the revolutionary Caravaggio, is evident in the central place they claim as he places them in the context of the broader tradition: medieval art, Michelangelo, Titian, Bellini, Rembrandt, Tiepolo, and other giants of the Renaissance and Baroque. Scribner’s focus is decidedly European—not global. The masters of music will be equally familiar to readers and listeners: from Palestrina and Vivaldi to Bach, Handel, Haydn, Mozart, and Verdi down to the 20th century. It is intended to be protreptic, something that will encourage and spur on the reader—teacher, student, amateur alike—to pursue her or his own explorations in periods and artists that likewise hold special appeal. Includes 45 color and b&w illustrations.