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‘KUMBA AFRICA’, is a compilation of African Short Stories written as fiction by Sampson Ejike Odum, nostalgically taking our memory back several thousands of years ago in Africa, reminding us about our past heritage. It digs deep into the traditional life style of the Africans of old, their beliefs, their leadership, their courage, their culture, their wars, their defeat and their victories long before the emergence of the white man on the soil of Africa. As a talented writer of rich resource and superior creativity, armed with in-depth knowledge of different cultures and traditions in Africa, the Author throws light on the rich cultural heritage of the people of Africa when civilization was yet unknown to the people. The book reminds the readers that the Africans of old kept their pride and still enjoyed their own lives. They celebrated victories when wars were won, enjoyed their New yam festivals and villages engaged themselves in seasonal wrestling contest etc; Early morning during harmattan season, they gathered firewood and made fire inside their small huts to hit up their bodies from the chilling cold of the harmattan. That was the Africa of old we will always remember. In Africa today, the story have changed. The people now enjoy civilized cultures made possible by the influence of the white man through his scientific and technological process. Yet there are some uncivilized places in Africa whose people haven’t tested or felt the impact of civilization. These people still maintain their ancient traditions and culture. In everything, we believe that days when people paraded barefooted in Africa to the swarmp to tap palm wine and fetch firewood from there farms are almost fading away. The huts are now gradually been replaced with houses built of blocks and beautiful roofs. Thanks to modern civilization. Donkeys and camels are no longer used for carrying heavy loads for merchants. They are now been replaced by heavy trucks and lorries. African traditional methods of healing are now been substituted by hospitals. In all these, I will always love and remember Africa, the home of my birth and must respect her cultures and traditions as an AFRICAN AUTHOR.
Excerpt from Ancient Long Island Epitaphs: From the Towns of Southold, Shelter Island and Easthampton, New York It has been impossible in these pages to accurately represent the styles of lettering in use during the period covered by the epitaphs. No attempt has been made to indicate the logotypes or composite letters which were common on the older stones, and which are, in some cases, of much interest arch-geologically. The arrangement in lines as found upon the stones has been generally observed, while the use of capitals, italics, and of superior letters has been always carefully followed. Worthy of special notice are a few stones in the old ground of Southold Village, lying horizontally, about six feet in length, portions of whose inscriptions form a border at the edges of the four sides, an extremely unusual feature in this country (see pp. 7, 8 and But two examples of the use of coat armor on original stones occur in any of the grounds under present consideration; both in Shelter Island, and upon the tombs of the Sylvesters and Deerings. Innumerable family burying grounds were scattered over Long Island, the larger portion of which were on the farms of the early settlers, and in many cases at considerable distances from the villages. Some of these grounds have been for many years unused, some have been ploughed over, and the stones either buried or removed to the nearest public cemetery. In God's acre a fair chance would seem to exist for the protection of a grave stone, but the family burial place, overrun with cattle, and subjected to the yearly encroachments of the plough, offers scant hope for the long preser vation of its contents. The frugal farmer finds the flat stone a convenient cover for a trench or for a wall c0ping. Only lately the Beales were scouring eastern Long Island for their ancestor's head-stone, taken from its place on the farm to be built into a chimney, and later to be used as a door step. And not long since, a search for the death date of another Long Islander traced into Dutchess county, resulted in its discovery on his grave stone which had long made a part of the flagged walk to his granddaughter's door. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This meticulously kept account book provides a fascinating glimpse into the life and work of Aaron Van Nostrand, a chairmaker in 18th century America. Frost's introduction and annotations provide valuable context and insight into the trade of chairmaking during this period. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The biography of a Puritan settler of Eastern Long Island in the seventeenth-century. Supported by genealogical data and primary source documents.