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Crown under Law is an account of how and why the constitutional idea arose in early modern England. The book focuses on two figures: Richard Hooker and John Locke. Alexander S. Rosenthal characterizes Hooker as a transitional figure who follows the medieval natural law tradition even while laying the groundwork for Locke's political thought. The book challenges the influential interpretation of Locke by Leo Strauss (who saw Locke as a radical modernist) by illustrating the lines of continuity between Locke's argument in Two Treatises of Government and the earlier political tradition represented by Hooker. In the course of this intellectual history, Rosenthal explores the perennial themes of political philosophy: what is the origin of political authority, and what conditions render it legitimate? What is the nature of consent and representation? Who holds sovereignty within the state? What laws, if any, ought to bind the exercise of rule? By illustrating the often distinctive manner in which Hooker addresses the great questions, and how he powerfully affects later developments such as Locke's conception of the state, Rosenthal's Crown under Law establishes the important place of Richard Hooker in the history of political thought. Book jacket.
Named one of the best books of 2017 by NPR, the Huffington Post, Publishers Weekly, Kirkus Reviews, the Los Angeles Times, the Boston Globe, the Horn Book Magazine, the News & Observer, BookPage, Chicago Public Library, and more The barbershop is where the magic happens. Boys go in as lumps of clay and, with princely robes draped around their shoulders, a dab of cool shaving cream on their foreheads, and a slow, steady cut, they become royalty. That crisp yet subtle line makes boys sharper, more visible, more aware of every great thing that could happen to them when they look good: lesser grades turn into As; girls take notice; even a mother’s hug gets a little tighter. Everyone notices. A fresh cut makes boys fly. This rhythmic, read-aloud title is an unbridled celebration of the self-esteem, confidence, and swagger boys feel when they leave the barber’s chair—a tradition that places on their heads a figurative crown, beaming with jewels, that confirms their brilliance and worth and helps them not only love and accept themselves but also take a giant step toward caring how they present themselves to the world. The fresh cuts. That’s where it all begins. Crown: An Ode to the Fresh Cut is a high-spirited, engaging salute to the beautiful, raw, assured humanity of black boys and how they see themselves when they approve of their reflections in the mirror.
Includes various departmental reports and reports of commissions. Cf. Gregory. Serial publications of foreign governments, 1815-1931.