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In the first decades of the 20th century, five women - Katherine Routledge, Maria Czaplicka, Winifred Blackman, Beatrice Blackwood and Barbara Freire-Marreco - arrived at Oxford to take the newly created Masters in Anthropology. Though their circumstances differed radically, all were intent on visiting and studying remote communities a world away from their own. Through their work, they resisted the prejudices of the male establishment, proving that women could be explorers and scientists, too. In the wastes of Siberia; in the villages and pueblos of the Nile and New Mexico; on Easter Island; and in the uncharted interior of New Guinea, they found new freedoms - yet when they returned to England, loss, madness and self-doubt awaited them. Frances Larson's masterful group biography is a revelatory portrait of five hidden heroines of British scholarship.
In the first decades of the 20th century, five women arrived at Oxford to take the newly created Masters diploma in Anthropology. Though their circumstances differed radically, all five were intent on travelling to the furthest corners of the globe and studying remote communities whose lives were a world away from their own. In the wastelands of Siberia; in the pueblos and villages of the Nile and New Mexico; in the midst of a rebellion on Easter Island; and in the uncharted interiors of New Guinea, they found new freedoms. They documented customs now long since forgotten, and bore witness to now-vanished worlds. Through their work they overturned some of the most pernicious myths that dogged their gender, and proved that women could be explorers and scientists, too. Yet when they returned to England they found loss, madness, and regret waiting for them. Following the lives of her subjects through women's suffrage, two world wars and on into the second half of the 20th century, Larson's masterful biography is a revelatory portrait of a pioneering quintet, one whose contribution has for too long been left uncelebrated.
Our history is littered with heads. Over the centuries, they have decorated our churches, festooned our city walls and filled our museums; they have been props for artists and specimens for laboratory scientists, trophies for soldiers and items of barter. Today, as videos of decapitations circulate online and cryonicists promise that our heads may one day live on without our bodies, the severed head is as contentious and compelling as ever. From shrunken heads to trophies of war; from memento mori to Damien Hirst's With Dead Head; from grave-robbing phrenologists to enterprising scientists, Larson explores the bizarre, often gruesome and confounding history of the severed head. Its story is our story.
Society of Illustrators, Dilys Evans Founder's Award Winner A New York Times Best Book of 2020 A Wall Street Journal Best Book of 2020 PRAISE "Electrifying. Extraordinary. Enigmatic and gorgeous." —The Wall Street Journal "An epic dream captured in superbly meticulous detail." —Shaun Tan "Danger, magic, surprise and awe abound in this masterly, wordless debut." —The New York Times "I love Van den Ende's passion." —Brian Selznick, New York Times Book Review STARRED REVIEWS ★ "Marvelously engrossing—a triumph." —Kirkus Reviews, starred review ★ "Remarkable. Absolutely sui generis." —Booklist, starred review Without a word, The Wanderer presents one little paper boat's journey across the ocean, past reefs and between icebergs, through schools of fish, swaying water plants, and terrifying sea monsters. The little boat is all alone, and while its aloneness gives it the chance to wonder at the fairy-tale world above and below the waves, that also means it must save itself when it storms. And so it does. Readers young and old will find the strength and inspiration in this quietly powerful story about growing, learning, and life's ups and downs.
For as long as she can remember, Megan Bradshaw has imagined herself as the heroine of Vindor, her own secret world populated with mermaids, centaurs, samurai, and more. When school pressures and an upcoming move make life unbearable, Megan wishes she could escape to Vindor for real. And then she does. Megan finds herself trapped in Vindor, with flesh-and-blood versions of her imaginary characters. Dreaming about being a hero and actually fighting monsters are two very different things--especially when the Shadow, the frightening creature now tearing Vindor apart, is one Megan doesn't remember putting there. Megan, playing the part of her alter ego, Selena, embarks on a dangerous journey, accompanied by a know-it-all centaur and a goblin she's not sure she can trust. Will the Shadow destroy her before she can find a way to save her world?
Structured around modes in which one might encounter Asian-themed performances and adaptations, Shakespeare and East Asia identifies four themes that distinguish post-1950s East Asian cinemas and theatres from works in other parts of the world: Japanese formalistic innovations in sound and spectacle; reparative adaptations from China, Taiwan, and Hong Kong; the politics of gender and reception of films and touring productions in South Korea and the UK; and multilingual, diaspora works in Singapore and the UK. These adaptations break new ground in sound and spectacle; they serve as a vehicle for artistic and political remediation or, in some cases, the critique of the myth of reparative interpretations of literature; they provide a forum where diasporic artists and audiences can grapple with contemporary issues; and, through international circulation, they are reshaping debates about the relationship between East Asia and Europe. Bringing film and theatre studies together, this book sheds new light on the two major genres in a comparative context and reveals deep structural and narratological connections among Asian and Anglophone performances. These adaptations are products of metacinematic and metatheatrical operations, contestations among genres for primacy, or experimentations with features of both film and theatre.
An award-winning author tells the stories of the audacious American politicians, military commanders, and business executives who took it upon themselves to depose monarchs, presidents, and prime ministers of other countries with disastrous long-term consequences.
In this book, geologists Jan Zalasiewicz and Mark Williams consider the deep history of oceans, how and when they may have formed on the young Earth - topics of intense current research - how they became salty, and how they evolved through Earth history.
At the dawn of the twentieth century, Katherine Routledge, Maria Czaplicka, Winifred Blackman, Beatrice Blackwood and Barbara Freire-Marreco set out to explore the furthest reaches of the globe. Resisting pernicious sexism and misogyny, they were among the first women to study at university and went on to chart now-vanished worlds, seeking new freedoms in in the wastelands of Siberia, the uncharted interior of New Guinea, on Easter Island, and in the villages of the Nile. Yet upon their return to England, they found only loss, madness and regret waiting for them. An extraordinary insight into women's suffrage at the turn of the century and a revelatory study of Britain's colonial legacy, Undreamed Shores is an extraordinary portrait of a pioneering quintet whose struggles helped usher in a brighter dawn.
79 AD. As he approaches the end of his life, Tiberius Claudius Cogidubnus, the native-born but loyally pro-Roman client king of Britain, looks back on the thirty-six years of his reign. He recalls how, as a young man, he was seduced by the grandeur of Rome and the beauty of the written word; how he was befriended by the Emperor Claudius, and by the Roman General, Vespasian, later to rule as Emperor himself. He remembers the difficulties he encountered whilst trying to mediate between the British aristocracy and Roman officials who were often cruel and frequently corrupt. Most significantly he reflects on the Boudiccan revolt of 60/61 AD, which he tried to prevent, and in the course of which Britain was almost lost to Rome. Roman Britain. One man. His fate.