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20th-century French glass designer René Lalique was known for his art deco creations of glass art, perfume bottles, vases, jewellery, chandeliers, clocks, and - the unusual subject of this book - car radiator cap ornaments. Stunningly beautiful and now highly collectible, these glass mascots range in design from a peacock's head to the goddess of speed, from a boar to an owl, from a fox to the king's greyhound, some in clear, strikingly coloured glass, others frosted, some electrically illuminated and all with their Lalique provenance etched somewhere into the glass.
Vol. 2 has been up-dated with the latest auction results and the added description including Desk Ornaments. This is now the definitive work on the subject, invaluable to students, collectors, dealers, museums, libraries and auction houses who have an interest in Lalique glass of the Art Deco period.
• Looks at the age-old spiritual principles, folklore, and esoteric traditions behind the creation of magical objects as well as the use of numbers, colors, sigils, geometric emblems, knots, crosses, pentagrams, and other symbols • Explores hundreds of artifacts, such as hagstones, Norse directional amulets, car hood mascots, objects made from bones and teeth, those connected with plants and animals, charms associated with gambling, and religious relics • Includes photos of artifacts from the author’s extensive collection Offering an illustrated exploration of the origins and history of amulets, lucky charms, talismans, and mascots, including photos of unique and original artifacts from his extensive collection, Nigel Pennick examines these objects from a magical perspective, from ancient Egypt to the present. He looks at the age-old spiritual principles, folklore, and esoteric traditions behind their creation as well as the use of numbers, colors, sigils, geometric emblems, knots, crosses, pentagrams, and other symbols. Pennick explores magical charms and objects manufactured from bones, teeth, claws, and horns and those that include symbols of the human body. He also discusses religious relics as well as the combining of charms to make more powerful objects, from the bind runes of the Norse and the crowns of ancient Egypt to the Mojo hand and the medicine pouch. Revealing the lasting power of amulets, talismans, charms, and mascots, Pennick shows that these objects and symbols have retained their magic across the centuries.
Mascots and badges are a unique art form that have identified automotive marques since the late 19th century. This "automotive jewelry" has been beautifully presented in photographs by Michael Furman, and with enlightened commentary from an internationally renowned group of historians, designers, authors, collectors and curators. ......
From the bestselling author of The Day of the Jackal, international master of intrigue Frederick Forsyth, comes a thriller that brilliantly blends fact with fiction for one of this summer’s—or any season’s—most explosive reads! From the behind-the-scenes decision-making of the Allies to the secret meetings of Saddam Hussein’s war cabinet, from the brave American fliers running their dangerous missions over Iraq to the heroic young spy planted deep in the heart of Baghdad, Forsyth’s incomparable storytelling skill keeps the suspense at a breakneck pace. Somewhere in Baghdad is the mysterious “Jericho,” the traitor who is willing—for a price—to reveal what is going on in the high councils of the Iraqi dictator. But Saddam’s ultimate weapon has been kept secret even from his most trusted advisers, and the nightmare scenario that haunts General Schwarzkopf and his colleagues is suddenly imminent, unless somehow, the spy can locate that weapon—The Fist of God—in time. Peopled with vivid characters, brilliantly displaying Forsyth’s incomparable, knowledge of intelligence operations and tradecraft, moving back and forth between Washington and London, Baghdad and Kuwait, desert vastnesses and city bazaars, this breathtaking novel is an utterly convincing story of what may actually have happened behind the headlines.
The years between the two World Wars was an extraordinary period for the French luxury car trade and during this time, Carrosserie Gaston Grümmer was one of the leading coach building houses in Paris.Descended from a long line of coach builders, Gaston Grümmer was the son of Antoine-Joseph whose company, J. Grümmer formerly V. Morel, produced first, from 1845, exceptional horse-drawn carriages and from the 1890s automotive bodies. Trained in the family business before World War I, Gaston Grümmer, spent the war as a soldier, first on horseback and in the trenches and then in the air as a pilot. At the end of hostilities, he brilliantly re-launched the family business transforming it into the Société Anonyme des Etablissements Grümmer. As the company moved towards the production of series bodywork for various manufacturers, Gaston decided that he wanted to break away to build custom cars and in 1924 he created his own company under the name of Carrosserie Gaston Grümmer. For the next ten years he achieved great success on both aesthetic and technical levels.Thanks to recently discovered and previously unpublished archives, his son, Philippe Grümmer, in association with one of the best French automotive historians, Laurent Friry, takes us back to this glorious period during the "Roaring Twenties" recalling the major events of the Concours d'Elégance and Les Salons de l'Auto, and describes the bodies that Gaston Grümmer produced for the chassis of around 54 manufacturers and the hundred or so prizes which he won.Illustrated with photographs, press articles and period documents, including the reproduction of a series of design drawings, this reference book on bodywork of the time is a must for any student of the period.
René Lalique: Selections from the Steven and Roslyn Shulman Collection introduces the artistic innovations and legacy of renowned French Art Deco artist René Lalique. Born outside of Paris in 1860, Lalique was recognized as one of France's foremost Art Nouveau jewelry designers before turning to the material of glass in the early twentieth century. By the 1920s, Lalique's glass artwork embraced the new ideas and technologies that swept the United States and Europe. He brought an artistic aesthetic to new industries such as automotive and electrical products, as well as to new clienteles including the rising middle class and the increasingly independent female consumer. His legacy has influenced subsequent generations of designers and artists, in particular contemporary artists working in the medium of glass. Lalique's considerable imagination and eye for design is evident in the Steven and Roslyn Shulman Collection, one of the most comprehensive selections of Lalique glass in the United States. The collection features perfume bottles, vases, automobile mascots, and a wealth of other objects that exemplify the Art Deco style and celebrate Lalique's sense of design.
For over 25,000 years, humans across the globe have shaped, decorated, and fired clay. Despite great differences in location and time, universal themes appear in the world’s ceramic traditions, including religious influences, human and animal representations, and mortuary pottery. In Global Clay: Themes in World Ceramic Traditions, noted pottery scholar John A. Burrison explores the recurring artistic themes that tie humanity together, explaining how and why those themes appear again and again in worldwide ceramic traditions. The book is richly illustrated with over 200 full-color, cross-cultural illustrations of ceramics from prehistory to the present. Providing an introduction to different styles of folk pottery, extensive suggestions for further reading, and reflections on the future of traditional pottery around the world, Global Clay is sure to become a classic for all who love art and pottery and all who are intrigued by the human commonalities revealed through art.
In this fascinating and unique biography, Dr Piers Brendon looks deeper into Churchill's love of the animal kingdom, and at how animals played such a large part in his everyday life.