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Classical archaeology probably enjoys a wider appeal than any other branch of classical or archaeological studies. As an intellectual and academic discipline, however, its esteem has not matched its popularity. Here, Anthony Snodgrass argues that classical archaeology has a rare potential in the whole field of the study of the past to make innovative discoveries and apply modern approaches by widening the aims of the discipline.
This book presents a theoretically informed, up-to-date study of interactions between indigenous peoples of Mediterranean France and Etruscan, Greek, and Roman colonists during the first millennium BC. Analyzing archaeological data and ancient texts, Michael Dietler explores these colonial encounters over six centuries, focusing on material culture, urban landscapes, economic practices, and forms of violence. He shows how selective consumption linked native societies and colonists and created transformative relationships for each. Archaeologies of Colonialism also examines the role these ancient encounters played in the formation of modern European identity, colonial ideology, and practices, enumerating the problems for archaeologists attempting to re-examine these past societies.
This is the first comprehensive commentary on Callimachus' Hymn to Delos, its immediate predecessor being Cahen's concise work of 1930. The Introduction proposes a new interpretation of the Hymn's purpose and background, and further discusses the date of its composition, its vocabulary, several of its stylistic aspects, and its metre and prosody. The Commentary, which follows Pfeiffer's text (Oxford 1953), presents parallels from relevant Greek poetry (mainly epic and tragic) to illustrate tradition and originality in Callimachus' style, offers some new interpretations and examines old ones, and indicates possible allusions to contemporary events in Egypt and elsewhere. Textual problems are treated where necessary and emendations are also occasionally proposed.
Situated at the disciplinary boundary between prehistory and history, this book presents a new synthesis of Late Bronze Age and Early Iron Age Greece, from the rise and fall of Mycenaean civilization to the emergence of city-states in the Archaic period. These centuries saw the growth and decline of varied political systems and the development of networks across local, regional, and Mediterranean scales. As a groundbreaking study of landscape, interaction, and sociopolitical change, Societies in Transition in Early Greece systematically bridges the divide between the Mycenaean period and the Archaic Greek world to shed new light on an often-overlooked period of world history. “This book reconfigures our understanding of early Greece on a regional level, beyond Mycenaean 'palaces' and across temporal boundaries. Alex Knodell's sophisticated arguments enable a fresh reading of the emergence of early Greek polities, revealing the microregions that put to the test overarching 'Mediterranean' models. His detailed study makes a convincing return to a comparative framework, integrating a 'small world' network and its trajectory with the larger picture of ancient complex societies.” SARAH MORRIS, Steinmetz Professor of Classical Archaeology and Material Culture, University of California, Los Angeles “A comprehensive, thoughtful treatment of the time period before the crystallization of the ancient Greek city states.” WILLIAM A. PARKINSON, Curator and Professor, The Field Museum and University of Illinois at Chicago “An important and must-read account. The strength of this book lies in its close analysis of the important different regional characteristics and evolutionary trajectories of Greece as it transforms into the Archaic and, later, the Classical world.” DAVID B. SMALL, author Ancient Greece: Social Structure and Evolution.
Possessors and Possessed analyzes how and why museums—characteristically Western institutions—emerged in the late-nineteenth-century Ottoman Empire. Shaw argues that, rather than directly emulating post-Enlightenment museums of Western Europe, Ottoman elites produced categories of collection and modes of display appropriate to framing a new identity for the empire in the modern era. In contrast to late-nineteenth-century Euro-American museums, which utilized organizational schema based on positivist notions of progress to organize exhibits of fine arts, Ottoman museums featured military spoils and antiquities long before they turned to the "Islamic" collections with which they might have been more readily associated. The development of these various modes of collection reflected shifting moments in Ottoman identity production. Shaw shows how Ottoman museums were able to use collection and exhibition as devices with which to weave counter-colonial narratives of identity for the Ottoman Empire. Impressive for both the scope and the depth of its research, Possessors and Possessed lays the groundwork for future inquiries into the development of museums outside of the Euro-American milieu.
"An exceptionally useful book. The Nemea excavations are crucial to our understanding of various features of Greek culture. This book puts it all together, not only for the site-visitor but also for those of us classicists who are not archaeologists. . . . [It] shares the importance of the site."--David C. Young, University of California, Santa Barbara "Something never before attempted or indeed possible: a comprehensive account of Nemea as the setting for one of the four great Panhellenic sanctuaries. It will be welcomed by all students of classical civilization as well as by non-specialist visitors to Greece."--Homer A. Thompson, Institute for Advanced Study, Princeton "An exceptionally useful book. The Nemea excavations are crucial to our understanding of various features of Greek culture. This book puts it all together, not only for the site-visitor but also for those of us classicists who are not archaeologists. . . . [It] shares the importance of the site."--David C. Young, University of California, Santa Barbara
This book explores the provenance of the so-called Berkeley Herm of Plato, a sculptural portrait that Stephen G. Miller first encountered over thirty years ago in a university storage basement. The head, languishing since its arrival in 1902, had become detached from the body, or herm, and had been labeled a fake. In 2002, while preparing another book, Miller—now an experienced archaeologist—needed an illustration of Plato, remembered this piece, and took another look. The marble, he recognized immediately, was from the Greek islands, the inscription appeared ancient, and the ribbons visible on the head were typical of those in Greek athletic scenes. The Berkeley Plato, rich in scientific, archaeological, and historical detail, tells the fascinating story of how Miller was able to authenticate this long-dismissed treasure. His conclusion, that it is an ancient Roman copy possibly dating from the time of Hadrian, is further supported by art conservation scientist John Twilley, whose essay appears as an appendix. Miller's discovery makes a significant contribution to the worlds of art history, philosophy, archaeology, and sports history and will serve as a starting point for new research in the back rooms of museums.