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Deals with the history of astronomy in the southern hemisphere from the first expeditions from the northern hemisphere in the 17th century to 1975.
With a common focus on the decisions made by filmmakers, the essays in this collection explore different aspects of the relationship between textual detail and broader conceptual frameworks. These texts reflect not only those areas of film history which have traditionally been explored through mise-en-scène criticism, but also areas such as the avant-garde and television drama which have not tended to receive such detailed investigation. In these ways, the book conducts a series of dialogues with issues in film study which are specifically provoked by close analysis.
David Attenborough's accounts of his famous "Quests" have been immensely popular. His latest book is as compelling as any, rich in anecdote, extremely readable, and about a wild, remote and beautiful land, little known even to Australians themselves. The Northern Territory of Australia is vast- although it is no more than one-sixth of Australia, it is six times the size of the British Isles. Yet it has a total population of a mere 37,000. The Tropic of Capricorn runs close to its southern boundary across a desert of naked rock peaks and ochre-red sands. Its northern coasts, a thousand miles away, are rimmed with mangrove swamps and desolate valleys haunted by wallabies, cockatoos and huge flocks of water birds. On his four-months' journey through this desolate and fascinating country David Attenborough spent much of his time observing these and many other creatures that make this part of Australia such an intriguing place for a naturalist- birds that collect white snail-shells and quartz crystals as though they were jewels and build a special arena in which to display them; lizards that run on their hind legs like miniature dinosaurs and have a great flap of skin around the neck which can be erected like an Elizabethan ruff; immense herds of buffalo which, first imported to the Territory over a century ago as beasts of burden, have now run wild and multiplied to become the most dangerous creatures in the bush through which they roam. The author's descriptions of these animals make fascinating reading, but so also do his accounts of the diverse people he met: a man who paints his body with human blood and is preparing to vote in government elections; a solitary gold prospector who, after thirty years of fruitless search in the scorching desert, believes that to find gold would be a disaster; an artist living in a bark shelter with a few possessions other than a knife and a loin-cloth, whose paintings sell for high prices in cities two thousand miles away. David Attenborough writes vividly and wittily about these encounters, as well as describing such subjects as the ancient rock-paintings he examined that show men and women, hunting scenes and animals, all in startling symbolic design, which in many cases parallel the first drawings mankind ever made in the prehistoric caves of Europe; a secret tribal ceremony he witnessed that brings those taking part into communion with the gods of Dreamtime; and how the aborigines survive in the empty desert which, in spite of its apparent barrenness, provides them with all they need
Alfred Hitchcock's career spanned more than five decades, during which he directed more than 50 films, many of them indisputable classics: Notorious, Strangers on a Train, Rear Window, Vertigo, North by Northwest, and Psycho, among others. In A Year of Hitchcock: 52 Weeks with the Master of Suspense, authors Jim McDevitt and Eric San Juan provide a comprehensive examination of Hitchcock's film-to-film development, spanning from the beginning of his career in silents to his final film in 1976, including his work on two French propaganda shorts he directed during World War II and segments he directed for Alfred Hitchcock Presents. Organized into 52 chapters and arranged in chronological order, the book invites readers to spend a year with the director's most notable works, all of which are available on DVD. Each film is examined in the context of Hitchcock's career, as the authors consider the themes central to his work; discuss each film's production; comment on the cast, script, and other aspects of the film; and assess the film's value to the Hitchcock viewer. From The Lodger to Family Plot, 68 works directed by Hitchcock are analyzed. Each analysis is supplemented by key film facts, trivia, awards, a guide to his cameos, a filmography, and a listing of available DVD releases. Whether readers decide to undertake the journey through his films one week at a time or pick and choose at their discretion, A Year of Hitchcock will open the eyes of any viewer who wants to better understand this director's evolution as an artist.
"A concise and intelligent synthesis of what we know and think about Hitchcock and a road map to future work on the subject. . . . There is no complete index to Hitchcock's career like this one and critics and historians will mine Sloan's work with enormous profit. . . . The 'Critical Survey' section constitutes an invaluable contribution to the project of metacriticism."—Matthew Bernstein, author of Walter Wanger, Hollywood Independent
Roland Barthes – the author of such enduringly influential works as Mythologies and Camera Lucida - was one of the most important cultural critics of the post-war era. Since his death in 1980, new writings have continued to be discovered and published. The Afterlives of Roland Barthes is the first book to revisit and reassess Barthes' thought in light of these posthumously published writings. Covering work such as Barthes' Mourning Diary, the notes for his projected Vita Nova and many writings yet to be translated into English, Neil Badmington reveals a very different Barthes of today than the figure familiar from the writings published in his lifetime.
This new collection of writings on Alfred Hitchcock considers Hitchcock both in his time and as a continuing influence on filmmakers, films and film theory. The contributions, who include leading scholars such as Slavoj Zizek, Laura Mulvey, Peter Wollen, and James Naremore, discuss canonical films such as Notorious and The Birds alongside lesser-known works including Juno and the Paycock and Frenzy. Articles are grouped into four thematic sections: 'Authorship and Aesthetics' examines Hitchcock as auteur and investigates central topics in Hitchcockian aesthetics. 'French Hitchcock' looks at Hitchcock's influence on filmmakers such as Chabrol, Truffaut and Rohmer, and how film critics such as Bazin and Deleuze have engaged with Hitchcock's work. 'Poetics and Politics of Identity' explores the representation of personal and political in Hitchcock's work. The final section, 'Death and Transfiguration' addresses the manner in which the spectacle and figuration of death haunts the narrative universe of Hitchcock's films, in particular his subversive masterpiece Psycho.
When Hitchcock's Films was first published, it quickly became known as a new kind of book on film and as a necessary text in the growing body of Hitchcock criticism. This revised edition of Hitchcock's Films Revisited includes a substantial new preface in which Wood reveals his personal history as a critic--including his coming out as a gay man, his views on his previous critical work, and how his writings, his love of film, and his personal life and have remained deeply intertwined through the years. This revised edition also includes a new chapter on Marnie.