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This first comprehensive publication on New York-based interdisciplinary artist Autumn Knight documents her performances addressing the regulation of African American female bodies. Accompanying these images are scores and notes, text by performance studies scholars and an artist interview with choreographer Cynthia Oliver.
Sculptor Lorado Taft helped build Chicago's worldwide reputation as the epicenter of the City Beautiful Movement. In this new biography, art historian Allen Stuart Weller picks up where his earlier book Lorado in Paris left off, drawing on the sculptor's papers to generate a fascinating account of the most productive and influential years of Taft's long career. Returning to Chicago from France, Taft established a bustling studio and began a twenty-one-year career as an instructor at the Art Institute, succeeded by three decades as head of the Midway Studios at the University of Chicago. This triumphant era included ephemeral sculpture for the 1893 World's Columbian Exposition; a prolific turn-of-the-century period marked by the gold-medal-winning The Solitude of the Soul; the 1913 Fountain of the Great Lakes; the 1929 Alma Mater at the University of Illinois; and large-scale projects such as his ambitious program for Chicago's Midway with the monumental Fountain of Time. In addition, the book charts Taft's mentoring of women artists, including the so-called White Rabbits at the World's Fair, many of whom went on to achieve artistic success. Lavishly illustrated with color images of Taft's most celebrated works, Lorado Taft: The Chicago Years completes the first major study of a great American artist.
Over forty works spanning the career of pioneering painter, filmmaker, writer, and performance/installation artist Carolee Schneemann are featured in this edition of the Dorsky Museum’s Hudson Valley Masters exhibition series. Schneemann’s multidisciplinary, deeply personal investigations explore the incomprehensibly complex dynamics between mind and body. As Brian Wallace states in his introduction, “What distinguishes Schneemann’s investigations—and what characterizes the varied and interconnected works that constitute them—is their insistent challenge to powerful cultural mechanisms that perpetuate (and rely upon) this mind-body split. These mechanisms include epistemological positions that value thought over the senses ... [and] also involve related positions—in ethics and aesthetics—that favor the visual and the abstract over the physical and personal and involve the gender-b(i)ased notions of psychology, behavior, and history that waves of feminisms have sought to describe and challenge.”
Published in conjunction with an exhibition held at Spanierman Modern, New York, NY, Sept. 8-Oct. 1, 2011.
Richard Diebenkorn (1922-1993) quietly constructed a place for himself in the history of twentieth-century art with his singular vision and intense commitment to the idea and practice of both figuration and abstraction.