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A mesage to a Medici, unseen for 500 years has been found. It reveals the true purpose of Botticelli's Primavera, while opening a window on the cryptic world of the Renaissance Pagan Revival
Minor classic of the Harlem Renaissance centers on the larger-than-life inhabitants of an uptown apartment building. The rollicking satire's characters include stand-ins for Langston Hughes, Zora Neale Hurston, and Alain Locke.
An honest view, from the ground up, of the effects of the Arab Spring.
In this charming regency romance, a dog in need of rescue brings together a young debutante and a mysterious stranger—third in the Chance Sisters series. After a childhood riddled with poverty and hardship, Jane Chance intends to enter high society and make a good, safe, sensible marriage during the London Season. All goes according to plan until a dark, dangerous vagabond helps her rescue a dog. Zachary Black is all kinds of unsuitable—a former spy, now in disguise, he’s wanted for murder. His instructions: to lie low until his name is cleared. But Zach has never followed the rules, and he wants Jane for his own, even if that means blazing his way into London society. Jane knows she shouldn’t fall in love with an unreliable, albeit devastatingly attractive, rogue. But Zach is determined—and he‘s a man accustomed to getting what he wants.
This volume brings together a group of scholars to consider the rituals of eating together in the Byzantine world, the material culture of Byzantine food and wine consumption, and the transport and exchange of agricultural products. The contributors present food in nearly every conceivable guise, ranging from its rhetorical to more practical applications--such as the preparing, processing, preserving and selling of food abroad. The chapters expand on papers presented at the 37th Annual Spring Symposium of Byzantine Studies, in honour of Professor A.A.M. Bryer.
"A classic of Japanese literature" (Chicago Sun-Times) and the first novel in the masterful tetralogy, The Sea of Fertility, set in 1912 Tokyo, featuring an aspiring lawyer who believes he has met the successive reincarnations of his childhood friend. It is 1912 in Tokyo, and the hermetic world of the ancient aristocracy is being breached for the first time by outsiders—rich provincial families unburdened by tradition, whose money and vitality make them formidable contenders for social and political power. Shigekuni Honda, an aspiring lawyer and his childhood friend, Kiyoaki Matsugae, are the sons of two such families. As they come of age amidst the growing tensions between old and new, Kiyoaki is plagued by his simultaneous love for and loathing of the spirited young woman Ayakura Satoko. But Kiyoaki’s true feelings only become apparent when her sudden engagement to a royal prince shows him the magnitude of his passion—and leads to a love affair both doomed and inevitable.
One spring morning two men cutting peat in a Danish bog uncovered a well-preserved body of a man with a noose around his neck. Thinking they had stumbled upon a murder victim, they reported their discovery to the police, who were baffled until they consulted the famous archaeologist P.V. Glob. Glob identified the body as that of a two-thousand-year-old man, ritually murdered and thrown in the bog as a sacrifice to the goddess of fertility. Written in the guise of a scientific detective story, this classic of archaeological history--a best-seller when it was published in England but out of print for many years--is a thoroughly engrossing and still reliable account of the religion, culture, and daily life of the European Iron Age. Includes 76 black-and-white photographs.
This major two-volume study offers an interdisciplinary analysis of Montaigne's Essais and their fortunes in early modern Europe and the modern western university. Volume one focuses on contexts from within Montaigne's own milieu, and on the ways in which his book made him a patron-author or instant classic in the eyes of his editor Marie de Gournay and his promoter Justus Lipsius. Volume two focuses on the reader-writers across Europe who used the Essais to make their own works, from corrected editions and translations in print, to life-writing and personal records in manuscript. The two volumes work together to offer a new picture of the book's significance in literary and intellectual history. Montaigne's is now usually understood to be the school of late humanism or of Pyrrhonian scepticism. This study argues that the school of Montaigne potentially included everyone in early modern Europe with occasion and means to read and write for themselves and for their friends and family, unconstrained by an official function or scholastic institution. For the Essais were shaped by a battle that had intensified since the Reformation and that would continue through to the pre-Enlightenment period. It was a battle to regulate the educated individual's judgement in reading and acting upon the two books bequeathed by God to man. The book of scriptures and the book of nature were becoming more accessible through print and manuscript cultures. But at the same time that access was being mediated more intensively by teachers such as clerics and humanists, by censors and institutions, by learned authors of past and present, and by commentaries and glosses upon those authors. Montaigne enfranchised the unofficial reader-writer with liberties of judgement offered and taken in the specific historical conditions of his era. The study draws on new ways of approaching literary history through the history of the book and of reading. The Essais are treated as a mobile, transnational work that travelled from Bordeaux to Paris and beyond to markets in other countries from England and Switzerland, to Italy and the Low Countries. Close analysis of editions, paratexts, translations, and annotated copies is informed by a distinct concept of the social context of a text. The concept is derived from anthropologist Alfred Gell's notion of the 'art nexus': the specific types of actions and agency relations mediated by works of art understood as 'indexes' that give rise to inferences of particular kinds. Throughout the two volumes the focus is on the particular nexus in which a copy, an edition, an extract, is embedded, and on the way that nexus might be described by early-modern people.
An extensive investigation of the origins and numerous sightings of the mysterious and terrifying figure known as Spring-Heeled Jack • Shares original 19th-century newspaper accounts of Spring-Heeled Jack encounters as well as 20th and 21st-century reports • Explains his connections to Jack the Ripper and the Slender Man • Explores his origins in earlier mythical beings from folklore, his Steampunk popularity, and the theory that he may be an alien from a high-gravity planet Spring-Heeled Jack--a tall, thin, bounding figure with bat-like wings, clawed hands, wheels of fire for eyes, and breath of blue flames--first leapt to public attention in Victorian London in 1838, springing over hedges and walls, from dark lanes and dank graveyards, to frighten and sometimes physically attack women. News of this strange and terrifying character quickly spread, but despite numerous sightings through 1904 he was never captured or identified. Exploring the vast urban legend surrounding this enigmatic figure, John Matthews explains how the Victorian fascination with strange phenomena and sinister figures paired with hysterical reports enabled Spring-Heeled Jack to be conjured into existence. Sharing original 19th-century newspaper accounts of Spring-Heeled Jack sightings and encounters, he also examines recent 20th and 21st-century reports, including a 1953 UFO-related sighting from Houston, Texas, and disturbing accounts of the Slender Man, who displays notable similarities with Jack. He traces Spring-Heeled Jack’s origins to earlier mythical beings from folklore, such as fairy creatures and land spirits, and explores the theory that Jack is an alien marooned on Earth whose leaping prowess is attributed to his home planet having far stronger gravity than ours. The author reveals how Jack the Ripper, although a different and much more violent character, chose to identify himself with the old, well-established figure of Spring-Heeled Jack. Providing an extensive look at Spring-Heeled Jack from his beginnings to the present, Matthews illustrates why the worldwide Steampunk community has so thoroughly embraced Jack.