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Undead Ends is about how we imagine humanness and survival in the aftermath of disaster. This book frames modern British and American apocalypse films as sites of interpretive struggle. It asks what, exactly, is ending? Whose dreams of starting over take center stage, and why? And how do these films, sometimes in spite of themselves, make room to dream of new beginnings that don’t just reboot the world we know? Trimble argues that contemporary apocalypse films aren’t so much envisioning The End of the world as the end of a particular world; not The End of humanness but, rather, the end of Man. Through readings of The Road, I Am Legend, 28 Days Later, 28 Weeks Later, Children of Men, and Beasts of the Southern Wild, this book demonstrates that popular stories of apocalypse can trouble, rather than reproduce, Man’s story of humanness. With some creative re-reading, they can even unfold towards unexpected futures. Mainstream apocalypse films are, in short, an occasion to imagine a world After Man.
In his new novel, John Ajvide Lindqvist does for zombies what his previous novel, Let the Right One In, did for vampires. Across Stockholm the power grid has gone crazy. In the morgue and in cemeteries, the recently deceased are waking up. One grandfather is alight with hope that his grandson will be returned, but one husband is aghast at what his adored wife has become. A horror novel that transcends its genre by showing what the return of the dead might really mean to those who loved them.
A death and life situation… Betsy’s heartbroken over her friend Marc’s death, but at least his sacrifice should change the future—her future­—for the better. But Betsy’s next few hundred years will still be far from perfect. After all, her half sister Laura is the Antichrist and Laura’s mother is Satan, which means that family gatherings will always be more than a little awkward. What’s really bothering Betsy is that ever since she and Laura returned from visiting their mom in hell, Laura’s been acting increasingly peculiar. Maybe it’s Laura’s new job offer as Satan’s replacement down under. Unfortunately, the position comes at a damnable price: her soul. Now a war has been waged—one that’s going to take sibling rivalry to a whole new level and a dimension where only one sister can survive.
From New York Times and USA Today bestselling author Jamie Thornton. Dessa has plans. She plans to stay out of trouble in the group home where she lives. She plans to work crazy hours at the grocery story to save for her own place. She plans to get her little brother back, soon, from his foster parents. But when a zombie apocalypse arrives, it wrecks all of Dessa’s plans. With the city falling into chaos, Dessa must use her street smarts to survive. Her only weapon against the zombies is a pillowcase of tuna cans. Her only allies are the other group home teens she doesn’t dare trust. And there’s only one plan left in the entire universe that matters. Find and save her brother before it’s too late. AFTER THE WORLD ENDS launches a new series in the same bestselling universe as ZOMBIES ARE HUMAN. New characters. New adventures. A thrilling zombie apocalypse awaits.
Out of sight, out of their minds: It's a school-trip splatter fest and completely not cool when the other kids in her class go all braindead on new girl Bobby.The day of the ski trip, when the bus comes to a stop at a roadside restaurant, everyone gets off and heads in for lunch. Everyone, that is, except Bobby, the new girl, who stays behind with rebel-without-a-clue Smitty. Then hours pass. Snow piles up. Sun goes down. Bobby and Smitty start to flirt. Start to stress. Till finally they see the other kids stumbling back. But they've changed. And not in a good way. Straight up, they're zombies. So the wheels on the bus better go round and round freakin' fast, because that's the only thing keeping Bobby and Smitty from becoming their classmates' next meal. It's kill or be killed in these hunger games, heads are gonna roll, and homework is most definitely gonna be late.Combining the chill of THE SHINING, the thrill ride of SPEED, the humor of SHAUN OF THE DEAD, and the angst of THE BREAKFAST CLUB, Kirsty McKay's UNDEAD is a bloody mad mash-up, a school-trip splatter-fest, a funny, gory, frighteningly good debut!
Zombies have become an increasingly popular object of research in academic studies and, of course, in popular media. Over the past decade, they have been employed to explain mathematical equations, vortex phenomena in astrophysics, the need for improved laws, issues within higher education, and even the structure of human societies. Despite the surge of interest in the zombie as a critical metaphor, no coherent theoretical framework for studying the zombie actually exists. Addressing this current gap in the literature, Theorising the Contemporary Zombie defines zombiism as a means of theorising and examining various issues of society in any given era by immersing those social issues within the destabilising context of apocalyptic crisis; and applying this definition, the volume considers issues including gender, sexuality, family, literature, health, popular culture and extinction.
A deadly infection spreads across Europe. The Undead Series: A terrifying account of one man desperately struggling to survive this harrowing event. The Undead. The First Seven Days Compilation Edition. Reviews from The Undead series: "5 stars isn't enough! Far and away the best zombie series around!" "This is a sure-fire, cult hit of a series" "One of the best series out there and one of the best authors of this genre - totally gripping and will have you at the edge of your seat." "each and every book will leave you begging for the next one." "each one is a masterpiece all on its own." "Another amazing instalment." "Haywood sure is improving like a fine wine." "this story simply gets better and better." "Once again the subplots weave around one another, coming together with quality timing." "Each time I finish reading I'm exhausted, overjoyed, anxious and fearful of what's coming next." "Brilliant writing from start to end." "Well done RR Haywood, please do not stop doing what you are doing." "This has been the best zombie series I've read." "I cannot begin to describe how exciting and spellbinding The Unread series is." "I just want to keep getting lost in the story." "I like zombie books. A lot. But the character development, the humour, the action and the banter in this series make it the best I have ever read."
The Ends of History? considers how, despite the fact that events in the past 20 years have called Francis Fukuyama’s infamous announcement of the end of history into question, the issue of the end of history is now a matter of renewed interest and debate. Two decades ago we were confronted by the end of the Soviet Union and collapse of the geo-political divisions that had defined much of the twentieth century. From this particular end, the ‘end of history’ was proclaimed. But is it still possible to argue that liberal democracy and free market capitalism are the final form of law and mode of production in human history? Recent events have called this thesis into question: from 9/11 and the War on Terror, to the current global economic collapse and looming ecological crises, it seems that history if far from over. And yet, oddly enough, the question of ‘the end’ has returned. For example, in the often predicted, but still uncertain, establishment of either a new international American Empire or a new era of International Law, and the global resurgence of religion as a dominant source of political identification. On the other hand, perhaps the ‘end’ is still yet to come, slowly accumulating, mustering at the periphery of the geo-political landscape and outside the productive sphere. Responses taking up these questions range from a return to Universalism, political theology, Messianism, and even the old specter of communism. This volume assesses these responses, exploring what is at stake in proclaiming ‘the end’ in the current historical moment. Is it a matter of reading the writing on the wall? Or is the proclamation itself a political act? Furthermore is there a desire for the ‘end’? In addressing these questions, the contributors to The Ends of History? confront the various ‘ends’ that we now live, and in so doing they open new lines of sight into the future.
Based on readings of some of the leading literary voices in contemporary Irish writing, this book explores how these authors have engaged with the events of Ireland's recent economic 'boom' and the demise of the Celtic Tiger period, and how they have portrayed the widespread and contrasting aftermaths. Drawing upon economic literary criticism, affect theory in relation to shame and guilt, and the philosophy of debt, this book offers an entirely original suit of perspectives on both established and emerging authors. Through analyses of the work of writers including Donal Ryan, Anne Haverty, Claire Kilroy, Dermot Bolger, Deirdre Madden, Chris Binchy, Peter Cunningham, Justin Quinn, and Paul Murray, author Eóin Flannery illuminates their formal and thematic concerns. Paying attention to generic and thematic differences, Flannery's analyses touch upon issues such as: the politics of indebtedness; temporality and narrative form; the relevance of affect theory to understandings of Irish culture and society in an age of austerity; and the relationship between literary fiction and the mechanics of high finance. Insightful and original, Form, Affect and Debt in Post-Celtic Tiger Irish Fiction provides a seminal intervention in trying to grasp the cultural context and the literature of the Celtic Tiger period and its wake.
The New York Times bestselling series. With her wedding fast approaching, cold feet don't come as a surprise to Betsy Taylor-especially with an undead groom. But when her fianc? and most of her loved ones go missing, it's up to Betsy to find them-and whoever is behind the disappearances.