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This is the explosive true story of the only man ever to infiltrate the Hells Angels organization as an FBI informant, uncovering the truth about the notorious biker gang's netherworld of evil, lust, and violence. A chilling crime story that strips away the Hell's Angels's image to reveal a powerful and deadly organized crime syndicate. The author's acceptance into the highest ranks of the gang led to an unprecedented FBI sting operation and 42 arrests.
In her provocative book, Brooke Kroeger argues for a reconsideration of the place of oft-maligned journalistic practices. While it may seem paradoxical, much of the valuable journalism in the past century and a half has emerged from undercover investigations that employed subterfuge or deception to expose wrong. Kroeger asserts that undercover work is not a separate world, but rather it embodies a central discipline of good reporting—the ability to extract significant information or to create indelible, real-time descriptions of hard-to-penetrate institutions or social situations that deserve the public’s attention. Together with a companion website that gathers some of the best investigative work of the past century, Undercover Reporting serves as a rallying call for an endangered aspect of the journalistic endeavor.
At the dawn of the 20th century, Jack London was considered one of the first literary writing pioneers in the rapidly growing world of magazine fiction. Having written numerous novels, short stories, poems and essays, he became a well-known celebrity and world-wide house hold name. Even today, Jack London’s popular written works find a large reader audience and his stories have been adapted into feature films and television programs. Here are presented FIVE of his stories, adapted with illustrated art from award winning comic artists Ron McCain (DC’s Batman, and Adventures of Superman, MARVEL’s Wolverine), Guy Davis (Dark Horse’s Hellboy and DC’s Swamp Thing), Vince Locke (Neil Gaiman’s Sandman, Judge Dredd, Deadworld), and Charles Yates (High Caliber, Frankenstein). Collected are Jack London's: A Piece of Steak, Chinago, The Death of Ligoun, Told in the Drooling Ward, and Koolau the Leper. A Caliber Comics release.
Six months after returning from their adventures in Daniel and the Triune Quest, Daniel, Ben, and Seren eagerly await their mission to save Raylin and acquire the last Weapon of Power: the Abyssal Staff. Daniel can’t believe his luck when Gabriela shows up and declares she will guide them to the British Isles, where Raylin has been haunting ancient ruins in her frenetic search for more spiritual power. When the group is transported to Ireland, however, everything goes wrong. Raylin, driven mad by the possessing power of the Voidblade, is as powerful as several demons put together and impervious to their attacks. Seren, desperate to save her sister, impulsively starts an explosive battle to bind her—a decision that turns the entire quest on its head and drives Daniel to a point of desperation he never anticipated. Through it all, the Three are noticeably absent and quiet, not answering prayers or sending aid. What’s worse, Gabriela seems distant and preoccupied. So much for Daniel’s hopes for improving their relationship. The quest seems hopeless, and it’s only just begun. How can the companions hope to evade the Enemy’s minions haunting their every step, subdue a super-powered Raylin in her madness, get her to the bottom of the Abyss where the staff resides, and survive a face-to-face encounter with the Serpent awaiting them there? Daniel has no idea, but he hopes his faith in the Three will not prove vain. Surely, after all their intervention during the last two quests, they wouldn’t abandon the companions without help. Right? Daniel and the Serpent’s Abyss is a young adult, Christian fantasy novel exploring forgiveness, faith, and the empowering role of the Holy Spirit in the believer’s life. It is the third in the Sons and Daughters series, which includes Daniel and the Sun Sword, and Daniel and the Triune Quest.
Cassandra Leung’s been a sea monster trainer ever since she could walk, raising genetically engineered beast to defend ships crossing the NeoPacific ... until pirates snatch her from the blood-stained decks.
At the dawn of the 20th century, Jack London was considered one of the first literary writing pioneers in the rapidly growing world of magazine fiction. Having written numerous novels, short stories, poems and essays, he became a well-known celebrity and world-wide house hold name. Even today, Jack London’s popular written works find a large reader audience and his stories have been adapted into feature films and television programs. Presented here is one of Jack London's classic tales of the South Pacific as one man refuses to give up any more of his possessions even though it appears that he's lost everything already. Illustrated by comic veteran Charles Yates. A Caliber Comics release.
. . . In Cold Blood, The Electric Kool-Aid Acid Test, Fear and Loathing in Las Vegas, Slouching Towards Bethlehem, The Armies of the Night . . . Starting in 1965 and spanning a ten-year period, a group of writers including Tom Wolfe, Jimmy Breslin, Gay Talese, Hunter S. Thompson, Joan Didion, John Sack, and Michael Herr emerged and joined a few of their pioneering elders, including Truman Capote and Norman Mailer, to remake American letters. The perfect chroniclers of an age of frenzied cultural change, they were blessed with the insight that traditional tools of reporting would prove inadequate to tell the story of a nation manically hopscotching from hope to doom and back again—from war to rock, assassination to drugs, hippies to Yippies, Kennedy to the dark lord Nixon. Traditional just-the-facts reporting simply couldn’t provide a neat and symmetrical order to this chaos. Marc Weingarten has interviewed many of the major players to provide a startling behind-the-scenes account of the rise and fall of the most revolutionary literary outpouring of the postwar era, set against the backdrop of some of the most turbulent—and significant—years in contemporary American life. These are the stories behind those stories, from Tom Wolfe’s white-suited adventures in the counterculture to Hunter S. Thompson’s drug-addled invention of gonzo to Michael Herr’s redefinition of war reporting in the hell of Vietnam. Weingarten also tells the deeper backstory, recounting the rich and surprising history of the editors and the magazines who made the movement possible, notably the three greatest editors of the era—Harold Hayes at Esquire, Clay Felker at New York, and Jann Wenner at Rolling Stone. And finally Weingarten takes us through the demise of the New Journalists, a tragedy of hubris, miscalculation, and corporate menacing. This is the story of perhaps the last great good time in American journalism, a time when writers didn’t just cover stories but immersed themselves in them, and when journalism didn’t just report America but reshaped it. “Within a seven-year period, a group of writers emerged, seemingly out of nowhere—Tom Wolfe, Jimmy Breslin, Gay Talese, Hunter S. Thompson, Joan Didion, John Sack, Michael Herr—to impose some order on all of this American mayhem, each in his or her own distinctive manner (a few old hands, like Truman Capote and Norman Mailer, chipped in, as well). They came to tell us stories about ourselves in ways that we couldn’t, stories about the way life was being lived in the sixties and seventies and what it all meant to us. The stakes were high; deep fissures were rending the social fabric, the world was out of order. So they became our master explainers, our town criers, even our moral conscience—the New Journalists.” —from the Introduction
At the dawn of the 20th century, Jack London was considered one of the first literary writing pioneers in the rapidly growing world of magazine fiction. Having written numerous novels, short stories, poems and essays, he became a well-known celebrity and world-wide house hold name. Even today, Jack London’s popular written works find a large reader audience and his stories have been adapted into feature films and television programs. Told here within this publication are the Jack London short stories of 'Chinago', 'The Death of Lingoun', and 'Told in the Drooling Ward'. Each Jack London short story is illustrated by well-known comic veterans Guy Davis (DARK HORSE's B.P.R.D./Hellboy), Vince Locke (DC's Sandman/CALIBER's Deadworld), and Charles Yates. A Caliber Comics release.
At the dawn of the 20th century, Jack London was considered one of the first literary writing pioneers in the rapidly growing world of magazine fiction. Having written numerous novels, short stories, poems and essays, he became a well-known celebrity and world-wide house hold name. Even today, Jack London’s popular written works find a large reader audience and his stories have been adapted into feature films and television programs. This is fully illustrated one shot adaptation of the Jack London short story about an aging boxer who tries to muster up the strength for one last fight. Tom King was never a champion but he was always on the verge as he fought his way up to the top. Now, after years of fighting, he is near the end of the line but he needs to win a fight against a new up and coming boxer. Tom knows that in order to survive, he must win but can even his savvy and experience defeat the stamina of youth? Illustrated by Ron McCain (DC's Batman and MARVEL's Daredevil). A Caliber Comics release.
Richard Tames describes how London has been chronicled, described, celebrated, named, and mapped over the twenty centuries of its existence to become a city treasured even by those who have never set foot in it as a byword for innovation and diversity. This book has been written for those who, knowing London, know that it is too vast, too complex, too elusive ever to be fully known but yet would like to know it better still.