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"Unhurried Tales brings together, for the very first time, Ruskin Bond's favourite (and finest) novellas. These stories speak of a world that has long vanished, but it is a world that has lost none of its power to enchant. Whether we are accompanying Sita on her perilous journey down the angry river or Bisnu as he gets the better of a dangerous leopard, whether we delight in Binya's joy at owning her blue umbrella or are saddened by the fate of the last tiger, whether we laugh uproariously at the antics of the eccentric guests at the 'hotel' in Shamli, get involved in the adventures of the boys in Pipalnagar or plunge into the various goings-on in the 'backwater' of Fosterganj, we are always entertained, always charmed."--Publisher.
Here lie four remarkable ghost stories, carefully culled from a genre that had a great flowering in the mid-nineteenth and early twentieth centuries. They have been chosen because they are skillfully written; the reader—like the protagonists—is drawn slowly and inexorably into a nightmare that seems all the more credible because the world in which it happens is ordinary, filled with realistic detail. In addition, each of the four authors employs consideration psychological insight, so that the tales operate on multiple levels. The length of these stories has prevented them from being frequently anthologized. Aficionados of ghost stories are in for a treat! Included in this collection: "The Beckoning Fair One" by Oliver Onions, "How Love Came to Professor Guildea" by Robert Hichens, "The Old Nurse's Story" by Elizabeth Gaskell, "Couching at the Door" by D.K. Broster
Vols. for 1932- include a list of English novels since 1914.
Nobody Rich or Famous is a literary memoir about family and place. Shelton travels to his childhood home in rural Idaho to connect with his past and discover his family history. The manuscript touches upon family dynamics, death and mortality, alcoholism, abusive relationships, and life in the rural and urban West. The book simultaneously exposes the conflicts within Shelton's family while illustrating life in Great Basin during the first half of the 20th century.
On one level the novel is about the homecoming of Lavretsky, who, broken and disillusioned by a failed marriage, returns to his estate and finds love again - only to lose it. The sense of loss and of unfulfilled promise, beautifully captured by Turgenev, reflects his underlying theme that humanity is not destined to experience happiness except as something ephemeral and inevitably doomed. On another level Turgenev is presenting the homecoming of a whole generation of young Russians who have fallen under the spell of European ideas that have uprooted them from Russia, their 'home', but have proved ultimately superfluous. In tragic bewilderment, they attempt to find reconciliation with their land.
Make use of a detailed plan and ready-to-use lessons for teaching appeal terms and Book Hook writing to students. Getting Beyond "Interesting": Teaching Students the Vocabulary of Appeal to Discuss Their Reading is a practical application book that gives librarians all the tools they need to implement the teaching of both appeal terms and Book Hook writing and sharing. When students know how to write Book Hooks and have access to an easy-to-use system for allowing students to share Book Hooks, the result is greatly increased reading through the power of peer recommendations. This book not only supplies a detailed plan for teaching appeal terms and Book Hook writing, but it also provides two extensive appendices containing all the black line masters and forms needed to implement these lessons. As a result, practitioners will be able to enhance their students' reading culture through increased sharing of reading—and most importantly, by empowering students with the ability to clearly define their reading preferences.