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Excerpt from Under Forest Boughs Who's there P (c Me. Who's me Frida. What does Fri da want It's tea time. I'm not coming. I'm busy. Come along in if you're coming. The invitation sounded friendly, but the person addressed was incapacitated from accepting it at once by a cup of tea in one hand, and a plate, on which buttered toast and rock buns were arranged in tempting array, in the other. The obvious course seemed to be to say Open the door. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Excerpt from The Forest on the Hill Her immense slopes and sudden descents added sub limity to Yarner. There lay, indeed, within her frontiers many a level acre, where the trees stood shoulder to shoulder, branch locked in branch; but abrupt declivi ties scattered the forest regions and broke up their order, so that through the boughs of a great oak one might perceive the crown of his neighbour; or, in precipitous places, the feet of some poised tree twining silver roots vainly upon air above the head of another more safely anchored below. At this season, in the lustrous, untino tured splendour of still mornings, the plan of the forest was spread in light upon the shining hills, and, seen against the sunshine, every tree and harmonious em brace of trees, every leaf - strewn glade, every heathery clearing, every pinnacle and arch and column, flashed nakedly. Here were they outlined with flame, where stood parent trunk and main edifice of limb; here they were scrawled and splashed in with nought but quiver ing fire to the limits of the lesser branches and feathery twigs, as they leapt in a radiant network against the blue. The forest roofs thus caught pure splendour of sun light and irradiated a white, aerial glitter that dazzled the eyes and made them content to seek the more genial, more gentle glow of earth. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from The Green Bough It is only when she comes to be observed in the immediate and narrow surroundings of her circum stance that her life stands out tragically apart. She becomes then as a monument, set up on a high and lonely hill amongst the many of those hills in drowsy Devon, a monument, silently claiming the birthright of all women which the laws men make by force have so ungenerously circumscribed. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Saved for a Purpose It was a rude hovel built of rough clapboards, with only two small half windows that were arranged opposite each other so as to admit air and sunshine. The roof slanted toward the north and was covered with a heavy tarred paper. It presented to the pedestrian (who sometimes would leave the main traveled road and follow a little path that wound its way through fields and forest across the section) a sad appearance. It told of a life of hardships of one or more persons, as it stood concealed from the busy world among the leafy boughs of some giant oak trees and a dense growth of underbrush in a secluded place in the forest. Happiness is not confined within the walls of mansions, whose fixtures may exceed millions; neither is sadness confined within the log cabin, but all have their portion of joy and trouble earlier or later in life. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Harvard's Classics Collection: Complete 71 Volumes is a monumental anthology that serves as a comprehensive survey of the foundational texts and figures that have shaped Western literature and thought. This collection spans millennia, encompassing works from ancient Greece to the Enlightenment, and up through the 19th century, showcasing a diverse range of literary styles, including poetry, philosophy, fiction, and scientific discourse. The inclusion of seminal works by figures such as Dante Alighieri, William Shakespeare, Plato, and Charles Darwin, amongst others, highlights the anthologys breadth and depth, offering readers an unparalleled insight into the various currents that have influenced Western cultural and intellectual history. The contributing authors and editors of this collection are each luminary in their own right, having left indelible marks on their respective fields. This anthology not only collates works by philosophers, scientists, and literary giants but also orchestrates a dialogue among them, offering a unique multidisciplinary perspective. The collection navigates through Renaissance humanism, the Enlightenments valorization of reason, and the romantic eras emphasis on individual emotion and natural beauty, painting a rich historical and cultural panorama. Through their collective works, this anthology encapsulates the essence of human thought and its evolution over the centuries. Harvards Classics Collection: Complete 71 Volumes is an essential resource for those looking to immerse themselves in the rich tapestry of human knowledge and creativity. Whether for scholarly research, educational pursuits, or personal enrichment, this collection offers an unmatched opportunity to engage with the texts that have served as cornerstones of Western culture. Readers are invited to explore this treasure trove of human experience, thought, and expression, which continues to enlighten, instruct, and inspire generations.
The Greatest British Classics Ever Written encapsulates an unrivaled collection traversing the comprehensive spectrum of British literature. This anthology presents a curated selection of works that showcase not only the evolution of literary styles but also the thematic depth which has characterized centuries of English writing. From the cerebral comedies of Oscar Wilde to the haunting gothic tales of Ann Ward Radcliffe, and the pioneering science fiction of H.G. Wells, this collection emphasizes the diversity and significant contributions of British literature to the global canon. Standout pieces capture the essence of human condition, societal shifts, and the unending quest for identity and belonging within varied historical and socio-political contexts. The authors and editors, hailing from different epochs, bring together an impressive array of backgrounds, literary movements, and philosophical ideologies. This melting pot includes the romantic disillusionment of the Brontë sisters, the sharp social critique of Charles Dickens, the existential musings of T.S. Eliot, and the pioneering narratives of Mary Shelley. Their collective works represent a cross-section of the historical nuances, cultural shifts, and the rich literary heritage of the British Isles, revealing a shared lineage of exploration, innovation, and a profound inquiry into the human spirit and societal constructs. For aficionados and newcomers to British literature alike, this anthology offers a unique opportunity to immerse oneself in the rich tapestry of British literary genius. The Greatest British Classics Ever Written is more than just a collection; it's a journey through time, offering a panoramic view of the ideas and aesthetics that have shaped not only British literature but also the global literary landscape. Readers are encouraged to delve into this meticulously curated anthology to experience the breadth of insights, the evolution of literary forms, and the dialogue fostered between the era-defining works of these seminal authors. It's an essential volume for those seeking to understand the legacy and continued relevance of British literary contributions to world culture.
The Harvard Classics in 365 Days aims to provide a whirlwind tour of classic literature. By reading for just 15 minutes a day throughout the year, you can discover text from “twelve main divisions of knowledge” including History, Poetry, Natural Science, Philosophy, Biography, Prose Fiction, Criticism and the Essay, Education, Political Science, Drama, Voyages and Travel and Religion. Based on Dr. Eliot's “reading guide” for The Harvard Classics, a complete chapter of reading material is included for each day of the year (even February 29th, in case you are reading during a Leap Year): "These selections assigned for each day in the year as you will see, are introduced by comments on the author, the subjects or the chief characters. They will serve to introduce you in the most pleasant manner possible to the Harvard Classics. They will enable you to browse enjoyably among the world’s immortal writings with entertainment and stimulation in endless variety.." Each reading is framed by an introduction, a context in which the text can be read and understood, often with insightful information about the author, it's wider history, or why that particular selection is appropriate reading for that day.
Invest your time in reading the true masterpieces of world literature, the greatest works by the masters of their craft, the revolutionary works, the timeless classics and the eternally moving storylines every person should experience in their lifetime: Leaves of Grass (Walt Whitman) Siddhartha (Herman Hesse) Middlemarch (George Eliot) The Madman: His Parables and Poems (Kahlil Gibran) Ward No. 6 (Anton Chekhov) Moby-Dick (Herman Melville) The Picture of Dorian Gray (Oscar Wilde) Crime and Punishment (Fyodor Dostoevsky) The Overcoat (Gogol) Ulysses (James Joyce) Walden (Henry David Thoreau) Hamlet (Shakespeare) Romeo and Juliet (Shakespeare) Macbeth (Shakespeare) The Waste Land (T. S. Eliot) Odes (John Keats) The Flowers of Evil (Charles Baudelaire) Ivanhoe (Sir Walter Scott) Robinson Crusoe (Daniel Defoe) Little Women (Louisa May Alcott) Pride and Prejudice (Jane Austen) Emma (Jane Austen) Jane Eyre (Charlotte Brontë) Wuthering Heights (Emily Brontë) Lorna Doone (R.D. Blackmore) The Lady of the Camellias (Alexandre Dumas) Anna Karenina (Leo Tolstoy) Vanity Fair (Thackeray) Dangerous Liaisons (De Laclos) The Mill on the Floss (George Eliot) Dona Perfecta (Benito Pérez Galdós) Swann's Way (Marcel Proust) Sons and Lovers (D. H. Lawrence) David Copperfield (Charles Dickens) Great Expectations (Charles Dickens) Jude the Obscure (Thomas Hardy) The Wings of the Dove (Henry James) The History of a Scoundrel or Bel-Ami (Guy de Maupassant) Two Years in the Forbidden City (Princess Der Ling) Les Misérables (Victor Hugo) The Count of Monte Cristo (Alexandre Dumas) Pepita Jimenez (Juan Valera) The Way We Live Now (Anthony Trollope) The Red Badge of Courage (Stephen Crane) A Room with a View (E. M. Forster) Sister Carrie (Theodore Dreiser) The Blazing World (Margaret Cavendish) The Jungle (Upton Sinclair) The Republic (Plato) The Golden Ass (Apuleius) Meditations (Marcus Aurelius) Art of War (Sun Tzu) Candide (Voltaire) Don Quixote (Miguel de Cervantes) Decameron (Giovanni Boccaccio) Narrative of the Life of Frederick Douglass (Frederick Douglass) Dream Psychology (Sigmund Freud) The Einstein Theory of Relativity by H. A. Lorentz The Science of Being Well (Wallace D. Wattles) As a Man Thinketh (James Allen) The Mysterious Affair at Styles (Agatha Christie) A Study in Scarlet (Arthur Conan Doyle) The Sign of Four (Arthur Conan Doyle) Heart of Darkness (Joseph Conrad) The Call of Cthulhu (H. P. Lovecraft) The Legend of Sleepy Hollow (Washington Irving) Frankenstein (Mary Shelley) The War of the Worlds (H. G. Wells) The Raven (Edgar Allan Poe) The Black Cat (Edgar Allan Poe) The Sun Also Rises (Ernest Hemingway) The Wonderful Wizard of Oz (L. Frank Baum) Treasure Island (Robert Louis Stevenson) The Wonderful Adventures of Nils Holgersson (Selma Lagerlöf) The Adventures of Tom Sawyer & Huckleberry Finn (Mark Twain) The Call of the Wild (Jack London) White Fang (Jack London) Journey to the Centre of the Earth (Jules Verne) Alice in Wonderland (Lewis Carroll) The Secret Garden (Frances Hodgson Burnett) A Little Princess (Frances Hodgson Burnett) The Jungle Book (Rudyard Kipling) Tarzan of the Apes (Edgar Rice Burroughs) The Complete Fairytales of Brothers Grimm The Complete Fairytales of Hans Christian Andersen Pygmalion (George Bernard Shaw) Botchan (Soseki Natsume) The Sorrows of Young Werther (Johann Wolfgang von Goethe)