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Albert von Escher (born on 20-05-1833 and died on 16-05-1905), was a captain in the Swiss army, but he became well known as an artist thanks to his numerous watercolours with military motifs from the 17th to 19th centuries. Most of his original works in the uniforms of cantonal and Swiss troops, many of which were also in foreign service, were purchased by the Swiss Federal Council for the General Staff Library and have since then been one of the special collections of the former Federal Military Library. The entire collection is contained in 41 albums with red covers. Of these, two are index albums, 33 are dedicated to Swiss cantonal troops and six are dedicated to Swiss troops serving foreign powers such as: France, Holland, Austria, Spain, Prussia, Great Britain, Naples, Rome and Venice. So far we have never made any anastatic reprint of these originals with the exception of a series of folders with loose cards, mainly dedicated to cantonal uniforms. So, for the most part, all Escher's artistic production essentially refers to these original plates.
That association of mountainous territories shut in among the European powers, Switzerland solved part of its financial problems as early as the Renaissance by developing a truly mercenary industry. Each canton could sign a contract (a capitulation) to recruit military units with their own officers and regulations in exchange for pay and equipment for a neighboring state. On the eve of the Revolution there were therefore Swiss units in the government guards or the troops of the Line in France, the Italian States, Spain and the United Provinces. The revolutionary process in France ran up against their loyalty to their employer: the King, and the sad events of the massacre of the Swiss Guard on 10 August 1792 whereas the Swiss regiments of the Line were disbanded. During the vast European reorganization led by France between 1793 and 1813, Switzerland was politically and geographically transformed and furnished its big neighbor whether it liked it or not with troops of great worth who upheld their favorite motto "Honneur et Fidélité". A lot has already been written on the Swiss regiments. The book skims over the Swiss troops in service with the King on the eve of the Revolution to concentrate on those who served the Republic, the Consulate and then the Empire, focusing on less well-known aspects.
In the 1840s, post-Napoleonic Italy was 'a geographical expression' – not a country, but a patchwork of states, divided between the Austrian-occupied north, and a Spanish-descended Bourbon monarchy, who ruled the south from Naples. Two decades later, it was a nation united under a single king and government, thanks largely to the efforts of the Kings of Sardinia and Piedmont, and the revolutionary Giuseppe Garibaldi. This book, the first of a two-part series on the armies that fought in the Italian Wars of Unification, examines the Piedmontese and Neapolitan armies that fought in the north and south of the peninsula. Illustrated with prints, early photos and detailed commissioned artwork, this book explores the history, organization, and appearance of the armies that fought to unite the Italian peninsula under one flag.
Ever since the 15th century Switzerland had been exporting professional soldiers to serve as mercenaries for foreign monarchies. Napoleon, therefore, was not the first to make full use of the martial qualities of the Swiss and obtained Swiss agreement to expand the recruitment of regiments for service in the French Army. Napoleon would use Swiss troops on the battlefields of Italy and Spain, and in 1812 re-organize the four original regiments into a single division for the invasion of Russia, with each regiment having three full-strength battalions. In November of 1812, meeting up with Napoleon's main force retreating from Moscow at the Berezina River, the Swiss on the west bank guarded the approaches to the pontoon bridges from the Russian attack to the south. Just 1,200 Swiss out of the approximately 8,000 that entered Russia were left to face, along with 8,000 other remnants of other units, the 30,000-strong Russian army. The Swiss held their ground and when their ammunition ran out they charged the Russians with bayonets. This book reveals the proud combat history of the Swiss troops of Napoleon's army as well as the colourful uniforms they wore.
This superb and comprehensive book details the foreign units which formed such an important part of Napoleon's forces. It examines each non-French unit in turn, giving an overview of the unit's origins, its organizational and combat history, its uniforms and standards, and details of the unit's eventual fate. Colourful accounts, taken from contemporary reports and memoirs, emphasize the qualities of the unit and throw light on what life was like for many of the foreign soldiers recruited into the Grande Armée. In total more than 100 different foreign units that served in the French Army are investigated in detail in this ambitious publication. Some foreign units fought and flourished throughout the Consulate and Empire, whilst others lasted for just a few months. Covers Polish, German, Swiss, Italian, Spanish, and other units in the French Army and presents a combat history and details uniforms for each regiment. Napoleon's Mercenaries is the best single-volume study of this aspect of Napoleon s army and a vital reference for every Napoleonic enthusiast. Little can be found on the foreign units that were an integral part of the French army ... For a long time a gap has existed, but now Napoleon s Mercenaries fills this gap. Robert Burnham, Napoleonic Series
In the world of historical painting, Don Troiani stands alone, universally acclaimed for the accuracy, drama, and sensitivity of his depictions of America's past. His Civil War paintings and limited edition prints hang in the finest collections in the country and are noted by collectors from around the world. Now, in "Don Troiani's Regiments and Uniforms of the Civil War", the artist turns his brush to one of the most colourful and captivating aspects of Civil War history: the individual units that earned their reputations on the battlefield and the distinctive uniforms they wore. In addition to 130 paintings of battle scenes and individual figures, the book also includes more than 250 full-colour photographs of the uniforms the soldiers wore and the accoutrements they carried. Supporting the illustrations is text by two of the leading military artefact experts. Taken together, it makes for one of the most comprehensive books on Civil War uniforms ever undertaken.
This book gives the reader a straightforward and continuous survey of the history of the French Foreign Legion. By outlining the Legion's vicissitudes, victorious campaigns, epic marches, heroic and sometimes hopeless stands, dirtiest combats and dramatic defeats, but also by briefly placing the Legion back in the historical background of France, and by describing its development, organization, uniforms, equipments and weapons, the author hopes to dispel myths, and try to give a true and accurate picture of what the French Foreign Legion has been from 1831 until today. There are well-researched, detailed line drawings throughout.
The Crimean War was the first major European war since the end of the Napoleonic Wars and Britain’s only war on that continent in the century between Waterloo and WW1. When Russia invaded provinces of the Ottoman Empire, the British and French, later joined by the Kingdom of Piedmont-Sardinia, intervened to limit Russian expansion towards the Black Sea. Each of the armies contained an eclectic mix of units. The regular European regiments still displayed much of the bright color and finery associated with the Napoleonic era (the British infantry in their scarlet tunics forming the famous ‘thin red line’ at Balaklava for instance), while each also contained a mix of exotic units drawn from across their respective empires. The French fielded Zouaves and Spahis from North and West Africa, not to mention the legendary Foreign Legion; the Ottomans had Tunisians and Egyptians alongside Balkan mountaineers and the infamous Bashi-bazouks; the Russians of course had their Cossacks and the British fielded little-known German, Swiss and Italian mercenaries. Gabriele Esposito details the composition, organization, uniforms and weaponry of each force and illustrates many of them with early black and white photos (this being the first major war for which photography was available), as well as numerous color artworks.