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The City is the best, funniest, saddest, and most thought-provoking compilation ever assembled on the urban scene. James A. Clapp has arranged more than three thousand quotations—epigrams, epithets, verses, proverbs, scriptural references, witticisms, lyrics, literary references, and historical observations—on urban life from antiquity until the present. These quotes are drawn from the written and spoken words of more than one thousand writers throughout history. This volume, with contributions from speakers, poets, song writers, politicians philosophers, scientists, religious leaders, historians, social scientists, humorists, architects, journalists, and travelers from and to many lands is designed to be used by writers, speechmakers, students, and scholars on cities and urban life. Clapp’s text is striking for its sharp contrasts of urban and rural life and the urbanization process in different historical times and geographical areas. This second edition includes four hundred new entries, updated birth dates and occupations of quoted authors, and an expanded and updated introduction and preface. Clapp also added new introduction pages for each section containing pictures and unique quotations. The indexes have also been expanded to include more subjects and cities. The scope of this book is international, including entries on most major and many minor cities of the world. It is noteworthy for its pleasures as well as its insights.
As a brilliant survey of English literature in terms of changing attitudes towards country and city, Williams' highly-acclaimed study reveals the shifting images and associations between these two traditional poles of life throughout the major developmental periods of English culture.
For as long as humans have gathered in cities, those cities have had their shining—or shadowy—counterparts. Imaginary cities, potential cities, future cities, perfect cities. It is as if the city itself, its inescapable gritty reality and elbow-to-elbow nature, demands we call into being some alternative, yearned-for better place. This book is about those cities. It’s neither a history of grand plans nor a literary exploration of the utopian impulse, but rather something different, hybrid, idiosyncratic. It’s a magpie’s book, full of characters and incidents and ideas drawn from cities real and imagined around the globe and throughout history. Thomas More’s allegorical island shares space with Soviet mega-planning; Marco Polo links up with James Joyce’s meticulously imagined Dublin; the medieval land of Cockaigne meets the hopeful future of Star Trek. With Darran Anderson as our guide, we find common themes and recurring dreams, tied to the seemingly ineluctable problems of our actual cities, of poverty and exclusion and waste and destruction. And that’s where Imaginary Cities becomes more than a mere—if ecstatically entertaining—intellectual exercise: for, as Anderson says, “If a city can be imagined into being, it can be re-imagined.” Every architect, philosopher, artist, writer, planner, or citizen who dreams up an imaginary city offers lessons for our real ones; harnessing those flights of hopeful fancy can help us improve the streets where we live. Though it shares DNA with books as disparate as Calvino’s Invisible Cities and Jane Jacobs’s Death and Life of Great American Cities, there’s no other book quite like Imaginary Cities. After reading it, you’ll walk the streets of your city—real or imagined—with fresh eyes.
Provides a short, accessible, and lively introduction to Jerusalem Jerusalem - A Brief History shows how Jewish, Christian, and Islamic scriptures confer providential meaning to the fate of the city and how modern Jerusalem is haunted by waves of biblical fantasy aiming at mutually exclusive status-quo rectification. It presents the major epochs of the history of Jerusalem’s urban transformation, inviting readers to imagine Jerusalem as a city that is not just sacred to the many groups of people who hold it dear, but as a united, unharmed place that is, in this sense, holy. Jerusalem - A Brief History starts in modern Jerusalem—giving readers a look at the city as it exists today. It goes on to tell of its emergence as a holy city in three different ways, focusing each time on another aspect of the biblical past. Next, it discusses the transformation of Jerusalem from a formerly Jewish temple city, condemned to oblivion by its Roman destroyers, into an imperially sponsored Christian theme park, and the afterlife of that same city under later Byzantine and Muslim rulers. Lastly, the book returns to present day Jerusalem to examine the development of the modern city under the Ottomans and the British, the history of division and reunification, and the ongoing jostling over access to, and sovereignty over, Jerusalem’s contested holy places. Offers a unique integration of approaches, including urban history, the rhetoric of power, the history of art and architecture, biblical hermeneutics, and modern Middle Eastern Studies Places great emphasis on how Jerusalem is a real city where different people live and coexist Examines the urban transformation that has taken place since late Ottoman times Utilizes numerous line drawings to demonstrate how its monumental buildings, created to illustrate an alliance of divine and human power, are in fact quite ephemeral, transient, and fragile Jerusalem - A Brief History is a comprehensive and thoughtful introduction to the Holy City that will appeal to any student of religion and/or history.
Transcendence in general and transformation in particular have long been established as key motifs in apocalypses. The transformation of a seer during a heavenly journey is found commonly in such esoteric apocalypses as I Enoch. No heavenly journey occurs in the apocalypses treated here. Rather, symbolic women figures--"ladies" in the classical sense--who are associated with God's city or Tower, undergo transformation at key points in the action. The surface structures of Joseph and Aseneth, 4 Ezra, the Apocalypse and The Shepherd of Hermas are traced, and the crucial transformation episodes are located within each structure. Transformation of figures which represent God's people points to the significance of identitiy within the apocalyptic perspective. Earlier analyses have demonstrated that the apocalyptic perspective urges the reader to consider life from a different stance in time and in space ("temporal" and "spatial" axes). The present analysis suggests that the apocalypse also charts its revelations along an "axis of identity" so that the reader is invited to become, as it were, someone more in tune with the mysteries he or she is viewing. Of special interest is the treatment of the increasingly well-known romance Joseph and Aseneth alongside apocalypses, a parallel which is fruitful because of the curious visionary sequence, closely related to apocalypse in content and form, which is found in the inner centre of that work.
Neighborhood voices in poetry - The verbal web of patronage - Prayer in the urban setting - Love and history : men against women - Suicide of a poet - Alienation : the outsider as poet - Cruelty in the community - Seduction and family space - Poetry as political memory - Crisis in the generation of 1494.
William Blake, poet, artist, and mystic, created a vast multidimensional universe through his verse and art. Spun from a fabric of symbolism and populated by a host of complex characters, BlakeÕs comprehensive world has provided endless inspiration to subsequent generations. For the reader of Blake, background knowledge of his symbolism is a necessity. In this volume, first published in 1965, S. Foster Damon, father of modern Blake studies and a professor at Brown University until his death, has assembled all references to particular symbols or aspects of BlakeÕs work and life, so that readers can see the entire spectrum of BlakeÕs thought on a variety of topics.
The book is a commentary on preaching from the book of Revelation. Working through the book of Revelation verse by verse, the commentary seeks to help the preacher recognize what the book (with its apocalyptic theology) invited people in antiquity to believe and do. . . . The book of Revelation communicates through a series of word-pictures. Allen explains each word-picture in light of its ancient setting. The commentary brings the viewpoint of the book of Revelation into conversation (through mutual critical correlation) with contemporary theology, especially process thought. The work aims to help the preacher to help the congregation identify what they can genuinely believe and confidently do. Believing that the best preaching arises from the local context, the volume does not include full sermons, but, rather, seeks to raise issues and questions that might be thought-provoking.